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Marvel Super Heroes isn't quite as well remembered as it's predecessor, X-Men: Children of the Atom, or successor, the Marvel vs. Capcom games, but I think it is the standout title in Capcom's series, not only in terms of gameplay and roster, but musically as well Among my favorite themes is Psylocke's stage theme. It's stylistically similar to Psylocke's previous theme from XMCOTA, but has a more upbeat chord progression. As such, I thought it'd be super fun to turn Psylocke's theme into a Deep House track (I love dancing!!). Yuki Iwai, the original theme's composer, did such a great job giving Psylocke's theme such a danceable rhythm, reminiscent of the Streets of Rage 2 soundtrack. As always, I had fun creating this remix. I hope you all have even more fun listening to it! Song Title: "From Atop a Moonlit Train" (Psylocke Theme Remix) Originally Composed By: Yuki Iwai Arranged and Performed By: The Native Dialect BPM: 144 Style: Deep House Hardware: M1 MacBook Air Software: GarageBand, Audacity From Atop a Moonlit Train Source

https://youtu.be/Lyli7Ld4AYE I finally decided to go through with Balrog's theme from Street Fighter! This is such a good tune, I love the original for its easy form and potential to experiment with. I went towards an 80s disco style and had to go through with a key signature transposition to get the result I wanted, a bit tricky but it went well. The original has a nice groove I tried to stay close to, and the melodies are so easy to remember that they stay in your head long after the song has ended. I had so many ideas for this one, I just hope I chose one worthy and exciting! As I mentioned I went towards an 80s disco style, I really got the vibes from a late friday night out with the boys, drunk on life (and alcohol) just dancing that last dance before an unknown after party emerges. And during the after party, this groove goes on until early morning. Maybe you hooked up with a pretty girl (or boy) lying on a grass hill, holding hands and watching the starry sky getting more and more illuminated by the first morning sunrays. Cheers for a new day and for that old days we remember so dearly! And may there be peace once again. /Neon X

Hi Everybody! You're all invited to a Live Premiere on YouTube of a new arrangement: Bowser's Castle, which features Bowser's music from several Super Mario titles from the original SMB to the newest titles for the Wii U and Switch! Today at 20:00 GMT (15:00 EST). The link to the Premiere is here! See you there!

https://youtu.be/O4oWq4ockIQ I have been really scared of remixing/covering this classic and timeless song. It's so easy to ruin it that any changes could be devastating. I'm still afraid I have broke it, but I hope not! First of all the soundscape that the original has is so fragile, and by having that in mind I made sure to keep my sounds very close to that, but with much higher bitrate of course since it's SNES we're talking about. However, the sound quality in DKC is unbelievably high for a SNES game. I just took my standard synthesizer setup and started modify and tweak them to make all instruments sound quite close to the original. Except the piano, I changed it for a pluck sound from my Obsession synth. About my composition of this. As you can hear I kept really close to the original to begin with, adding some small changes. For example, I added a "real" beat and all melodies are playing with my signature lead synth. What was more interesting in composing this was how I could leave the original completely and take on another path. So I laborated with a splash sound to represent me diving from the original into my own composition, then immediately adding a bubbling underwater effect to continue with an introduction to a Mega Man-ish melody with the pluck synth. Dashing into a double time beat and the Mega Man melody I hold the intensity steady and then release it into a psychedelic synthwave groove, a bit like the groove I use at the end of my Bloody Tears remix. If you listen more carefully I use the original arpeggio in the background (the first you hear in this song) in this last section but change it over the chord's harmony. When I listen to this remix, I feel I can make so many more variations of it. Some day I might do an Aquatic Ambience suite or something.

It's been forever since I posted here. I'm happy to be back and doing what I enjoy again. I want share a rough draft of one of my newest projects. It is a chillhop remix of Aria Math from Minecraft. It feels kind empty now, but I have a lot to add. Please check it out and let me know what you think of it so far. Original song: Remix: https://soundcloud.com/notux-1/minecraft-blue-magic-aria-math?si=eaee29497a5c437c93ae5b7d1b58f14d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Source: This ReMix was an attempt to be included in OCR's FInal Fantasy 6 Tribute Album...but ah...the first version of this remix kinda sucked ass. Then I remade it in 2015...finally got around to sharing it here lol. This particular remix evolves considerably, so if you get bored, skip to 1:53. Thanks!

