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  1. Sort of at wits end with this one. Been that way for a year or so now. Tried to expand on it in a few ways but every time I do, I make it worse (in my mind) in one way or another. As a piece for me, the artist I'm actually fine with that. Not everything has to be... transformative. But as a ReMixer, I wish I had more so I could give this a puncher's chance for submission. Anyway, I think absent any new ideas, I'm ready to send it along it's way to the judges and let my journey with this song end. But before then I figure why not get another voice or two to help. PS: I promise to one day stop doing so many FFVIII tracks Edit: one thing I hadn't considered is possibly crossing it with another track to give it more length/development from an outside source https://youtu.be/1qnRrBmy9zU?si=eRwaG9qeiZWC5dQm
  2. https://drive.google.com/file/d/1F1e5AWC7-tjQaf9tZcr0smOKCngdDrjv/view?usp=sharing I've always loved Mario Kart 64 and specifically the Frappe Snowland music, but I always thought it would work better for a beach level. So I made it into a tropical house track featuring my man Toad on vox. Yahoo! Edit: Got rid of louder flute-y sound on certain chord hits, which turned out to be weird harmonic resonance from the struck piano instrument I used. Put a different drum pattern in the Bass/Violin solo and dialed back the release of the violins to add clarity. Also peppered some drum fills throughout for interest. Thanks for the feedback, @Hemophiliac!
  3. I've been producing music for quite a couple of years, but until recently, I never really cared to share it. After my father passed away last year, I could not make music anymore, until last week, when something unlocked. I dedicate this track to him. Production standards are high on OCRemix, and I don't know if this is considered good or not, I tried to make this spin on a classic song a fun listen. But I am looking for any sort of actionable feedback so I can improve as a musician and producer. Thank you.
  4. Here is an acoustic arrangement of “Aurora” and “Down to a Dusty Plain” from the game “Child of Light” composed by Cœur de Pirate. https://soundcloud.com/bluelighter0085/child-of-light-to-the-sky-and-the-stars-aurora?si=6f2b9184213c451abea56addfcf01473&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing I’m grateful to all artists who have collaborated with me. Credits: Bluelighter: arrangement, mixing, piano @Bowlerhat : flute @Dewey Newt : trombone @MooglePower : acoustic Guitar, acoustic bass, hand drum (bendir) Original songs : Aurora : Down to a Dusty Plain :
  5. https://dodarchive.dwellingofduels.net/23-04-Free/25-Lucas Guimaraes%2C Cory Johnson%2C ImAFutureGuitarHero%2C Brandon Harnish%2C ThisIsJayC-Chrono Trigger-Tyrano's Stash-DoD.mp3 Original Track: Source Breakdown: 0:00 - 1:00 - Intro from Source 1:01 - 1:41 - A section from Source 1:42 - 2:26 - B Section from Source 2:27 - 3:04 - C Section 3:05 - 3:24 - Combo of sources 3:25 - 4:12 - Chords from Intro, mostly original. 4:13 - 4:41 - Intro from Source motif returned; outro Contributors: Lucas Guimaraes - Arrangement, Saxophones ImAFutureGuitarHero - Bass, Drums, Auxillary Percussion Cory Johnson - Guitars Brandon L. Harnish - Sousaphone ThisIsJayC - Mix Please let me know anything I can fix up before sending it over for OCR Review!
