ReMix: Super Thunder Blade 'Overdrive'
- Game: Super Thunder Blade (Sega, 1988, GEN)
- ReMixer(s): Beatdrop
- Composer(s): Sting Saito
- Song(s):
- Posted: 2002-04-27, evaluated by djpretzel
When I hear 'Overdrive' I tend to think of distortion, and Beatdrop delivers some of that, but the raison detre of this mix is clearly a heads-on techno-industrial groove with a plethora of synth textures, both analog and digital. In fact, you could almost use this mix, which covers the meandering, chromatic Thunderblade / Super Thunderblade score nicely, as a textbook example of digital vs. analog timbres. There's some percussive, digital synths running arpeggios, a biting, gliding analog solo synth that is very, very juicy, and deep, distorted bass that's downright rude (but in a great way). Actually, the bassline deserves special mention - I love what Beatdrop's done with it, it really forms a solid foundation for the track. Interesting decision to bathe this track in a lot of reverb, which at times actually drowns out some of the sonic trickery and special attention Beatdrop obviously paid on this one. In general, the section from 1'28", which has a great rising filtered percussion bit and really gets a vibe going till we break for a digital compu-synth fugue at 2'34", kicks some booty. The afforementioned lead is the perfect sound for the track, as it rises above the mix and cuts throughout it, and does so on both sides of the mix with some tasty stereo action going on. In general, I would have liked a little less reverb, but that's only because I was so interested in hearing all of the juice Beatdrop had flowin' underneath the hood of this puppy. Very well-constructed, technical mix, with discrete sections that each have at least one salient characteristic that makes them memorable and enjoyable. Highly recommended.
- Bahamut on September 30, 2009
- justinj212 on January 10, 2009
This piece doesn't quite gel.. I like the sounds a lot, but they seem to work against each other at some points. I like the material, it has a lot of energy. Powerful bass lines, and that first soaring melody. Great stuff! But the piece feels a bit long, there's a lot of ideas but they're not used to their full potential. I feel the notes clash a bit here and there, with bass especially in some parts, which makes the piece sound like "close.. but not quite.."
I like it, but I get the feeling it could have been great. Keeping it in any case.
--Eino
- evktalo on December 11, 2008
- DragonAvenger on June 12, 2008
There are some great effects created with the synths, and the triplet breakdown gets my attention everytime.
- OA on June 13, 2007
- Nec5 on December 25, 2006
- Audity on October 29, 2006
Hope to hear more in the near future. 8)
- Fire_wolf on September 27, 2004
The transitions work wonderfuly well, and everything links correct. And, oh, excuse me, but that thing is NOT a fugue. It's not even in counterpoint, much less is it anything like a fugue at all. Hell, it doesn't even look like one unless you don't know what a fugue is-sounds like.
Besides this, I believe that this remix covers more than one theme, but it works really really well in going places, enough not to bore me superquick (which most techno does). Good work, thumbs up!
- Ytmh on May 19, 2003
- Liontamer on April 23, 2003
Pretty solid techno from Beatdrop, though I felt like this went on about twice as long as it needed to get it's point across. Also, I could have done without some of the phasing (although for the most part it was used tastefully). Overall, this might kick ass if it wasn't so repetative, but as it is this just plain drags.
- orkybash on June 5, 2002
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Discussion: Latest 11 comments/reviews; view the