ReMix: Final Fantasy VI 'Shadow's Theme'
- Game: Final Fantasy VI (Square, 1994, SNES)
- ReMixer(s): K. Praslowicz
- Composer(s): Nobuo Uematsu
- Song(s): 'Shadow'
- Posted: 2001-02-08, evaluated by djpretzel
Just one new ReMix for today, as I had an awful day (read: car accident) and can't really muster the effort to sound enthusiastic for too extended a period of time :) This is a great one, though, and really fits into a mold that I can't recall any other ReMixes quite resembling. It's guitar based, but relies heavily on some really choice processing and quality DSP, backed by a minimalist drum track and a nice thick upright bass. It's got actually kind of a quentin tarantino Pulp-Fiction esque sound to it, with the slowish, methodical 3/4 time signature. The particular scene I'm thinking about is where John Travolta leaves Eric Stolz's place and shoots up while driving - anyone with me on this one? So, if you mixed Final Fantasy and Tarantino, this might be something like the soundtrack. A cool and just very STYLISH first submission from Mr. Praslowicz
- tweek on October 27, 2009
I'm pretty torn on this one, but I think that it ultimately is held back by the issues too much for me to recommend it.
- OA on March 26, 2009
- Liontamer on December 1, 2008
I'd love to know what gear he was using to get that tone...
- Kittie Rose on October 20, 2007
- Baruch, Vampire Lord on June 23, 2006
I would absolutely love to hear an arranged version of Shadow's theme so I was buzzing when I came across this, and was getting ready to save this file up until about a minute in when the distorted, electric guitar kicked in.
I understand that the point of this site is not to copy, and the more remixs I've listened to, the more open my mind has become, but the distorted guitar sounded out of tune and out of place. I say distorted, but I really think the guitar could've used a lot of echo and been played a lot less staccato. The staccato notes sound almost like you're using only one string on the guitar and almost kills the long, brooding mood.
I don't want to be too harsh because the first minute or so is stellar stuff and the effort is there. Plus, I like the idea of using guitars for Shadow's theme, but this missed the mark for me.
- Jay-Zig on June 21, 2006
Distortion is good here except, perhaps, where it detunes some notes (chiefly the last in the main sequence--it sticks out like a sore thumb). Now, considering that it's Shadow, he has a lot more broken about him than his thumbs, so it bolsters the mood of the song. It just doesn't sound appealing--hopefully you were working toward this.
Anyway, great interpretation as has been mentioned. Brooding.
- Linearity on January 17, 2006
- Master_Yoshi on October 27, 2005
- Bummerdude on October 9, 2005
- Hyperion5182 on September 4, 2005
A mysterious remix for a mysterious man. I think it would have been better if the song had stayed the way it was before the guitar joined in, but it was still an excellent piece. To bad interceptor didn't have a theme. That dog was awesome.
This remix would slit its creators throat for a nickel.
- Baruch, Vampire Lord on September 4, 2005
everything is made into 4/4 time(then again, this [i]is[/i]
a remix site, so I shouldn't expect anything too crazy).
Anywho, maybe it's just me, but because this mix wasn't
done 16 bit/midi style, it felt like it had a lot more
depth. It actually felt more like [i]Shadow's[/i] theme.
It repeats a little too much though. But, that's fine,
cause it rocks.
- DJ Skratch 'n' Sniff on February 21, 2005
Really not feeling the mix so much. It is just a little too slow for my liking. The guitar was also just a little too heavy. 5/10 (I still like the original song, so I enjoyed listening to it a bit)
- Blackthorne on February 20, 2005
- Royal Sovereign on August 12, 2004
Awesome, awesome job.
- Krendall on April 13, 2004
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Discussion: Latest 15 comments/reviews; view the