Hi everybody! Here's the newest arrangement - Bolero of Fire from The Legend of Zelda: Ocarina of Time! I made a Piano arrangement of it, but thought it'd be great to make an Orchestral version of it too!!

Hi, This is my first post here. I normally concentrate on Commodore 64 remixes over at RKO/Remix 64. This one is a little different as it spans 3 generations of hardware into this weird synth prog rock hybrid, covering bits of: Gauntlet III - C64 Plok (Akrillic) - SNES Gauntlet III - Amiga The opening and first bridge is me riffing on Time Trax from the Genesis for bonus Follin points! Hope you like it!

https://youtu.be/r7gipPg4R9c This is my proper thanks to you all, my listeners, my fans, my fellow remixers and the rest of you who somehow have supported me to this very day when the YouTube subscriptions passed 2000. I chose this song since it already has much nostalgia and melancholy of a passed time in it, filled with memories and emotions brought forth by its harmonies and atmopsphere. Perhaps the reason for some of you is because you managed to complete Mario Kart 64 and got this wonderful music as a reward while watching the camera fly through tunnels and caves, over fields and hills, over railways and roads. I get very nostalgic to this music, though I didn't hear this song that many times, it manage to drag some long gone memories from deep inside, making me really emotional. I hope you feel the same! I wanted to keep relatively close to the original, only spicing it up a bit. It goes for two rounds with a bonus section at each end (which I think you will recognize from the Rainbow Road theme in Mario Kart 64) , and a middle section that kind of takes you down to a lower frequency adding more chords to get some exta feel. The intro is very inspired by the typical 80s music and modern retrowave music, slowly building up with soft pads, topped by a high tuned pluck, and then accompanied by a gentle bass before the main sections kick in. I just came to think of that I've only used Mario Kart remixes for my anniversaries, and that I unconsciously did it again. Ooops, I did it again, right. But nothing wrong with that I guess! However I think it will be a longer delay until my next anniversary arrives, since I've decided it will be whenever, or if I ever reach 5000 (!!) subscribers. By then I will have another poll with suggestions for the anniversary remix. Well, the rest of this song's details I'll leave to you to discover for yourselves. There are plenty of small things happening! THANK YOU SO MUCH FOR SUPPORTING ME AND KEEP LISTENING TO MY REMIXES AND COVERS, it means the world to me! This is my absolute favourite thing to do while having a little time over after the rest of my family goes to sleep. Hey, you very good! See you next time! /Neon X

Link: https://drive.google.com/file/d/1MQAOYNtc1nqXzdpzc_noQwwaBqHI-ETg/view?usp=sharing This was a winter break project that took a bit longer than expected since I wanted to record myself on bass. I tried . The audio chip has perfect timing and it's hard to replicate that. Could be better but still happy with how it turned out. original: This track is unique to the SNES port, which I haven't played much except to appreciate the level 1 vibes. Why did the composers decide to use these lush jazz chords here (and seemingly nowhere else in the game?) I dunno but there might be an interesting study in the BGM of PC -> SNES ports from back in the day. outside influences here include pink floyd, KC, pat metheney thank,

Source: Made this one for the NG Neo Geo Jam back in 2020, which got me 5th place. Not too shabby considering there was dozens if not near to a hundred others participating. If I was one to boast, that is. Hardy har.

https://youtu.be/_DRPmlVpfck First thing, I really can't describe how emotional it was to do this theme. I was brought to tears several times (as I've mentioned in my teaser post for this). And since I started doing it, I haven't got the will to stop listen to it. This is one of the most beautiful pieces ever made, video game or not. Nobuo Uematsu is pure genius and out-of-this-world musical. If I had only 1/1000th of his musical mind I would be famous long ago lol. By now you've probably heard this was very much like the original, only with the differences of my synthesizers, and some arrangement differences. I did not have heart to put a beat and a fitting bass line to this, I wanted it to be as soft as possible. I hope you can appreciate what I've done with it and bear to listen through the whole remix. There is so much love and emotion for each second, and the emotions I went through is inexplicable. I'm a real soft guy haha, cries in every movie and game I experience. I used my latest alternate lead synth here, but had to set up the equalizer and soundwaves of it with multiple settings not to get it to sharp at high notes and to "bassy" at lower notes. Tricky, but worth the time.

