cwoxviii

Ending is the best part, hands down. Maybe I'm just a sucker for the aforementioned ending-a-minor-piece-with-a-major-third-named-after-that-Italian-guy-with-the-P-Y-name that I can't remember. It has become sort of a musical cliche at this point, but Dev executes it here so subtly, almost as an afterthought, that it really conveys a sublime sadness. Really beautiful work.