![]() |
|
|
Thread Tools | Display Modes |
|
#11
|
||||
|
||||
|
Interesting track. The slow intro and down-tempo pace seem oddly appropriate, considering that Wrinkly Kong does eventually return as a ghost. The mix has that somewhat eerie sound to it which eventually gives way to a more orchestral feeling. Definitely made me think a bit.
__________________
Radio Free Gamer: THE Source for free VGM and exclusive interviews! Airs Live on Wednesdays 7PM EST at 8bitx.com! http://about.me/justinjohnston |
| Sponsored Links |
|
Please register to remove the above advertisement. |
|
#12
|
||||
|
||||
|
This song caught me off guard at first. The pacing, the synth choices, the beat... it's one of those mixes that's really hard to pigeonhole. Obviously there was some inspiration here to take the source in an unconventional, unusual direction like this, so I've gotta give you props. This mix took a long while to grow on me, but I've certainly come to appreciate the way it was executed.
__________________
![]() · OCR Staff · Judge· Double the Trouble Director · ARMed and DANGerous Co-Assistant Director · Zelda: Ocarina of Time Project Co-Director |
|
#13
|
||||
|
||||
|
Wrinkly's classroom often felt rather understated to me, given that it felt more like a mash of melodic ideas than a structured track,, but it's Nutritious and I felt trusting for him to handle such interpretation swiftly.
After that ridiculous bass intro (!!!), the theme's arrival managed to adapt into this more lively setting that had been built into, and even though the original is already messed up as it is, a lot had been done to show the familiarity behind the source within the soundscape. Even going past 1:30, a lot was done with the backing manipulation to really maintain the familiarity and play around with this electronic twist. In fact, the attention to these synths and the manipulation on them throughout blew my mind, and even then he didn't back down on the string placement either, especially considering the orchestra appears to be his main skill card. I have to say, I'm not really a big fan of the dissonnance at 2:45 though; I understand that the synth does the B melody part and the bass synth does some groove-driven writing, but I would've thought some attention might've been done to the latter to prevent any such clashing. I'm just quite picky in regards to such writing, but with the amount of attention paid to the soundcape it could pretty much be excused. All in all, the DKC2 project was a great outlet to showcase Nutritious's diversity, and I am glad that he managed to play well with his tracks here. I've understood that he'd kept on improving his synth chops down the line as well so I'm glad he managed to keep a solid grasp on it, and so I'm all set to see how far his skills come in future endeavours |
|
#14
|
||||
|
||||
|
This track surprised me when Justin showed it to me since I always had him pegged as more of an orchestral guy. He has developed some diversity along the way and this track was one such step. It's a solid take on Wrinkly's theme that doesn't shoot for the stars, but keeps things light and down low. It doesn't overstay its welcome and is a good effort all around.
__________________
Liontamer: AND THEY HAVE A PLAYPLACE |
![]() |
| Tags |
| electronica, orchestral, strings, synth |
| Thread Tools | |
| Display Modes | |
|
|









Linear Mode
