ReMix: The Legend of Zelda: Link's Awakening 'Secret Seashells'
- Game: The Legend of Zelda: Link's Awakening (Nintendo, 1993, GB)
- ReMixer(s): Miku
- Composer(s): Kazumi Totaka, Kozue Ishikawa, Minako Hamano
- Song(s): 'House by the Bay', 'Tal Tal Mountain Range'
- Posted: 2003-12-14, evaluated by the judges
If Link got a powdered pompadour wig and suddenly the whole land of Hyrule went baroque and harpsichord-crazy, this arrangement might be what you'd hear playing, instead of wistful ocarina shizzits. Newcomer Kimchi gives us a fanciful, prim and proper string and harpsichord Zelda arrangement with numerous tempo changes, respectable if not immaculate sample quality, and a knack for taking the original and, using a plethora of string articulations and a believably played harpsichord as well, transmogrifying it fully to the genre. A couple judges felt the sample quality, being exposed and, on the solo violin, having some attack/release qualities that clearly mark it as synthetic, was prohibitive, but most felt as I do that it wasn't a big enough issue to stop this mature, pleasant arrangement from succeeding on musical levels. The very last note on the violin is a little loud, regardless of the samples, but the tempo flow throughout is excellent - this aspect I found particularly impressive; very subtle and natural. This actually reminds me of a piece of background music from the score to seminal seasonal classic A Christmas Story (required viewing for all), and has as mentioned a very positive, dainty, well-constructed feel to it. Good stuff, great first ReMix from Kimchi.
So even though my opinion of this is that I now think it sounds quite robotic and not as full as it should be, I'm really not going to hold that against it. I enjoy this as an excellent assortment of melodies presented by an obviously faux chamber orchestra, and I don't know whether it would have ingrained itself on me half as well if the instruments weren't as harsh or direct as they are. That's a good thing, in my book.
I don't want to say that this mix only appeals to me because I was once naive enough not to hear its flaws. On the contrary, I think this has the perfect middleground of not sounding too fake or too real, so that it creates a hybrid that is strangely superior to anything I imagine in its place. That alone doesn't make the mix, of course. It's the arrangement that justifies the instrumentation. Stellar conversion of the old Gameboy tune and weaving other tunes in makes it a real trip through the Zelda generations.
There's plenty to appreciate here and plenty to complain about if you hate synthetic instruments badly pretending to sound like real ones. Regardless, I'm still a fan after all the years and all the listens.
- Marmiduke on October 25, 2009
If whoever was responsible for that cares to know, it's Mabe Village. Duh. xP
- Miku on June 24, 2007
Then I heard why... the Windwaker cameo was not a bad idea, but a bit too... well... predictable. Got a little old after a while. I wanted to hear more original interpretations... but oh well....
- KogeJoe on January 31, 2007
- The Phantom Pianist on June 19, 2006
- Moppo on June 27, 2005
One person said this cheers them up when he/she listens to it... I would have to agree! Well done!
- Insane2757 on March 3, 2005
My rating:
:) :) :) :) :) :) :) -- 7 out of 5 emoticons
- DarkLink117 on March 3, 2005
My rating:
:) :) :) :) :) :) :) -- 7 out of 5 emoticons
- DarkLink117 on March 3, 2005
The Wind Waker music fits perfectly. surprised t ehck out of me when it came in. Wind waker hasd a few good songs in it, nice to see anothe ronf the m getting some attention.
- Nintendo_Ace on December 11, 2004
- BBB on July 28, 2004
Edit: I'm talking about the Zelda's Lullaby part.
- JorJorMogBoi on January 11, 2004
- VideoGamerJ on December 23, 2003
- Conqueso on December 22, 2003
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