  6. Saxophone Quartet! Track: https://dodarchive.dwellingofduels.net/23-03-Spinoffs/08-Lucas Guimaraes%2C Charles Ritz%2C Jess Destramp%2C Thomas Kresge%2C Daniel Caton-Final Fantasy Tactics-A Chronicle of Ivalice-DoD.mp3 Original Track: Please let me know anything I can fix up before sending it over for OCR Review
  7. This is another attempt at this tune. My computer died, so I arranged it on Caustic 3 on my phone, and by the time I got done with it, my PC was back up and running, and I did a final pass on it. I tried to take the judges' feedback into consideration, and I believe this take is less dense, I changed the percussion a bit (the high hats..I eliminated the closed hats, because when I tried using varying samples, it sounded like paper clips going at it in a pop can), and I used a loudness meter to try to get it at -14 LUFS. Doing that left a bit of headroom, and it seems soft....perhaps others will be able to tell me if that is so. Thanks! https://drive.google.com/file/d/1snZRLPQfAVf2hp9aSCpZldtlNI06dGJd/view?usp=share_link
  8. Big thanks @Ridley Snipes and @Hemophiliac with helping to make* this banger atmospheric remix come alive! U guys da best~ Source: Sector 4-2 Underwater Area
  9. The Heart Beats with the Rhythm of the Rain - [Mokeke Forest Remix] Dropbox Link ^ I didn’t own this game for years. I would always rent it from Blockbuster time after time, until I eventually beat it. There was something alluring about this game during my childhood years that kept me coming back to it. It was humorous. It had epic robot battles. It had a colorful cast of playable characters and a wicked soundtrack. It all stuck with me. I absolutely cherish this game for it’s influence on me musically. From my years perusing the internet, I have found a commonality amongst those who appreciate this game: The Mokeke Forest music has the ability to put a millennial at ease. I can’t recall how many times I’ve seen a comment on the reuploads of the OST that say “This song relaxes me when I feel overwhelmed”, or “This is nostalgia in it’s purest form”. The truth is that there is something magical about this song. The N64 Goemon games blend Japanese fold music with funk, jazz and rock and simply cannot go unrecognized. In this particular level, you can take the clear and apparent path to reach the Entry Pass, or you can wade through the waters and wait at a bus stop hidden deep within the forest and be transported to the mystical Tengu Village. It was one of the first experiences I had with a game involving a lore-enhancing “secret”, and for that reason it really sticks with me. I wanted to preserve the traditional Eastern vibe of this song, while creating a new listening experience. I let the melody lead me into new directions and eventually I ended up with what I can only call a “journey”. I mean this sincerely. The track starts of sedated and calm, but builds into a grandiose modernized interpretation of the source material. It just happened organically, and I can’t effectively explain it. I think that’s why I am so proud of it. I just let little old me from 1999 lead the way. I imagined myself deep in the forest, and searching for a way out. Did I take to clear path or the road less traveled? The answer is “yes”, as cliché as that sounds. Please enjoy our adventure through Mokeke Forest.
  10. Hello guys! Just want to show you my arranged version of "Space Harrier Main Theme", the outstanding work of art of Hiro. I'm calling this "Space Harrier Main BGM CFX". I mainly use my Korg Triton classic to play every part and most of the instruments. I used one or two extra instruments from my Soundblaster AWE32 collection of SoundFonts (to this day I use Soundblaster with SF2 hardware support, love it since the 90s!). I play and perform every part on MIDI sequencer, I use PowerTracks Pro since 1992 to this day. Hope you guys enjoy my arranged version! On YouTube, with a nice video, trust me! On SoundCloud:
  11. I was kinda surprised I never made a thread for this. That or my eyesight is going faster than I thought haha. Anyway, I posted this to my YT channel awhile ago but decided I wanted to make it a full remix. https://drive.google.com/file/d/1B9EDR11_BR6nPnTZo01WXe036wcWe68I/view?usp=drivesdk Nowhere near done yet. The transition is an outline and so is the beginning of the second half. Mostly I'm trying to find a way to really blow the roof off that transition but haven't had time to experiment enough. But definitely am digging sort of flipping the tonality both chordally using the bass guitar and adding a serious dark militant vibe to it. Main theme is sort of light and shadow. Sort of similar to my first ocremix I guess. Anyway, I'll post more when I get to it. Edit: New review post at the bottom. Probably very close to the finished product.
  12. Someone mentioned this track at some point in the discord and it stuck in my head and I love it a billion, so I've been working on a remix. There's two versions of the track that I've seen online. Having never played the game, I represented them both. Originals in their various versions: Here's my remix: Enjoy, and lemme know if I should submit it as is or not.
  13. Hey guys! First time posting here. Just thought I'd share a remix of some Star Fox music, particularly from the first level, "Corneria". Hope you guys enjoy it, and was hoping to get some feedback! Thanks. /michael
  14. Here is a piano arrangement of Underwater Ruins (composed by J. Nakano) and No Hopes, No Dreams (composed by N. Uematsu) Enjoy !
  15. Hello guys! Just want to show you my arranged version of "Jewel Master", the awesome, incredible music of the first stage of Sega's Jewel Master on Genesis. I'm calling this "Jewel Master Gold". I mainly use my Korg Triton classic to play every part and most of the instruments. I used one or two extra instruments from my Soundblaster AWE32 collection of SoundFonts (to this day I use Soundblaster with SF2 hardware support, love it since the 90s!) and used one instrument from the YM2612 on a latter part of the song. I play and perform every part on MIDI sequencer, I use PowerTracks Pro since 1992 to this day. Hope you guys enjoy my arranged version!
