ReMix: Tales of Phantasia 'Emotions Lost in Time'
- Game: Tales of Phantasia (Namco, 1994, SNES)
- ReMixer(s): Ghetto Lee Lewis
- Composer(s): Motoi Sakuraba, Ryota Furuya, Shinji Tamura, Toshiyuki Sekiguchi
- Song(s): 'Be Absentminded'
- Posted: 2003-11-23, evaluated by the judges
Just one mix tonight, but it's an epic one. I know we've been slow lately - there are a couple good reasons for that, and even if the posting hasn't been frequent the judges panel has been doing quite a bit of reviewing. Hopefully we can get back in full(er) swing sometime soon, but mixes like these have great replay value and, for me at least, are the type that make a lasting impact. GLL brings us some very melodramatic trance on a grand scale, with an extended intro that takes over two minutes just to get to the trance part - some judges thought the intro weaker on the whole and preferred the mix once it got kickin', but Protricity was vice versa; for my money, I'll admit I wasn't paying as much attention until the beat dropped, but the intro is relaxing and exploratory and sets the melody up for the detuned trancefest it's about to receive in an understated, ambient weather effects-drenched fashion. The string patch used isn't fantabulous, but it's good enough to not be prohibitive of this portion getting an essentially different musical interpretation across. Then the trance chords filter in and it's time for four-on-the-floor action before you know it. There's some original piano counter-melody to join in with the sugar-pop perfect theme that does a lot to compensate for the repetition of the primary refrain, and GLL has a good feel for what works and what doesn't when it comes to longer trance mixes and making the requisite additive and subtractive decisions to keep the flow going but not have things sound like a glorified loop. The ending reprises the original tone, but not - thank you, Mr. Lee Lewis - with the same ambient storm fx, which would have been a little trite for my taste and musically questionable. Whilst this ReMix is a little simplistic and more could have been done in certain areas - drum variations, additional counter harmony, what have you - it succeeds on a basic, emotional level, so complexity might very well have compromised that to an extent. At any rate, this melody works well with the genre, and GLL works well with the genre, so you've got an enjoyable, accessible ToP ReMix that does what it needs to and fills its six minutes with some good stuff.
I love the storm as intro.
It really sets this piece as melancholy, reflective, and wistful.
Then it gets trancy and beat-ful.
Very groovalicious. :<
- 42 on March 7, 2009
- Lucentas on March 7, 2009
I really do enjoy the "techno" in the middle, but then I really dont like most techno so whether this is technically impressive or not it doesn't really matter to me, it sounds great and I am actually happy that it doesn't follow some stupid formula to sound like every other techno/trance piece ever created, which is the problem with that genre anyway. The fact that the song has parts where it breaks up into piano is its strength and some of the best Techno/Trance tracks on this site have non techno/trance elements to them in my humble opinion.
GLL great piece one im going to be listening to for even years from now, thank you for that.
- Catullus on February 1, 2008
I'm not saying it's the best I've heard, but it certainly ranks up there on the manipulation part. It's amazing how this piece moves you through it all. 9/10 and it doesn't gets a 10 due to a few technical errors, and the fact that unless you really feel the music, the start will seems like forever for you.
I, for one, love it.
- Lord Zero on February 19, 2007
I love trance, and furthermore, I love the original track too, and of all the trance remixes I've heard here, this song has the best build-up ; the synth line progressively releasing the low-cut filter starting at 2:44 is so good !!!!!!!!!
Of course, we can criticize the "microsoft thunder" sample, or the volume of the rain. Of course, global sound quality is not perfect, but it's good enough for me to not care about it. The structure is very well organised, and there are enough layers to feel immersed. In the end, melody is the greatest force, otherwise how would have we been able to appreciate and remember more than 15 years later songs like the ones in Journey to Silius, Castlevania 1, or Captain Tsubasa 3 with such rotten sounds ? In my opinion, perfect sound quality has always only been an added bonus.
Go on GLL, hope to hear new remixes from you soon !
- SideCut on January 2, 2007
7 out of 10
- Fraggy on September 12, 2006
- BIGSTEVE on September 12, 2006
- Frictional Antidote on September 12, 2006
- marational on January 17, 2006
Some very powerful techno/trance beats follows a looong and sweet piano and string section. This old remix still stands up strong and brave today.
+1 to that 8)
- RimFrost the Tourianist on October 25, 2005
(The techno part is like. wow! (Not in the World of Warcraft way))
I love the way this song "glides" over from slow emotional music, to the more trance-like part
Only one bad thing. my listening skills seem to stop after 4.5 minutes or something, as i dont remember anything from that time to the end, maybe it gets too repetive.
Im not really into deep-analyzing this song.
After all, it a great tune worth a listen.
- Sibelius on September 12, 2005
- razor's edge on April 30, 2005
- Petara on April 27, 2005
- Syko 2 on April 27, 2005
- Mr. Halloween on April 24, 2005
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Discussion: Latest 15 comments/reviews; view the