ReMix: Super Mario World 2: Yoshi's Island 'Mr. Stork! May I Go Home...'
- Game: Super Mario World 2: Yoshi's Island (Nintendo, 1995, SNES)
- ReMixer(s): Iggy Koopa
- Composer(s): Koji Kondo
- Song(s): 'Ending'
- Posted: 2010-07-12, evaluated by the judges
Gonna slow it down a bit for couples skate, now, with a drifting, ambient ballad from newcomer Iggy Koopa, off Kondo's SMW2 OST. Erik writes:
"This is a piece I wrote after about a month of listening to nothing but Sigur Rós and I believe it shows rather clearly. I was aiming for an ambient/dream pop sort of sound with this, but I'm fine with whatever it is now. The song is in 6/8 time rather than the original 4/4."
Introing with a simple, delicate piano, acoustic guitar eventually enters & takes the lead as distant, new age synth pads swirl to and fro in the background. Definitely has that icy, ethereal feel to it, so I think Iggy's influences certainly came through, as he says... McVaffe mixed the same source a looooong time ago, so it's also nice to see some more coverage after all these years. OA writes:
"Sorry if I am ruining expectations by not being harsh, but I love this mix. It's like a lot of the animal crossing music, where it's beautiful melody and harmony, but the synths aren't gentle enough to handle it properly. The change to 6/8 was an excellent call, and the sounds chosen were perfect. I didn't think the drums added much, but I also don't think they really detracted. Sortof a strange situation where they just add a pleasant backing texture, and i'm fine with that."
Vinnie adds:
"This is the way to use a decent-to-bad guitar sample. It's produced and sequenced well, and the fake quality is pretty masked. It barely matters that it's not a real guitar. I really liked how gentle and minimal this song is, and while it might not be everyone's cup of tea, it suits the original very well. The reverb settings are nigh perfect, the trails you get on everything are realistic and lush and fill out the empty space beautifully. Snare was the weakest point, but still not much of one - in a song like this, the percussion should stay out of the way."
The fellas said it well - it's not a complicated mix, but it executes a coherent vision effectively, and achieves a dreamlike flow that's expansive, relaxing, and actually kinda refreshing. Interesting, deliberate, and crystalline debut from Iggy Koopa!
now where are you anyways?
- Mirby on December 25, 2011
- Crulex on December 24, 2011
Not much more to be said here, this is one of the best Yoshi's Island arrangements around!
- Emunator on December 11, 2010
Martin Penwald;702852 wrote: I disagree; personally, I find this very lullaby-ish. Peaceful, relaxing, perfect to zone out & fall asleep to.
Actually, this is what I did as I started listening to it, and I wasn't even sleepy. But that's not a bad thing. It is a simple mix, but sometimes less is more.
- RECKENEFIN on October 22, 2010
Melbu Frahma;695972 wrote: It's got a real good dreamy feel to it, without being lullabyish.
I disagree; personally, I find this very lullaby-ish. Peaceful, relaxing, perfect to zone out & fall asleep to.
Naturally, this also means that this isn't a remix that is going to grab your attention and hold it hostage for its full length, but since this isn't the purpose of the song at hand anyway, that's not a problem in any way, shape or form.
Beautiful, relaxing song. Nice work.
- Martin Penwald on August 3, 2010
- dfcentre on August 1, 2010
Also what a great way to make a comeback into the community. All grown up now and a remix posted to boot. <3
- Monobrow on July 18, 2010
- Mazedude on July 17, 2010
- OA on July 16, 2010
- SiriusBeatz on July 13, 2010
- Melbu Frahma on July 13, 2010
- UnveiledOsiris on July 13, 2010
This mix isn't necessarily a style I'd be into normally, but I like how gentle/fragile it is. You can really see a lot of care and sensitivity taken to the emotional weight of the arrangement, which is impressive, especially given the quality of the samples.
WAY TO GOOOOOOOOOOOOOOOOOOOOOOOOO!!!!! :) :) :)
- ella guro on July 13, 2010

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