ReMix: Super Castlevania IV 'Into the Corridor of Shadows'
- Game: Super Castlevania IV (Konami, 1991, SNES)
- ReMixer(s): Nigel Simmons
- Composer(s): Masanori Adachi, Taro Kudou
- Song(s): 'Library ~ Collection'
- Posted: 2004-07-08, evaluated by the judges
VERY cool ReMix from Nigel - takes a theme from Castlevania 4 that's seldom covered but happens to be a personal favorite and really trumps it up, evoking at times the soundtrack to Ghibli films like Spirited Away (viva la Joe Hisaishi), and bringing in bits of other tracks from the game's juggernaut soundtrack as leitmotifs. Actually, they're probably not technically leitmotifs. I just wanted to use the word "leitmotifs" in a ReMix write-up. At 0'32" he turns the very mellow melody into a fanfare of considerable pomp, using bombastic, exaggerated brass to great effect, and following that up with lighter fare. This mix has several moods - grandiose, understated, light, introspective - and is quite successful at utilizing all of them to form a compelling whole. Were I to envision an orchestral arrangement of the theme in question, it's the type of mix that, if I couldn't put together myself, I would nevertheless construct mentally. I used to play the cave stage over and over just to hear the original, and now I've got this :) Gray was perhaps the most positive judge:
"Nigel has finally done it. This is the work I knew you could do. Very fluid medley of cave and library theme. Amazing orchestration, instrumentation and production. Usage of articulations like trills are a nice touch. Great arrangement too. Easily some of the finest orchestration we've heard submitted. Extremely impressive and authentic."
I think Nigel's got a lot to be proud of as well - it's a short arrangement, but it says a lot, and most importantly it remains absolutely identifiable while taking the original and in a sense amplifying the melodies, giving them new life as more dramatic refrains in a richer variety of contexts. Great work, very expressive - a good idea, well-executed.
Though the original track was heavy on the atmosphere and light on the melody, this emphasizes both in a way that makes it far superior to the already good original.
Samples are used very well and the transitions are pretty nice. Very good work.
- OA on February 7, 2008
For the first time I can't really find anything wrong with remix or something that could be changed.
Ok, I lied. Around 1:48 and 1:56 the flute plays a high note heavily that kinda sticks out a bit. But that's really picky.
Just download it and you will witness the awesomeness.
- Deductive Dave on May 21, 2007
- Wicked on July 14, 2006
It's an amazing song; great samples, great arrangement, and the orchestral sound is really polished. I love how the bassoon is being used here, and I *definitely* hear some resemblance to Jeremy Soule's work on Morrowind III : The Elder Scrolls. This work is THAT impressive. I've played Brass for 7 years for a symphonic band and I've listened to quite a few orchestral/symphonic songs and I have to say that some parts are almost indistinguishable from a real orchestra. The Bassoon/Flute samples are particularly impressive; although the strings are still synth-y, everything blends together really well.
I love it. Perfect.
- arias on January 9, 2005
I disagree with Millman about being removed from the Castlevania aura. I personally found myself thinking about the creature of chaos that is the castle, and how the lost souls who call it home continue to roam the halls, perhaps unaware of their true nature and unable to let go of the force that kept them vibrant in life. I sense great sadness in this piece; regret for a time long since past and haunting of a ancient space for want of it.
10/10
- Devonai on December 13, 2004
- OchreJelly on December 1, 2004
- Oruroku on July 20, 2004
But the quality of this one is really amazing.
- Coucou on July 13, 2004
- Millman on July 11, 2004
- RimFrost the Tourianist on July 9, 2004
- CykoticZZ on July 9, 2004
- Sil on July 8, 2004
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Discussion: Latest 15 comments/reviews; view the