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  #21  
Old 08-22-2005, 09:01 AM
Larryboy Larryboy is offline
 
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I've listened to this song at least 10 times in a row now and I just can't stop. It has a soft and dreamlike, yet majestatic, feel to it, and it gives it a depth typical songs with more grandiose chord progressions and melodies can not really achieve. That's not to say I don't love that kind of music as well, but this song has something special to it.

I simply love this piece of music.

Some parts of this song make me think of Max Steiner's music.
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  #22  
Old 01-20-2009, 10:05 PM
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42 42 is offline
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So far so good.
Nice, relaxing, classical, and sweepingly orchestral, reminds me of a woodlands/forest theme. I really loves how it opens up at 2:53 and then gently closes.

o.k., the pause at 1:07 doesn't really help; it breaks up the flow of a nicely moving piece. But other than that, this is great stuff to listen too.
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  #23  
Old 03-19-2009, 09:27 PM
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Beautiful work, but the clipping detracts a bit.
Dynamics and the subtle ambient noise makes this a great piece. The samples are well used, and though the solo cello and some of the earlier brass was a little bit ragged in comparison, the flute solos and then the huge build at the end were awesome.
There's a lot of subtleties to this one, and the additional parts and flow of the track are great. This is nice work.
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  #24  
Old 03-20-2009, 12:16 AM
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Monobrow Monobrow is offline
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Kinda sounds way too similar to the DW3 orchestral arrangement IMO... He probably got his inspiration from those, because man they are beautiful.

This is beautiful too though so w/e, though it would be easy to make it so with reference material like this.

Also yeah, yikes on the clipping. This is way dated so I hope I don't sound too harsh. I kind of always forgot about reviewing this song since I've heard it so much, but it just popped up on the front page so what the heck.
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  #25  
Old 08-11-2012, 11:12 PM
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Although I'm tremendously biased towards the SNES version (even with those high, almost painful, notes it hits+scratches out), this is a superb orchestrated take.

And I know the discussion below on Cox's versus Sugiyama's versions is long over - but... they are different. Sugiyama's follows the original much more closely and moves much more quickly, whereas Cox takes more liberties, varying the piece more. (While they both start and end at the same general spots, Cox's version is also a minute longer!)

There's more going on in this remix. I especially like the choice of woodwind instruments, as it gives the piece a more airy quality (flying!) and, to me at least, sounds more like the original in that respect.

Lovely
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  #26  
Old 04-29-2013, 04:25 PM
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WesternZypher WesternZypher is offline
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Tugs at the heart-strings, it does. Feels like it could be an overture from some old black-and-white classic.
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