ReMix: Plok 'Title Jam'
- Game: Plok (Tradewest, 1993, SNES)
- ReMixer(s): Mazedude
- Composer(s): Geoff Follin, Tim Follin
- Song(s): 'Title'
- Posted: 2002-09-20, evaluated by djpretzel
Plok virtually defines the term "sleeper hit" - at a time when many were more excited with SMW & Bubsy in terms of SNES platformin' action, quiet little Plok offered a huge universe filled with some varied + innovative gameplay. I can remember looking at the box on the rental shelf and thinking "Yeah right . . . like I'm gonna rent a game called 'Plok' that I've never heard of". Fortunately, out of curiosity, I did eventually decide to check it out, and was pleasantly suprised. A little on the difficult side, but bright, colorful graphics and the ability to throw your limbs were neat, and the music - which I didn't know until now was by c64 veteran Tim Follin - was peppy + jazzy. Mazedude capitalizes upon all that was good and right with the original in this all-out jam that features some tres impressivo soloing - including Chris himself wailing away on a mean trombone, straight off a streetside corner in New Orleans - WOW. The main brass sound used pales in comparison, which is a bit of an issue, but there's piano jammage and just fine-tuned, honed, polished sequencing throughout. At around two minutes, when the boneman makes his grand entrance, it certainly raised my already high level of appreciation for this ReMix. Chris has apparently recently become "Pro-Tools Enabled" and used the package for post-production here (the source was from Impulse Tracker and Mr. Getman's embouchure) - he promises more impressive sonic happenings with his new skillz in the future, but in the meantime, jazz lovers especially can rejoice and dig the massive Plok jammin'. Recommended.
- Tetz on July 13, 2010
This just might be the happiest remix on this site.
I love every second. I know the source, so this was no less than a treat. The added accompanyment, the true-to-the-source yet refined sounds, and, of course, the trombone... well done, sir. The keyboard and trombone sections were highlights (love the breakdown before the trombone!), and everything was brought together to an innovative, adroit climax.
This was made in 2002? Ha! Just as fresh today as it ever was. That should speak for itself.
- K.B. on January 6, 2010
Samples are a little rough and a little dated, but it doesn't really take away from the track a lot. The piano and the trombone are the true stars of this piece, and really give the feeling of a party happenin' on the streets of New Orleans.
It's Mazedude, and it's fun. :nicework:
- Sir_Downunder on December 17, 2009
Of course, the trombone and piano must be mentioned, as they are as excellent as I'd ever ask anything to be. I love the hell out of this, so much so that its flaws become points of praise. Pure, uncensored fun all for the sake of kickass music. Long live Mazedude.
- Marmiduke on November 16, 2009
Dual electric guitars (start) - Simultaneously mellow and upbeat.
Clapping drums (0:06) - Seriously, these drums sound like claps. Weird but cool.
Cross-panned drum quotes (every so often) - Gotta admire how they fuel the mix's momentum.
Bass (0:12) - A vibrant, balancing heart.
Golden synth (0:36, 2:16) - It sounds like it came from an electric guitar touched by King Midas.
Crashing Boom Bang attack (1:17, 2:59) - a.k.a. drum+cymbal clash, it's a welcoming bomb to drop out of nowhere.
Piano (1:25) - Such icicle-cool improv.
And these are the things I can't get into:
Unharmonica (0:11) - Something about the way it warbles loosely makes me feel icky.
Brass (1:00) - Despite its noble intentions, it plays its notes in a plain/tacky manner.
The breakdown into slow silence (1:46 - 1:52) - It saps the mix of energy and drags my mood down with it. :(
Trombone (1:53) - There's a slight breath right before it starts playing, which is obvious in the silence of the false ending it follows; a risky first impression. It also gets overpowering, especially near the end.
The arrangement on the whole - This isn't the ReMixer's fault; I never got into [i]Plok[/i]'s Main Theme to begin with, and if the ReMixer wants to keep/expand upon the feel of the source, you can't argue with his choice.
- Polo on April 24, 2009
However, I have been listening to this particular remix time and again over the last few years. It's a quirky, funny tune, and lifts your mood instantaneously. Mazedude always delivers quality stuff, and this remix is no exception.
Also, this song not only makes me look forward to the upcoming Tim Follin tribute album, but has also made me want to finally play Plok. Good job.
- Martin Penwald on June 14, 2008
The samples in this one haven't really stood the test of time, but the arrangement is still hot out of the oven. Great sequencing; the piano is really nice, and the rotary is super fast, but I like how it is used.
The lead up to the Trombone and chiptune solo section was really well executed, and the whole song gives a great feeling of fun and exuberance.
I think some updated samples for this one, and maybe some live acoustic guitar would really make it be a standout. As is, it's still pretty good.
- OA on June 13, 2008
Plus, it's a Follin tune, and that can only mean good things.
- watkinzez on December 17, 2006
But anyway, if you played [i]Plok![/i] that makes it even better because the game was so damn weird that this music is the only thing that makes sense out of it. I personally wasn't too big of a fan of the game OR the music, but I do love this mix.
- Mustin on December 16, 2006
- DeeWhy on July 6, 2005
I'm not familiar with the music in any way but that didn't stop me from enjoying the song
when that trombone or whatever instrument that is comes in, its un expected but makes the song all the more exciting
- jordex on December 30, 2004
(but sadly, never made)
the music was always a favorite! :) :D :D :)
- Jabberbox on August 21, 2004
I love this song so much...out of the 100 of ReMixes I have, it ranks a CLOSE 3#. Wonderful job again, Mazedude.
- StarKirby on April 6, 2004
- Red Shadow on April 5, 2004
It's very upbeat and lively in style, the kind of thing you listen to when you need to be perked up. It moves along nicely, and the trombone part near the end is great, especially with the slowdown/pause before it.
- kamikazifreak on November 25, 2003
Discussion: Latest 15 comments/reviews; view the