ReMix: Final Fantasy V 'The Heroes Emerge'
- Game: Final Fantasy V (Square, 1992, SNES)
- ReMixer(s): Nutritious
- Composer(s): Nobuo Uematsu
- Song(s): 'Ahead on Our Way'
- Posted: 2008-09-16, evaluated by the judges
Newcomer Justin Medford, alias Nutritious, sends in another entry from SquareSound's Uematsu competition:
"Knowing there would be a lot of entries, I wanted to try a more unique approach with my arrangement. I arrived at the idea of an alto saxophone concerto as I play the saxophone and enjoy writing epic orchestral pieces. The main theme of FFV lends itself well to the big, sweeping style I like to try and emulate in my music. This was created with FL Studio 7, Soundforge, EWQLSO Silver Edition, and live saxophone recording. Thanks for listening."
Definitely an interesting spin on orchestral mixes, using sax so prominently and - better yet - playing it live. The downside is unfortunately that the sax doesn't always blend perfectly: getting live instruments to match with sampled instruments is hard enough, all the harder when it's a solo/ensemble orchestral setting, and harder still when it's sax (I'd imagine), so Justin had his work cut out for him. While production is nothing to sneeze at it in terms of sample quality and recording, ultimately the sometimes iffy blending means the arrangement had something to compensate for. Which, obviously, it did - Nutritious takes the concept and rolls with it, providing a unique arrangement that works in some creative ideas in a relatively short (for the genre) 3'22". Shariq writes:
"Sax feels out of place initially. Not sure about it, but it's not really detracting from the piece. Great part-writing; I'm glad you didn't ignore brass like a lot of people (i.e. me) tend to do when sequencing an orchestral arrangement. Nice development, I love the triplet feel at 1:28 and then the switch around 2:00 back to an eighth note feel. It's fairly seamless, which is always a plus."
Since Larry moonlighted (moonlit?) as a judge on this competition, we'll include his gratuitous remarks as well:
"At the end of the day... this gets the nod. The arrangement was definitely handled nicely, and this deserved its high placing in SquareSound's Uematsu compo in a pretty packed field of entries."
There you have it - a unique debut from Mr. Medford that blends live sax and sampled orchestral backing for something a bit different, exhibiting some production issues but firing on all cylinders arrangement-wise. I'll definitely be on the lookout for more!
Plus, the sax was just great fun.
- Final Hero on August 18, 2009
- Rozovian on February 9, 2009
- Audix on November 4, 2008
The only other thing I'd pick at is that there isn't a lot of development here beyond tempo changes and inspiring swells back into a restatement of the same theme. It'd be cool to see a little more theme development and original work thrown in next time.
Other than that, great first mix!
- Shadow Wolf on November 3, 2008
While the sax is a little too exposed and doesn't gel with the rest of the orchestra that well, I really don't mind that, since sax is awesome, and so is your playing.
Good job.
- Martin Penwald on October 12, 2008
- DragonAvenger on September 21, 2008
- DrumUltimA on September 17, 2008
Keep up the great work man, and thanks for an awesome remix from an awesome game.
- MajLink on September 17, 2008
As for the concerns on the saxophone, listening now I can definitely hear where that's coming from. I suppose it's an inherent risk in trying to mix a full orchestra with a live lead instrument, though I'm sure I could've executed it better. New stuff is on it's way :)
- Nutritious on September 17, 2008
Per usual the orchestra and sound quality are great. Very film score-esque in a good way. The saxaphone was a nice creative choice and def added something unique to the piece. Well done chap!
- avaris on September 17, 2008
this is a very deserving piece for a first mix on ocr.
I am most impressed with how you captured a realistic and moving performance of your arrangement with a synthetic orchestra and your live playing.
I really like the sax as the lead voice for this and I don't think how it sits in the orchestra is that jarring at all. Some of the contrast between the sax and the brass that comes is maybe a little a weird, one after the other, because of the disparities of live and synthetic instruments, but it is what is it is and you can't hide that.
I can also hear how your were trying to get the sax to sit in with the orchestra in the mixing and its done rather well but is still maybe a bit too direct. Maybe if you mic'd the sax from a bit further away - but then you deal with the sound of the room - so its never easy. but anyways i digress...
solid work!
- audio fidelity on September 17, 2008
I think that the sax needs a bit of massaging to fit, and i'm not sure about it's the best choice with how strong that orchestra goes, but you gotta work with what you got.
Great sequencing, pretty good playing, nice source selection. :-)
Keep rocking, dude. :-D
- OA on September 16, 2008
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Discussion: Latest 13 comments/reviews; view the