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#1
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What did you think? Post your opinion of this ReMix.
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#2
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Crunk as a mofo.
I've always found myself liking Shna's "hard to appreciate/stomach" works, like this one, Hunter's Community Chest, Rare Mineral Addict, etc. I really can't explain why. Unlike Israfel, I'm not a wealth of music technical know (not trying to be sarcastic, btw), rather, I'm a listener, sometimes maker (I won't deny that Chauffage Au Gaz was influenced by Shna's work), who loves deviations from the norm. Shna's "abstractions" never come off as messy or to me. Lo fi, almost always. Experimental, for sure. Confusing, sometimes. Requiring of many, many listens? Always. Each time I listen to a Shnamix, I find new things that I like about it, new sections that sound very cool, experiments with sound that stimulate. Meh, maybe I'm a fanboy for this sort of stuff.
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#3
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Wow, what a mess. Way too many random ideas and conflicting instruments. The tossed-in beats were entirely too filtered for the rest of the atmosphere. And good lord too much high-end. I had a really hard time even finishing this one. The whole thing just really really didn't work for me.
Yikes... well... I wouldn't want to follow 'Dragon Song' either... |
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#4
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I like this one a lot. All the stuff going on between the saxes starting around 1:30 is really interesting. There's definitely much going on here that a lot of people just plain won't hear or at least not hear on the first few listens. Even at the weakest points in between there's a certain kind of lo-fi cheesy appeal (starting around 2:18, for example) that makes it work. Of course it's occasionally frustrating as usual, but this one seems to have at least a bit of a different approach that is refreshing.
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#5
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This is a compositional tour de force, no doubt about it. Like many of his other works, Sam masterfully borrows from contemporary jazz and classical musics while at the same time demonstrating an ear for accessibility.
It's hearing the music of up-and-coming composers like Sam that persuaded me away from pursuing a career in music- there's just no way I can compete. :) You rock, Sam, keep it up. |
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#6
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Quote:
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#7
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interesting stuff in here...
And, in order to seem like a total ass, I'm going to waiv my right to say anything intelligent about this mix and just say this: I prefer the original. It's flippin' Sexy-ass Good God Y'all, Edwyn Starr Style, Shiznackety awesome....and therefore, better than this... But I still love you Shnubby. |
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#8
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What a dissonant remix it is
But i like it all the same..it's Shnabubula !
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#9
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I think this is one of the less-accessible tracks he's done personally. While there's not so much of the randomness and energy in this track as perhaps some of the other mixes on the site (some of the chaoticness in Hunter's Community Chest, for instance), I think it's the smooth and unnoticable transitions between the sections and general staticness of ideas (not so much musical progression as other mixes) throughout the whole track that might push peoples attention spans, especially when - as David has touched on - the ideas themselves are quite an acquired taste and tend to have a musical/theoretical leaning, rather than something that is written with the general audience in mind. Probably a hard one for people to grasp, here.
I first heard this all the way back in early June, and I wouldn't say it was my favourite mix of his, probably because LESS happens than I am accustomed to, rather than more :D, though I appreciate this mix a lot, and I certainly can listen to it and enjoy it. I'm feeling that it's Sam's most unique OCR to date, at least. Much respect for keeping that enterprising creative voice at full throttle. Now to silently wait for the next one, whenever it comes around |
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#10
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Lots of notes.
Typical delicious Shna. Make more like it please. (In regards to Solstice being beaten in 7 minutes; a video is available here if that satiates anyone's curiosity.)
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But can breakdancers djp? |
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| instrumental, jazz, sax |
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