ReMix: Chrono Trigger 'WhenAllHopeHasFaded'
- Game: Chrono Trigger (Square, 1995, SNES)
- ReMixer(s): Tyler Heath, zircon
- Composer(s): Nobuo Uematsu, Noriko Matsueda, Yasunori Mitsuda
- Song(s): 'The Last Day of the World'
- Posted: 2004-10-22, evaluated by the judges
It's been awhile since our last collab ReMix, so this CT arrangement of 'The Day The World Revived' is refreshing. It's also a very overt collaboration, basically half orchestral, half techno, with enough transition so that things aren't jarring, but a clear borderline and juxtaposition - zircon's the electronica, Unknown the orchestral. What I appreciate here is that, while the separation is so very distinct, it still doesn't sound like one mix pasted onto the other. There's pieces of each genre interspersed towards the end, and while the vibe changes, the melody still shines through. The mixers write:
zircon: "This was my first collab effort, and I think it turned out pretty well. I enjoyed working with Ty, so expect to hear more from us in the future Very Happy I'm glad my parts fit in with his (as always) amazing symphonic skills, and I think our combined styles worked better than our individual styles would have. but enough of that. enjoy the mix!"
Unknown: "Well, this was my first collab, too. I'm really glad that I got to work with zircon - I consider the two of us to be at roughly the same skill level in our seperate areas. I had tons of fun making this remix, because I got to experiment with some new style aspects. But anyway, I hope everyone enjoys this song as much as I do."
Portions of the first, solidly orchestral introduction remind me of Danny Elfman's Edward Scissorhands score at times, sort of a maudlin music box feel, with haunting choral and string work floating over top. See 1'40" or thereabouts for reference - Tim Burton could almost use this specific portion for unscored scenes in a director's cut, if it existed :) zircon's contributions are also rock solid, with a direct trance approach that still varies enough to match the organic nature of Unknown's framework. I like the extreme portamento/pitch-bending on the melody when it enters around 2'30" and the breakdown at 2'54" - lovely bass and percussion work here; excellent illustration of how a brief breakout section can be liberating but also work, contextually. Panel was unanimously appreciative, with some comments about certain synth patches being a lil generic, which I can see as a legit nitpick, but as a relatively insignificant appendix to tomes of everything done right here. Great, explorative work that should be VERY accessible for fans of CT, electronica, and/or orchestral. I have to think that covers about 99% of visitors in one way or another, but don't take my word for it. Great, very thorough and elaborating coverage of this theme from Unknown and zircon.
I'm frankly quite amazed that this is from 2004 - incredible work from both of you so long ago. It doesn't surprise me that Zircon is still making amazing remixes today (although it does surprise me that Tyler decided to stop after 2005 - Come on, we need more Tyler remixes, now!).
- Gario on April 18, 2009
- Lucentas on December 6, 2008
(In all fairness I have actually only listened to and rated 750 or so songs as of yet).
- varkken on April 8, 2008
- Mr_Masks99 on April 8, 2008
- daedeloth on August 18, 2007
The only thing i have against it is from about 3:37 - 4:04 has way too much bass, When I tried these with my Skull Crushers I almost thought they were broken, just a wall of bass that made me turn down the volume.
Other then that i love it!
- HerroZerro on July 18, 2007
- Audity on November 25, 2006
Unknown's part is fantastic, beautifully orchestrated, unfortunately I just feel that zircon's part falls a bit short. All of the synths, while nice, just seem a bit too cheesey for this style
Yeah, i think the same.
- John Revoredo on September 10, 2006
- The Vagrance on September 4, 2006
- lady zelda on April 20, 2006
Unknown and zircon... please keep this 'partnership'! It's really promising! Great work!
- ocremixfan on April 20, 2006
I really like the blending of the two styles, the orchestral section is well done, and flows into the second half very well. Despite the difference between the two styles, they flow really well, and manage to maintain the feeling of being a single song really well. I really can't say enough about this mix-- amazing job.
- taelusramza on November 6, 2005
- about:blank on November 6, 2005
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Discussion: Latest 15 comments/reviews; view the