Liontamer
08-16-2008, 03:07 PM
# Download Mix
# Remixer Name: The Cynic Project
# Full Name: Alex Smith
# cynicmusic@gmail.com
# http://cynicmusic.com
# Fourm UserID: 16311
# Sonic the Hedgehog 3 (Sega Genesis)
# Theme from Ice Cap Zone
# About the mix: I worked on this trance mix of Ice Cap Zone for a few months before submitting....since the standards for an Ice Cap submission are so high! This version has a longish intro and repetitive arrangement for the dance floor. I also made a radio friendly mix but instead opted to submit this longer version. Thanks for listening!
Alex Smith
The Cynic Project
http://cynicmusic.com
---------------------------------------------------------------
http://project2612.org/download.php?id=61 - IceCap Zone 1
Pretty beefy original trance stuff to open it up. Didn't get to the IceCap Zone theme until 1:47 of a 5:26-long mix. While wholly original sections are cool and a great way to add your own stuff to the arrangement, interpretive usage of the source tune has to be the most dominant aspect of the arrangement.
Once the IceCap melody kicked in at 1:47, the sound design was a bit generic for the genre, but certainly produced nicely. The sound balance was pretty good, and things were sounding strong.
Aight, so the melody came in at 2:13. Aside from a slight key change, it was basically verbatim with the original until 2:40; even the countermelody. So already, that just screams this is a NO. You can't do such a prolonged buildup that ultimately had nothing to do with arranging the source, then finally launch into source usage that's not even interpretively presented.
The stuff from 2:40-2:53 was a cooler lead-in, but led back into the verse, which was again close to the source. More verbatim melody stuff from 3:07-3:34. A new countermelody crept in at 3:20, which was a good touch. More original writing until 4:01 went back to the source intro. 4:27 went for a simplified take on the melody until 4:41-4:56, followed by the outro for the last 30 seconds.
As The Lady reminded me, the fact that you took this approach coupled with the sub letter clues me in that you believe this is interpretive enough. You've got nothing to worry about on the production side; you're definitely making good music here, but I gotta clarify that you really need more melodic interpretation when the source tune is in play. It's not enough to merely adapt it for trance and sandwich that between wholly original writing. Don't be discouraged though; once you get more interpretive with the arrangement to compliment the skillful production and roll with the complete package, you'll be good to go.
NO
# Remixer Name: The Cynic Project
# Full Name: Alex Smith
# cynicmusic@gmail.com
# http://cynicmusic.com
# Fourm UserID: 16311
# Sonic the Hedgehog 3 (Sega Genesis)
# Theme from Ice Cap Zone
# About the mix: I worked on this trance mix of Ice Cap Zone for a few months before submitting....since the standards for an Ice Cap submission are so high! This version has a longish intro and repetitive arrangement for the dance floor. I also made a radio friendly mix but instead opted to submit this longer version. Thanks for listening!
Alex Smith
The Cynic Project
http://cynicmusic.com
---------------------------------------------------------------
http://project2612.org/download.php?id=61 - IceCap Zone 1
Pretty beefy original trance stuff to open it up. Didn't get to the IceCap Zone theme until 1:47 of a 5:26-long mix. While wholly original sections are cool and a great way to add your own stuff to the arrangement, interpretive usage of the source tune has to be the most dominant aspect of the arrangement.
Once the IceCap melody kicked in at 1:47, the sound design was a bit generic for the genre, but certainly produced nicely. The sound balance was pretty good, and things were sounding strong.
Aight, so the melody came in at 2:13. Aside from a slight key change, it was basically verbatim with the original until 2:40; even the countermelody. So already, that just screams this is a NO. You can't do such a prolonged buildup that ultimately had nothing to do with arranging the source, then finally launch into source usage that's not even interpretively presented.
The stuff from 2:40-2:53 was a cooler lead-in, but led back into the verse, which was again close to the source. More verbatim melody stuff from 3:07-3:34. A new countermelody crept in at 3:20, which was a good touch. More original writing until 4:01 went back to the source intro. 4:27 went for a simplified take on the melody until 4:41-4:56, followed by the outro for the last 30 seconds.
As The Lady reminded me, the fact that you took this approach coupled with the sub letter clues me in that you believe this is interpretive enough. You've got nothing to worry about on the production side; you're definitely making good music here, but I gotta clarify that you really need more melodic interpretation when the source tune is in play. It's not enough to merely adapt it for trance and sandwich that between wholly original writing. Don't be discouraged though; once you get more interpretive with the arrangement to compliment the skillful production and roll with the complete package, you'll be good to go.
NO