https://youtu.be/N3jCsGeEf_k Hello folks! I'm not sure why I started creating this remix, I just felt such an eager to focus some love on one of the best games ever made. And the intro is really something, I remebered the jaw dropping when I saw it the first time back in 1998. I had one good friend who owned a PS and I'm so happy I got the opportunity to be introduced to this masterpiece when it was somehow new. I have to confess, this is the most difficult remix so far. Not only because of the grand composition by master Nobuo Uematsu, but also because of the original style is aligned to the orchestra/symphonic genre which is far away from my ordinary synthwave/retrowave. I tried to mix both styles in this one piece. 0:00 - Opening One of the best introductions to any video game in my opinion. The atmosphere and visual impression are spot on to what kind of place Mako City is. I wanted to modernize and absorb the theme into my synth style, and I hope I succeeded with that without too much loss of the original. 1:17 - Bombing Mission This theme is so cool, and so fitting to the intensity of the mission before you. I couldn't stray too far off the original's boundaries without losing too much brilliance from it (I tried a couple of variations) so I kept it as it is, mostly. I added some chords here and there, and of course a drum beat. The lead synths used here are multiple variations from my signature lead, tweaked to sound a bit more like brass which the original composition is all about. I'm not sure why I keep transcribing everything by ear, it's really hard sometimes which showed clearly while writing this remix. All the things happening in this theme was hard to keep track of from time to time, and it took me forever to just finish the transcription xD I guess it's kind of more freedom to just transcribe any song you want, instead of searching for MIDI files or sheet music. But enough about that! Thanks for listening!

Submitted this to OLR a while back, but I figured it's still worth sharing as it is both romantic and cheesy. Perfect for Valentine's Day! (You need to be logged in to YT to see it, as it has some naughty lyrics, so I decided to Age-Restrict it ) Sources: Red + Green Brinstar, Super Metroid. EDIT Short Story Time: I submitted this collab-mix to OLR with my spoof alias Hobokrapp. The artist I collaborated with wanted to go by his own spoof alias: 'D-Pain'. Unfortunately he didn't register that alias to OverLooked Remix and I foolishly told OLR staff his regular ReMixer handle. More miscommunications abound, lead to his regular ReMixer name being posted. Yeah, he wasn't too happy about that. But NOW, I will do my best to use his Spoof Mixer Alias... Besides, "D-Pain" is quite apropos.

A little piano cover of the title theme of the SNES version of Sim City. It will always be my favorite version of Sim City. The nintendo soundtrack had something very special and comforting about it.

I did go a bit away from the original composition Dropping a big Ninja Gaiden medley soon

Hey everyone! I recently heard the main theme from Child Of Light by Ubisoft, and thought it was simply too beautiful NOT to do something with. I'm a huge fan of Progressive & Uplifting Trance music which is what this remix is. Enjoy!

https://youtu.be/pnFpdDQ03Mg My first attempt of remixing/covering music from this classic SNES city simulator! This is one of my most nostalgic titles from the SNES, my best friend had this and I think we played it weekly for several years. Nevertheless, the music of SimCity wasn't as cover friendly as for example Mega Man 3. Jeez, did I stumble upon different and advanced chords and harmonies in this one. I had to find myself a MIDI file of the original song to hear all notes and chords properly. Hence, this remix is not very much unlike the original but my style is without doubt fused into it. Of course I made a few changes and "upgrades", among them the 6/8 80s beat. I also modified my signature lead synth to a completely new alternate one, I already had the signature and one alternate. This one's completely new, but from the same lead synth. I also used a new bass, Hot Tube it is called. Atmosphere I wanted to make a slightly-rainy-morning-in-traffic atmosphere for this remix. I thought of the time I'm spending whenever I need to drive to my office (I've got about 100 kilometers over 75 minute drive to get there) which results in listening to music and processing thoughts around it. The beat is mainly 6/8 half tempo with a smaller section in full tempo which gives the impression of a bit less intense song. This represents the kind of roads I'm driving to work - highway, high velocity, less traffic during the time of the day I'm driving (aiming to drive during less intense traffic). Because of this I can always keep one ear on the music and enjoy the heck out of my work travellings. If this remix is somehow appreciated I will do more from SimCity in the future! I enjoyed creating it myself, and hope you will enjoy listening!

A great remix by Archaneon to Alien 3 Main theme, although I wasn't aware of the original track before this remix I think is an improvement! I really love the new sounds and arrangements! Especially the change of scale to a more optimistic one. Probably you would love it too!

