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Hi Rukunetsu! Gonna drop the source of the track here for reference later. This is some slick D&B on this track! The vibe is on lock right from the get-go and every shift just maintains it. The pitch bends on the source melody are a great touch.

I love the piece, if I heard it out of context I would think it's official OST. I would have to agree that it's pretty conservative and I would prefer to hear more of the drums you have at the end, but with that said, I still love the dark ambience you've created along with a pleasantly faithful recreation of the original.

Hey there! Just had a listen to this, and I would definitely say I enjoyed it. Love the fact this is a faithful re-imagining of the original, whilst still putting a bit of your own twist onto it (like the swirly verbs echoing the violin/strings, heavy industrial/dark orchestral drums towards the end starting ~3:15, and the plucky acoustic guitar @ 2:00). The harp and piano combination is beautiful, as well. As a 1:1 cover, it does its job. If someone showed me this, and I did not know the original Ezio's Family track, I'd take this as basically either the original or an adaptation of it directly from / endorsed by Ubisoft. So from a rendition-standpoint, it's very lovely. I do ask, however, if you have more story to tell behind this or more ideas for it? Do you plan on submitting this to OCR? :) If so, you'd have to do a lot more to this to make it more your own personal take on the source, even if it's still a very conservative take more faithful to the source. If not, I'm curious as to how you ran into this source, and what compelled you to do a cover of it? :D

The opening doesn't stand apart from the original much, so I'm interested to hear how it branches out; this is just viewing it from the lens of OC ReMix's arrangement standards. The female vocals have more outward power & strength compared to the original song (not better or worse, just a slightly different tone).  Loved the lead strings up until 2:00; nice richness to it. Acoustic strings at 2:13 also sounded nice. Piano at 2:27 was obviously sampled, but had reasonable body to it, even if it was too obvious it wasn't real; same critique for the strings at 2:42. The dynamics are there; you could argue this should be even more dynamic, but within a relatively narrower range of contrast, it definitely does its thing, especially with the beats arriving at 3:26 for the big finish. This have a nice added level of intensity & density to distinguish it from the original. Cool stuff! IMO, go ahead and submit this, Mellow Sonic! :-) https://ocremix.org/community/submissions/ 

Sounds like a great cover you've put together, mellowsonic! Your arrangement is almost 1:1 with the source material until a well-executed break to the bass elements at around 2:00. The build that follows works well -- love the ping-pong plucks at 2:13. The dark drums are a great touch at 3:24; I would have loved to hear them come in sooner, but part of why they're so impressive is because of how restrained the arrangement has been leading up to that point.