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Sam I Am

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Posts posted by Sam I Am

  1. They weren't great, but they were quite good. They had characters you could identify with a bit. Not to mention that it had a somewhat coherent storyline that was never concluded. The other series at that point were essentially standalone games; while they would follow a plot, they were self-contained for the most part. Legends wasn't like that, and the second game left us in a cliffhanger. Suffice to say, we want to know what happens. Ever had a book series you liked that you couldn't finish because the next book hasn't been released yet and you really want to know what happens next? Same idea.

    I liked the feel of the game, too. I think the mundane situations you saw some of the characters in (soda machines with Megaman, listening to music in the CD shops, museum visits etc.) was what made the game that much better and the characters more identifiable.

    Also, I can't dislike a game with what are possibly the strangest, most exuberant and nonsensical OST song titles I've seen. "Balcon Gerald!"?:-?

  2. Here was my plan:bring one adapter, and plug a power strip into it and have the US-friendly plugs for my voltage-flexible appliances. Since I was able to find an actual convertor for $16 at a local travel store, I think I'll go with that and a power strip, because I'd rather the multi-tasker after reading some of this stuff. Thanks a ton for the help and also to Gollgah for finding the chargers for me!:-D

    And yep, I have an iPod I'm bringing. Love the music here too.

  3. So I'm leaving for Europe soon, and I'm in the process of seeing if all my electronics stuff can take the higher voltage. Turns out the DS is stuck with 110 volts...anyone know a way besides a convertor to charge a DS in Europe? Like, maybe a EU charger?

    Also, I'm torn between TWEWY and FFTA2 to buy for the plane. Leaning towards FFTA2 because I can grind on the plane rides.

  4. I like this quite a bit. I have been listening to a ton of DnB lately and this is quite smooth. The main melody is quite understated, but i like that. It's a subtle touch and makes the piece all the more atmospheric when added to the ostinato and such. I think a little more tension and release is in order as well, but don't overdo it. I like the chill vibe of the whole piece.

  5. I really dig the feel change you've done here. While the original is really an intimate song that portrays a sense of stagnant dread, you've really fleshed it out and made it a bit more mysterious and hopeful. Different kind of anxiety is present here, more like a restlessness. I really like the timbres used, especially the lower ones. I agree that the last section could be a bit faster---keep on truckin' with this one. I hope to see it soon.

  6. Well, it's true--running a marathon and playing an instrument are comparable--tons of repetitive muscle motions for hours a day. The reason I'm talking in macro scales is because my small muscles are strong enough to do what they need to do. In fact, they are too strong--and I've worked them so hard I've damaged them. What I need to do now is readjust the tension that I hold in my body--get it out of my small muscles, which are needed for fast motions only, and put it in my large muscles. This will create support for my small muscles to move in the way they need to. Playing percussion is more wrist motion than most other instruments, which rely on finger motion. However, my arms should not be moving, and my back and shoulders should be strong enough so I don't have to support the weight of the mallet with my hands/arms.

    Ah, i get it! I'm nearly completely in the dark about percussion stuff, but this all makes sense. It's a bit like saying "lift with your legs, not your back" but here it's "play from your back, not your wrist." ...Er, not quite, but I hope you know what i mean.

  7. Yeah: have a very controlled warm up and cool down regiment before and after practicing. Practice no more than 50 minutes before taking a ten minute break, and in those 50 minutes take lots of little breaks. Control the amount of tension your arms are holding while playing, make sure your technique is correct in this aspect, and practice good posture (back straight, shoulder back--- you don't want to be pulling your shoulders back with your shoulder blades, but they should not slouch forward). Also, exersize is a great way to keep the blood flowing--when i'm exercising regularly, I normally don't get arm problems. Running, swimming, even weight lifting can help (but don't lift too much when you have tendonitis ;) )

    I heard a somebody call wind musicians "athletes of the small muscles" at a competition once. Here it really sounds like you're talking in a pretty macro scale, what with shoulders and arms. shows some real difference between the bodily involvement in, say, sax compared to marimba or set.

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