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OCR00897 - Ogre Battle "Zenobia's Grave: A Champion Has Risen"


djpretzel
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I do a lot of RPing over at Videoland MUSH as Destin Faroda (that's the canonised name of the Male Lord, for those that aren't aware), and as his player, I feel that I must make this statement.

You. Rock.

I like the drama that practically oozes from this piece, start to finish. To me, it captures the spirit of the game perfectly. The opening builds nicely, very ominous, very dark. You can almost see the outnumbered rebels advancing across the plains of Sharom. At about 1:31, something new starts to emerge, hope. 'Round about 3:00 Sounds like a good spot for a heroic charge....or maybe a dual. I only have one problem with it and that would be the ending. It's tad on the anticlimatic side, esecially after all that lovely development early on in the piece.

Looks like Destin's got a new themesong at Videolan MUSH. I send you many thanks, and may Danika be with you.

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Being very familiar with this mix, and both mixers who produced this - I have to admit this isn't my favorite mix in Kwix's repertoire, as this is an earlier work. I think his newer work is a bit more daring and distinctly different in genre compared to originals. However with that being said, Kwix did a very good job on this, and certainly a solid OC debut. As DJP noted Israfel did the recording and a few touch ups, and it does show. The production is of high quality like Israfel's other works. In all, if you're looking for epic orchestral mixes, you'll have a hard time finding one at this level. Very good, epic and quality work.

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Overall the song has a good feel to it. The pulse is constant and the syncopation is pretty easy to keep up with and doesn't get too out of hand. However, I'm not that wild about this song for several reasons:

1) Nothing really interesting happens, with the exception of a sudden key change around 2:58 that doesn't sound that dramatic and just sounds like a signification to the ending of the song.

2) The snare drum sounds too close in the mix -- it reminds of the horrible recording of 20020220 where the mic was placed *right* next to the snare drum and drowned out the whole orchestra.

3) Here's the biggie -- reverse string placement. I hate it when composers reverse the placement of Violins I & II with Cellos & Contrabasses, or any other alteration, with a passion. Some people may like the unorthodox sound to it, but to me it just sounds wrong (which consequentially is a reason I'm not to wild about a lot of Israfel's works because of this one reason).

As far as the 'epic' comments, I don't really see what's so epic about it. Yes, it is a good strong, solid song but it doesn't have a 'epic' feel to it I think. I sounds more than a laid back march to battle than an epic work.

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Glad to hear you guys liked this. I would agree with GL in that I think Kwix has gone on to do more interesting arrangements, but I still enjoy it and was more than happy to help out a little. And to those who like the piece I just want to make it clear that 90% or more of this arrangement was written by Kwix, so give credit where it is due. ^_^

As far as Russell's comments go- I'm sorry to hear that he wasn't fond of this or my other works, but it's just a matter of personal preference I suppose.

It is worth noting that as an electronic musician I've made a conscious decision to not emulate real instruments. That is, whilst my samples might sound like a certain instrument I don't worry about that instrument's limitations (range, interval leaps, etc.). Likewise I don't concern myself with adhering to traditional instrument placement or panning.

To me, one of the joys of electronic music is that it frees musicians from the limitations and traditions of live music.

Now obviously not everyone is going to accept or enjoy this approach to electronic music- but hey, variety is the spice of life, right? :)

So yeah- if you're looking for realistic "orchestra simulations" then you've come to the wrong guy. ^_~

But anyway, cheers Kwix and I hope to hear more mixes from you.

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I really enjoyed your guys take on this theme I first heard this way back on vgmix before it went down it sounds very epic much like something you would hear from the soundtrack of LOTR. I especially liked the unique vocals you guys added to this piece it makes it stand out very uniquely. As for the instruments "not" sounding totally real maybe for someone like Russell its a problem its just personal preference thats all but you know it doesnt take away anything from the works you have done MD I absolutely loved all the remixes you did and do look forward to hearing more from you in the future. :D

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Excellent work, in my opinion. I love the feel of this song. It really captures the 'essence' of the fantasy battlefield in Ogre Battle. I really like it when mixes try to recreate the spirit of the game or a particular aspect of it.

