ReMix: Super Metroid 'Maridia (DrownedInExile)'

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Super Metroid

CotMM's newest offering to the world is the theme of Maridia (Rocky Underwater) from Super Metroid, entitled "Drowned In Exile" and dedicated to Melanie Harding. This is very much like the soundtrack to a horror film - dark, minimalist melody over a brooding and disturbing ambient soundscape - for the first four minutes or so. Percussion and a more rhythmic, distorted drive fade in around the four minute mark then rather quickly are gone as the piece exits. Protricity writes: "If I ever went to Maridia (and Im not talkin Mel's house) and just stood around in the murky undergrowth of the planet's innards I would EXPECT someone to be playing this song for me. One of those flying doormats would probably kill me before I got the chance anyway. Not to mention there is no oxygen etc." - very atmospheric, with some killer low-end frequencies that, if you've a decent subwoofer, really do contribute to an otherwordly, organic feel. A compelling sonic journey from CotMM that fits the source material well, anyone with a vivid imagination and a yearn to experience Maridia first-hand should download, close their eyes, and let the fun begin.

djpretzel

Discussion: Latest 15 comments/reviews; view the complete thread or post your own.
I just want to say that this is probably one of my favorite OCR songs, and I'd like to thank CotMM for making it. The perfect mix of a dark and mysterious atmosphere in the beginning, with a nice beat to drive it along towards the end.
I absolutely love this sort of 'active ambiance', or whatever you might call this.

- Tables on December 26, 2008
People describe this mix as "creepy" and "disturbing", yet I can't feel any of that. It's haunting, yet in a beautiful way. It reminds me of "magnificent desolation", which was a phrase used to describe the surface of the Moon; actually, this piece is very atmospheric and does remind me of an otherworldly cosmic setting. Most excellent.

- Lucentas on December 6, 2008
Probably one of the most fully-formed CotMM mixes i've heard.
He has a great sense of adventure and experimenting on various mixes, but most I don't feel have quite the focus that this one does.
Strangely enough (especially to me), my favorite part is the beginning third, where it is mostly just atmosphere and then the subtle chord progression. The song gradually builds, developing at it's own pace,and when it finally kicks into high gear, it's really nice. I think some of the production on the end part was a bit too lofi, with mushy percussion, but the strengths of the track far outweigh the weaknesses.
This is an excellently structured song, with a clear purpose at all times, and pretty strong execution.
Recommended. :-)

- OA on April 10, 2008
i really like this song as it does so many things right: the tonality is just off'beat' enough, the sounds/ instruments work well even though they are quite basic and the harsh part at the end comes in but does not take longer than it should. Actually, some 20 secs of development might have been in there, but really it is already very fine as it is and more noise might have forced a change of atmosphere. As it is, the piece is very fine!

- maelkashishi on December 3, 2007
So I thought this mix was going to be good but I later found out that is was just that good. lol irony

- Bobwillis on March 27, 2006
There is nothing "ripped" in this track. I've never
even played Ultima 8, let alone heard any music from it.
While the prior observation was made there are some
presets from the Absynth softsynth used (Hey, if they
work, why not use them?) there's certainly nothing
underhanded about that. Though I do question if I
used 'dnb junkie' I don't seem to recall that one.
Regardless, I appreciate you enjoyed it, but
'ripped' is a rather strong verb with the wrong
connotations to describe any similarities there may
be with one of my lead lines and another existing work.

- m68030 on October 24, 2005
This sounds more like a remix of Ultima 8 than of Super Metroid [the lead is ripped directly from U8], but it is nicely done anyway.

- jim3e8 on October 23, 2005
CotMM's Maridia reminds me very much of a soundtrack I bought recently. It is on a movie released a couple of years back, but I haven't seen it yet, so I cannot say how good the film is in itself. But I digress, if you liked this mix, you'll probably also like the soundtrack "REQUIEM FOR A DREAM".
To the remixer: good job. I really enjoyed the feeling of it all. Truly ambient. Check out the soundtrack. Though a bit repetitive at times, it is very good at what it does. Who knows? Maybe it might inspire future remixes...

- al3xand3r on December 21, 2004
Woah! Myst meets a guy with a knife! Well, sort of. Personally, I think it's somwhat repetitive, but it works pretty well. The bass part should be made more apparant near the middle. I almost didn't notice it the first time through, and it's a sweet line. I like the ending. A good way to finish it off. This is definitely not a head-banger :lol: , but it does have a somewhat solid melody throught the entire piece. It fits the mood of metroid, and I can't think of any real flaws that stand out. It's just new.

- SmudgeTheFirst on June 26, 2004
Hhhmmm. Lol absynth presets. Well let's see dnb junkie and ghostpad to name at least two. Well overall it wasn't too bad. Metroid was one of the few games I actually got to lay eyes on (but never the chance to play) as a child. Well for the most part it was somewhat repetive and plain. I really enjoyed the transitions though they flowed perfectly. That perc and new lead that came in the second part were great. I just wish you had done more with it. The little bass carpetwork here was somewhat annoying in some areas and needed to be turned down. Hmm well i think I should sum up my entire opinion now. Well it was definetly sinister. but for the most aprt not completely entertaining and more "background music" do to the rampant repetition and untimeliness of certain transitions which did by the way flow flawlessly. I give it a 6.4

- Prophecy on February 1, 2003
While this isn't typically my normal listening cup-of-tea, so to speak, this particular Monkey Machine remix is the [b]l337 r0x0r[/b]. It starts off really eerie and gloomy and later when the distorted rhythmic section comes in, it just takes on a whole new emotion. Totally incredible remix. Download it now or forever wallow in shame from not having done so.

- Beatdrop on December 6, 2002
Nice. But i just want every 1 to know im workin on a fan-made metroid game. Classic Super Metroid. I will need sounds and music of corse tho. If any 1 would like to help then permission accessed. [email]dbakuma@hotmail.com[/email] =) be glad if u can. :D

- @kuma on November 27, 2002
I'm a fan of almost all kind of music styles, but this one gives me the creeps. Don't get me wrong. This song fits the oppressed feeling that the game shows very well. I haven't played "Super Metroid" that long but even if you're not playing the game, it gives you the scary feeling of loneliness, trapped on an alien-filled planet who hunt you down to kill you.
CotMM knows his business. This is a really good mix of ambient and industrial. I wish old games had soundtracks like this before.

- Compyfox on November 27, 2002
Niiiiiiiiiice stuff! even at 5:40, the track did not get boring for me at all! and ya, it really did put me into the feel of being in the environment that Samus would've had to deal with......certain parts were kinda eerie i'll tell ya that! I thought the choices of what tools to use for this remix was dead on! So overall, i'm giving this mix the big thumbs up, soldier!

- Streets of Rage bum on November 27, 2002
This is [i]amazing[/i].
This captures that sad, frightening kind of feeling that the Maridia music always gave me. I always loved this theme far more then the music that played through the majority of Maridia...I felt it conveyed more emotion and such. The desolation and isolation...this captures it all so beautifully and in such an eerie way. It's just fantastic. Truly amazing.
My only qualm with this would be near the end, around 4:26, when it suddenly and unexpectedly picks up with the drums. It seems somewhat out of place...maybe if the transition was a bit smoother? That's nitpicking though.
This is so hauntingly beautiful, a perfect and creative interpretation of the Marida music. It gives me goosebumps. That's so sad, but it's true. ^_^o

- Zarla on November 24, 2002

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