  16. Resub Draft: Old Version https://www.newgrounds.com/audio/listen/1081445?updated=1653968153 Judge Decision: I used a universal Reverb Space (but omitted the bass Drums and Basses from said space, as I felt they would cause too much phasing and mud). The old version had about 20 clashing spaces before which likely attributed to *most* of the mix problems...talk about a late skill to develop lol. I also changed the E/Q mix of my Damage Drums, doing my best to isolate each and every drum sample. Also E/Q'd the E-Guitars a bit and changed their level, as well as some other E/Q for various parts. Fade out is improved, and (not cited as an issue from J Panel, but took it upon myself) I humanized that 16-bit Castlevania 4 Chiptune Flute at 3:10 with some pitch bends. Hopefully the Chip-Tune samples at the ending segment aren't too exposed now lol. Pardon the edits, I had a lot to get across and a lot of it didn't come to me immediately. Damn ADD and anxiety lol. EDIT I've had APZX help me out with the mix-work, which I've re-submitted to the panel.
  17. After my first OCR rejection I finally got the gumption to get up and back on the keys lol. I dunno why this song but it felt right and I had some fun ideas. Probably gonna extend the beginning maybe twice as long and then go into the little surprise in the middle but we will see. At some point it kinda just cuts out most of the instruments and thats where I stopped. I guess we will see where the road takes me this time! https://drive.google.com/file/d/1hQujqMGaY04r-7QzLJSrvA8jAEwPb1i5/view?usp=sharing Edit: Current version below
  18. Hi Remixer, I have submitted my orchestral arrangement of the song "Opposing Wills" from the game "Postknight 2". I did that arrangement with Latomarques (new on this forum) I'm wondering if it will be good enough to be accepted by OC Remix. I'm open to your constructive feedback. (It take me 10 days, 3 - 4hours per days to make it) I hope you will like it anyway. Thanks for your time and your feedback. Back (From Neverback Music) Postnight 2 - Opposing Fates (Arranged by Neverback Music & Latomarques).mp3
  19. An arrangement of "To Zanarkand" for piano trio (piano, violin and cello) titled "Yuna at Zanarkand, Her Mind on Lost Friends". It was a lot of fun and a great exercise to bounce the melodies between the different instruments to give them all their spotlights. Spinning counterpoints from previous melody snippets is such a great cheat. All instruments are modeled (i.e. synthesized on the fly) and don't use samples. It's amazing not having to fight them to get them to do what I want or wrestle with sampling limitations and inconsistencies. The downside is that you have to explicitely tell them what to do in excruciating detail. Update (16.06.22): Changed the attachment to the current WIP. The second part is done, so at least all notes are put down. Now to the ardous task of humanization... Update (30.06.22): Updated to somewhat final version and decided on the title. The realism can probably improved a bit more, but for now I'm out of ideas. I'll let it sit for a few days to listen to it again with fresh ears, but I think the mix should be fine. Update (10.07.22): Some finishing touches here and there. Ready for review! Update (25.07.22): Updated with the submitted version. Original song: 20220723.mp3
  20. Original: Rearrangement: https://www.dropbox.com/s/5ven7lnd920h8xx/eino_keskitalo_-_bitter_sweets-20221123-rc2.mp3?dl=0 Older versions: https://www.dropbox.com/s/kankncj3jyypjkd/eino_keskitalo_-_bitter_sweets-20220415-rc1.mp3?dl=0 This one started way back in 2012, during People's Remix Competition round 210. https://compo.thasauce.net/rounds/view/PRC210 I decided that hey, this is actually finished, with just a bit of polish. I was thinking of extending it, but it sounded rounded out enough to me now. It's a bit short, but if you like it, you can simply listen to it again!
  21. In November 2021, the fifth game in the "Shin Megami Tensei" series was released on the Nintendo Switch. I am a big fan of this series, so I could not pass by this wonderful game and its great soundtrack! A DnB remix of Shinagawa theme, where I tried to recreate the original instruments and atmosphere - and to be honest, it wasn't easy. I hope you appreciate it. And if you haven't played this game yet, I highly recommend it. I've beaten this game three times already
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