The only flaw I can see in the song is the 'xylophone-musicbox' sounds used. They just don't seem to blend well playing in the particular parts they do. For me, it causes the mix to loose some of its 'epicness'. Perhaps they could have been modified or replaced with something else that provides counterbalance (lack of technical music knowledge means I make up my own terms). I'm surprised no one else has mentioned this... maybe I just hear things that others don't <insert schizophrenia joke here, my own are getting stale> or maybe I just have weird tastes.

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I dunno, I'd have to disagree with you on the xylophone sound thing, Striker. I feel that it is a good contrast to the rest of the piece, myself. I especially like the parts where the xylophone comes in for a few peaceful seconds, right before the next section of the piece starts. Very fun. It really eases the higher tension moments of the song, then sweeps you back in as fast as it took you down.

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Don't get me wrong... I'm not a leet remixer, and have no idea what most of you guys are talking about most of the time.... Just a long time fan of remixes here, and visit this site daily to download new tracks. And I have to say, this is the best remix I've heard yet bar none. I loved Ogre Battle, but I didn't care much for its soundtrack. So that's saying a lot from my end.

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I dunno, I'd have to disagree with you on the xylophone sound thing, Striker. I feel that it is a good contrast to the rest of the piece, myself. I especially like the parts where the xylophone comes in for a few peaceful seconds, right before the next section of the piece starts. Very fun. It really eases the higher tension moments of the song, then sweeps you back in as fast as it took you down.

I like the concept of it, I just don't think the right instrument was used.

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Alrighty, here's the deal with the choir samples. They're "Voices of The Apocalypse" and it is available from soundsonline.com for about $450.

I actually wouldn't recommend getting it though unless you just have money burning a hole in your pocket or if you're making money from your music. I mean, the samples are nice but they're a bit troublesome to work with.

Aside from vowel sounds, consonants are also sampled, and it is possible to get realistically sung words out of this thing. I've never done it in a mix (well, I have a FF7 mix that sorta does it, but not really), but I have gotten it to work and it's friggin' cool. :)

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I actually wouldn't recommend getting it though unless you just have money burning a hole in your pocket or if you're making money from your music. I mean, the samples are nice but they're a bit troublesome to work with.

That about sums up Nick Phoenix. VotA has a pretty good sound, but it's packaged in an 'amaeturish' way. Just Men and Women? I'm sorry, but no matter how good the samples are that's like Garritan or Sonic Implants releasing a string library that just has one large Legato, Pizzicato, Sordino, or Marcato string sample -- it just doesn't work. A *good* choir library should have your Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, and Bass, not a mass heap of "Men" and "Women." The unbearable hiss in the lower registers of the two heaps is just unacceptable also, as well as recording divsi parts with VotA is impossible.

We're finally starting to see some *good* libraries coming out (SAM Horns, SAM Trombones, Sonic Implants Strings, VSL, Garritan solo strings *hopefully soon*) and I think it's about time a developer looks into making a *good* choir library. I mean come on -- there are *enough* piano libraries out there, focus on other instruments companies!

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That would be rather nice. Multisampled vowels and consonants for voice parts and then maybe for solo voices too. Although that would probably be way out of my price range and have annoyingly large samples spread out over a several CDs. Sorta like these new strings sample sets that are starting to come out. Good lord they're expensive. I'll just have to stick with what I've got I suppose.

But Sam Horns on the other hand look like a great buy.

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  • 6 months later...

Sorry to butt in on your music-improving discussion, but I'd like to comment on this lovely remix ;)

Anyways, great remix. Unlike many of the ones on this site, I can easily tell what it is remixed from, and it manages to catch the spirit of the game well... all without being to similar to the originals. Great work, I wish more artists would follow your lead. I especially love the choir.

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  • 4 weeks later...

This is a nice co-op mix of Ogre Battle [which I've never played, though I wish I had...well, at least I rented Ogre Battle 64 and have Tactics Ogre, but I'm getting sidetracked.]

This has a great dramatic feel to it...the voice samples, those string-instrument-sounding-things-whatever, the very pace of it... I just can't stop listening to it. I don't know what else to say, I'm already mimicing the people before me. So...here.

92.5%

Cherish it and love it forever, I still haven't found a mix that surpasses that rating.

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  • 1 year later...
  • Liontamer changed the title to OCR00897 - Ogre Battle "Zenobia's Grave: A Champion Has Risen"

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