ReMix: The Legend of Zelda: A Link to the Past 'Ganon's Temple'
- Game: The Legend of Zelda: A Link to the Past (Nintendo, 1991, SNES)
- ReMixer(s): Neskvartetten
- Composer(s): Koji Kondo
- Song(s): 'Sanctuary Dungeon'
- Posted: 2004-08-15, evaluated by djpretzel
Well, the Olympics have started, and here in Virginia at least we escaped Hurricane Charley. Best wishes to any listeners dealing with the mess in Florida. NBC "borrowed" the slower theme from the first Jurassic Park for their pre-Olympic documentary bit, which I thought was rather odd since there's an abundance of great themes and fanfares composed by Williams himself as well as others, written specifically for the occassion. Anyways, the games should provide good couch potato material for weeks to come. I somehow feel guilty eating a large pepperoni pizza all by myself, sitting on my ass, watching people swim 400 meters or do amazing gymnastic stuffs. But we all have our fortes. The forte (segue!) of Neskvartetten has been and remains making great, very atmospheric and authentic jazz game arrangements, with a predilection towards the Zelda series. This latest sub from Zelda 3 features Erik Kristoffesen on Alto Sax and is perhaps a little more challenging (i.e. less structured) than previous pieces by the group, but the core elements - a great, intimate, acoustic sound, impeccable musicianship, and spot-on mixing (the panning and effects are so natural you don't notice how good they are, it just all clicks together) - are all there in classic Neskvartetten style. I actually looped this a few times while viewing some of OCR listener tuggummi's excellent winamp visualizations - trippy in a very mellow way. In Zoetrope/Coppola's film The Conversation Gene Hackman plays sax, and for one reason or another this mix reminded me of that film. Same sort of experimental, 70's jazz jamming feel to it, I s'pose. The alto dances at a varying pace around the largely ride-cymbal driven percussion, laced with rolls, as bass, guitar, and a very electric-pianoish organ (or organesque EP) all accentuate. Again, as is the group's style, basically every player gets a chance to solo. From a certain point of view, you could say that all of them are constantly soloing, as none of the parts are on auto-pilot and all do fun things from bar to bar. I think a good way of summing up this mix, as well as their previous mixes, is to say that they put together arrangements that live musicians would have fun performing. That's not necessarily the most important thing in the world, but the side effect is that the parts all have life to them and breath, and the sum is always something mutating and expressive. Great stuff, VERY moody.
- AmzRigh on November 20, 2009
I have to admit the intro wasn't to enticing for me;it's slow to start, but later on it gets going into something more substantial.
All in all, a great mix.
- 42 on December 16, 2008
GREAT sax work.
- KogeJoe on February 2, 2007
- Kanthos on June 30, 2006
- Radiowar on May 8, 2006
- watkinzez on April 13, 2006
- The_Wind_Waker8 on January 13, 2005
- tgfoo on September 29, 2004
- jordex on September 23, 2004
- GonTribal on September 16, 2004
- Koelsch1 on September 14, 2004
- Chuckles on September 10, 2004
- fetusboy on September 10, 2004
So relaxing.
- blackmyst on September 9, 2004
- south pacific islander on August 27, 2004
Content Policy
(Submission
Agreement and Terms of Use)
Page generated Sat, 21 Nov 2009 15:09:03 -0500 in 0.0626 seconds
All compositions, arrangements, images, and trademarks are copyright their respective owners. Original content is
copyright OverClocked ReMix, LLC. For information on RSS and JavaScript news feeds, linking to us, etc. please refer to resources for webmasters. Please refer to the Info section of
the site and the FAQ available there for information about the site's
history, features, and policies. Contact David W. Lloyd (djpretzel), webmaster, with
feedback or questions not answered there.
Discussion: Latest 15 comments/reviews; view the