[orkybash]

Doom 'Synthetic Demon'

Quality track, as I've come to expect from Peeples. You should download it if only because it has his name on it. Love the orchestral/techno fusion - that kind of style always gets me going.

[Legion303]

Super-high quality and foot-tapping goodness from Peeples. As usual. Move along, folks, nothing out of the ordinary here. :)

Peeples, I sincerely hope you're persuing a career in music, whether in film or games, or even in radio.

-steve

[TheWired]

Well the song itself is truely great, the mix of creepy-distorted sounds and nice techno-orchestral (oh mannnnn this is so good) sound deliberately beautifull, two COMPETELY opposite sounds that match toghether, only an artist of the highest quality can possible hope to achieve this.

On a more personal tone, although i love the song, i dont find it faithfull to the game, doom remixes would sound GREAT if they were industrial, good ole industrial, not weak like NiN, but strong industrial with some nice heavy crunchy guitars like KMFDM or Rammstein, we need this more.

But as it is for the song, this is truely great, 9/10

[Ryan8bit]

Now this I like. A nice, dark, industrial bit for me. I haven't played Doom in a long time, so I forget the music, but I could easily see this fitting the game. The only gripe I would have would be the higher pitched sounds from the distortion. If they were toned down, I could've listened to this over and over. Hell, I'll do that anyways.

[nbdyfcnsqnc]

I can still remember play DOOM using the Roland SCC-1 for music output, and E1M5 was my favorite 1-player level in any DOOM game, probably because of this song. It was really sort of scary, and on hard, quite! There was definitely a gestalt thing going on, whereby the music and gameplay were greater than the sum of the parts, a lot more than other levels in the game.

Obviously the remix strays far from the original, yet it's still quite beautiful in a totally different way, and still reminiscent. It adds a lot, and the only thing it takes away is the quite underrated suspense of the original, just because it's a lot more upbeat. I like it.

[DaleNorth]

Scott still holds true to his title:
One of the top 5 remixers hands down.

Bastard keeps moving up too.

And this song says nothing different: His ideas are great, his creative and technical skills even better, and his style is awesome.
Knowing this, any song he picks up is gonna rock

Doom fits perfectly in my Scott collection of songs. 3:31 has so much 'hell yeah' power. I would've screamed in delight if the orchestral layer had more focus on woodwinds and less on strings. The break at 1:50 or so is so scott, and lets you know that the song will be finished out right.
awesome

[Slackbot]

Sweeet. I don't have enough indepth musical knowledge to give this a coherent evaluation, so I'll just say that 1) you can't have enough DOOM remixes, 2) especially if they're as good as this one. This'll become one of my regular repeats.

[Adhesive_Boy]

Scott Peeples is probably the top on this site of remixers I admire, but actually don't like too much in terms of his style. I'm not too fond of the way he arranges things - I find it to be a bit overproduced and doesn't feel right to me. Still, this is one quality remix that is extremely well done, and if you're not me, you'll probably like it a lot :)

[neostormx]

This sounds like something Necros would compose.. great job!

[AlwaysAlone]

Boy, this is a great remix. Good beat, great sound, and makes a great atmosphere. This is the kind of stuff that I put on repeat. ^_^