My cover of the Save Room Theme (Save Haven) from Resident Evil 1 (Original/Remake/Remaster). I just love this game series so much and all the save room themes, this cover/recreation was long overdue! Builded from the ground up, I wanted to give it a more orchestral and richer feeling and took inspirations from all the different versions (original, remake, deadly silence). Let me know if you like it!

https://youtu.be/F9XpI-clEiE THIS IS MY FINAL REMIX FROM MEGA MAN 3! At last, I've really come to the end of this fantastic remix journey for one of the most amazing video game soundtracks ever made. For this grand finale I've created something completely new. The original Password theme is more of a swing genre song, I remade it to an 80's billboard hit (kidding), no but the sound is very similar to the 80s decade with warm tones and floating chords along with those synth plucks and piano synth melodies. For the main melody I'm using my alternate signature lead synth. Starting off with that classic 80s fade in including distant chords and muffed pluck, I was looking for that happy feeling you get from the moment of resolution in 80s high school movies, when the main character's love finally admits the love is mutual from his/her side (or something alike). With that said, I'm finishing this remixed soundtrack with a feel-good-song, I hope you will enjoy it! For the first time ever, I'm raising the key one note in the end for an even more uplifting feeling (maybe too much of a cliché, but I'm doing it anyway).

HI everybody! Hope you all had a good New Year! I've just completed a new arrangement; finally I've managed to turn my hand to Undertale! Here is a Piano arrangement of Bolero of Fire from The Legend of Zelda: Ocarina of Time. Like the Undertale piece, I'm making an extended Orchestral version soon! In the meantime, enjoy!

Remix of The Giant's Theme for Majora's Mask. Pretty conservative, but added in some unique SFX at the start, a brass line for the choir part and a "Giant's Song" outtro to it. Hope you guys dig it! (No comments from the Compo: ThaSauce people until mnp130 is over!! =p)

https://youtu.be/Z7GlCNi5ddg This particular theme from MK64 have been a hard nut to crack, I've been listening to it now and then for almost a year and I always thought I wasn't ready to remix/cover it. However, I recently decided to give it a shot now when almost all MM3 remixes are completed (one left). I knew early in the working with this that I wanted to put the Super Mario World Castle theme in here in some way. It presents itself at 2:23, I recommend you to listen to the whole song though and you'll see that this part really adds to the entirety of it. The atmosphere of that part is quite inspired by a theme you can hear in Unreal Tournament 2004 - the map called Tokara Forest. As you've probably heard by now, I'm using a new snare drum. I wanted to try a more modern electronic snare for once. I've used that 80s power snare for long now. Please tell me what you think of it compared to my standard snare drum. In the intro I'm also using some percussive indian skin drums (like traditional indian world music) I kept the content of the song at a minimalistic level, no solos, minimum amount of melodies, atmosphere at a high level. And I hope the listeners can somewhat can fall into the atmosphere of this and let the tone and chords speak for themselves. As I write this I have listened many hours to this remix (I finished it early and wanted to get in the proper mood for changes and adjustments), and it really gives me vibes I haven't got in any other of my remixes. The overall atmosphere in this remix is very infinite I would say. I thought of a huge alien space facility/fortress/castle, where Bowser sits on the throne ruling a distant planet (the video art I used says much about that atmosphere). By thinking that way I decided to give it the name of Alien Koopa Castle, silly maybe, but compared to just Koopa Castle it says so much more. The monstrous scream is the original sound of Bowser from MK64 but with added reverb and volume, mandatory for any remix of this song The video art took a great deal of time for this video. Even if I only added the Bowser castle to it, the time and effort for making it fit in colors, shape, lightning took me like 4-5 hours (yes, it's way more than usual). The castle itself was taken from another artwork where it stands on a cliff surrounded by floating lava, and if you look at the castle in my art there is a white/light blue liquid pouring out, that's originally lava as well. Thanks to Photoshop and a lot of pixel by pixel erasing I managed to get it to fit the rest of the background smoothly. Thanks for listening, and reading (if you made it here)! If this kind of remix style is appreciated I'm definitely doing more, was a lot of fun. It was almost like therapy thanks to the atmospheric take, a very unique experience for me.

Hello again, long time no see! Been working on things here and there but recently I got an FFVI track done that was short and sweet. For some reason the YT conversion made it a bit louder than I would have liked but YMMV. Still, it was fun to work on a track and not go for the atmospheric style I normally go for. Couldn't resist using vocals though ^_^. If you have any thoughts or critiques, its all welcome! I mostly liked the braaams from the brass and the male choir I think.