ReMix: Sonic & Knuckles 'Hidden Within'
- Game: Sonic & Knuckles (Sega, 1994, GEN)
- ReMixer(s): Xenon Odyssey
- Composer(s): Howard Drossin, Jun Senoue, Tomonori Sawada
- Song(s): 'Hidden Palace Zone'
- Posted: 2009-12-18, evaluated by the judges
Newcomer Xenon Odyssey, aka Bobby Keller, gives us a solo piano debut arrangement from Sonic & Knuckles. This one definitely plays it loose with the source material, and the judges panel did have to really stretch a bit, since there's just as much original writing as there is arrangement. Some of you in the peanut gallery may snicker (pun) derisively when the judges get out their metaphorical - and in some cases, actual - stopwatches and break a ReMix down to ensure it's more arrangement than not. Well, consider the alternative... someone sends in a completely original piece that has five seconds of SMB plugged on to the end. Does it contain some VGM? Sure... Is it musically interesting & well-constructed? Possibly... Is it a VGM arrangement? Not so much. Says we, of course, and semantics antics are always gonna be subjective. Mattias writes:
"I, like Vinnie, compared Larry's and Bobby's times and agree with Larry. If Vinnie's calculations are correct and this is as close as 49.6% I consider this a pass. It sounds like an arrangement of the source too which is obviously the actual criteria. The harmonies, playing and pacing are all excellent. There was a minor hiccup somewhere but not enough to require a re-record. I say go. Awesome job."
That's my own bolding for emphasis right there, FYI. As AnSo mentions, regardless of specific percentage breakdowns, the true litmus test is really up to the individual judge - does it feel like an arrangement of the indicated source, or does it feel like an excuse to fiddle around with some original material and work some VGM in here and there? In this case, the decision was difficult but unanimous. OA sums it up in one sentence:
"The track is beautiful and meets the arrangement standards, but coming to a decision certainly was a lengthy process."
It's odd... I'm very used to the higher notes on piano patches being panned right, lower notes left, to match the layout of the keys in front of the player. That seems a bit flipped here, but it's not really problematic, just disconcerting. The clarity and space achieved by the piano sound itself is great; you really get a feel for the resonance and sustain. At times some of the upper-register forte overdoes it a bit, and that's something I'd generally avoid in the future, but some of the best moments here are subtle, and really boil down to timing... a key pause here or there makes a world of difference, and I think Mr. Keller has a great feel for using that space to his advantage. Very liberal take on fairly well-known source material that definitely changes it up dramatically; interesting, emotive debut from Xenon Odyssey, who hopefully makes the panel's job a little easier with his next sub!
- Sibre on September 17, 2011
At first, I was thinking I would have expected the higher notes panned more to the right, but realised that the way things are set up, it's as though I'm standing opposite you playing the piano. Well, what am trying to say is, the set-up makes it seem like I am before a personal performance (when I have my eyes closed), adding something more powerful to the arrangement.
This definitely holds a place on my playlist that I use to relax! Great listen!
- Wina A. Kamlongera on October 21, 2010
Emunator;624820 wrote: it's really one of my favorite piano mixes to come along in a while just because there's nothing pretentious or grand about it - it's a very down-to-earth, mellow arrangement
Seconded.
Also, I like the sound of the piano, for a lack of better words. Something about it is very relaxing and soothing.
- Martin Penwald on January 11, 2010
Great work.
- metalsnakejuice on December 31, 2009
- jintoreedwine on December 28, 2009
While it may not be as technical as some of the other ones on the site, this one definitely keeps my interest a lot more than a lot of them. The thing here is that it has a gentle feel to it, but doesn't rely on being too dainty and slow.
Good work! :nicework:
- Bahamut on December 24, 2009
I really enjoy the mix of original material with the existing stuff, something about it makes it feel more, I'm not sure, more of something... it was the same but different enough to make it more enjoyable in a way.
- cobaltstarfire on December 22, 2009
And no worries OA; my next one is pretty much the straight source everywhere. No tricky give-or-take places.
- Xenon Odyssey on December 22, 2009
Beautiful playing, and the timing is what makes it especially good.
Congrats on getting posted, I am excited to hear what you do next.
- OA on December 21, 2009
- FlashX on December 20, 2009
- Water on December 20, 2009
- Dafydd on December 20, 2009
- 42 on December 19, 2009
- DragonAvenger on December 19, 2009
- MechaFone on December 19, 2009

Discussion: Latest 15 comments/reviews; view the