ReMix:Streets of Rage "Twin Fire" 3:23

By CJthemusicdude

Arranging the music of 2 songs...

"Beatnik on the Ship", "Fighting in the Street"

Primary Game: Streets of Rage (Sega , 1991, GEN), music by Yuzo Koshiro

Posted 2024-06-03, evaluated by the judges panel


Time for a SEEEGAAAAA double-shot, as we pair off MkVaff's Ecco: Tides of Time ReMix with CJthemusicdude's hefty expansion on another 16-bit Genesis/Mega Drive classic! The streets are raging, or in this case, the ship is rockin', as CJthemusicdude brilliantly expands Streets of Rage's "Beatnik on the Ship":

"My remix of Stage 5 from Streets of Rage for the Genesis. Very memorable stage with the best boss of the game, in my opinion.

Some of the Japanese vocals used are samples from https://youtube.com/channel/UCEimJ4lmk9ItwWYYrypUdBg.

I got new headphones! :D"

This is LOWD, so we're very proud of you for those headphones, yes sirree! Seriously though, LOTS of old school gamers had major frustrations fighting twin sister bosses Mona & Lisa in the first Streets of Rage, so I don't envy anyone trying to put down those syndicate baddies, they're tough bosses! In honor of their stage, CJ sure slapped together a very spirited arrangement! Judge prophetik music play-by-played the action, no doubt while scrolling from left to right and punching bad guys:

"starts off with a chippy bass tone and a solid kick. the arpeggiated octave bass is a tie to the original right away. melodic elements right away are in the sidechained lead. big build into 0:57's hit. this section is pretty loud but the limiter's doing what it's supposed to, so while it's heavily squished it isn't clipping. there's another drop right after this at 1:31 that is welcome after how wall-to-wall the previous section was, and the bass here is fun.

there's another build up - 1:58-2:11 sound like the same as the earlier section, but there's a different (and also good) build into 2:21's big hit. the melody here's clear again and it's a different set of backing elements from the last time that this came around, so that's good. elements drop out after the 3:00 mark in order and then it's done.

this is a solid take. the super-heavy sections at 0:57 and 2:21 may not be everyone's cup of tea, but i think they sound fine and i'm able to pick out the parts going on, so i think that's pretty well done. it's certainly an adaptive take on the original and it's got good energy. nice work."

Dug the quick nods to "Fighting in the Street" at the very beginning at :12 & :16, and beyond maintaining some of the source tune's sound palette with the cowbell hits, there was also dashes of sampled SFX from the game throughout, e.g. snagging food (:12) and voices (2:39-2:46 & 2:56), that added nostalgia amidst the sonic spice. In the big picture though, the beats were thumpin' and the brass-style accents were filthy & full of power; you've gotta love the energy here, just like prophetik did, as well as our newest judge, Hemophiliac:

"Absolute joy here, Streets of Rage has such an awesome soundtrack. You've certainly done the 90s club vibes from Koshiro justice with this interpretation.

I can see why MindWanderer felt that the lead can get very bright and shill at the end of the section, but you change it up and go somewhere else just when it's starting to get that way for me. You have a good sense about when to go somewhere else, and I appreciate that.

The thing that I absolutely loved in this was the low brassy synth blats that start at 1:00. At first I thought they were brass samples, but It seems like there's some subtle filter opening on them just after their attack. Very cool choice and they fit right into the soundscape. Nice work."

Work so nice, the Js said it twice -- twin fire! I love that Hemo and I were on the same wavelength, because around 1:55, I too was looking for something different in the treatment, hoping there wouldn't be a huge cut-and-paste, and thankfully it didn't wind up that way after 2:11, so kudos to CJ for indeed having the presence of mind to know when things needed to shift here. Even earlier at 1:31, the dropoff was a nice respite from the overall intensity here as proph noted. Forceful yet dynamic, CJthemusicdude brought the heat for his hefty-sounding tribute to one of Yuzo Koshiro's finest 90s compositions!

Liontamer

Discussion

Latest 3 comments/reviews; view the complete thread or post your own.
avatar
xtp183
on 2024-07-20 09:08:22

There are still some people here in the community that share your same qualms with the current music landscape. For what it's worth, out of the last twenty tracks posted until now, your Twin Fire has kept me coming back for relistens almost every day until now, so I think you are right with striking gold analogy. I have no idea what constitutes a warm reception in this era, but it's true that there can be a feeling of underwelmingness with many things thesedays. I'm still old-school enough to make my own playlists rather than have something fed to me. This track certainly makes the cut for many of them. Look forward to hearing the ones that eventually make their way down the queue!

avatar
CJthemusicdude
on 2024-07-19 11:21:56

For the first time, I'm going to write a review on my own track, because this track has a lot of emotional weight attached to it. My writeup for this remix was intentionally terse because I didn't want to let on just how much I had invested in this remix. But now is the time for this track to get its' flowers and also to share some personal thoughts because I am soft retiring from making remixes (again)

This remix is my favorite audio thing I've ever released on the internet. It is the only remix I've ever made that I have remixed numerous time for my own listening. I think the main reason I like this remix so much is because I got lucky and struck gold with the sub bass tone I got during the chorus. It is kind of absurd just how obsessed with this track I was when I was working on it. It's all I could think about. I listened to this remix with every pair of headphones that I had, not just my new ones, also in the car and laptop speakers. I walk alone often at work and I would be always listening and writing down notes about what I would change when I got home. I did this remix almost entirely in headphones (Like all my remixes) and it took a week or so after I submitted this remix for my hearing to go back to normal. I was intensely proud of this remix, but I am also not proud at the same time. Like a lot of my musical works, I didn't sound design anything original, I altered presets and used a bunch of samples. And at the end of the day, my production level isn't anywhere close to where it would need to be to be commercially viable.

Some people know that I recently went on a review bomb spree. This was partially to try and give back. The whole reason I did this remix and in fact got back into making remixes was because I got a nice comment on a video. That's all it took. I know how much power a comment or review can have so I wanted to spread that around. However, my review bomb wasn't entirely altruistic. Truth be told, the biggest reason why I went on the review spree was because I was working on this remix and I wanted people to hear it. I immaturely figured that if I reviewed a bunch of remixes, that this remix would get more attention when it came out. My plan didn't work lol. I also sent this remix to friends and family, something I usually don't do. I was so proud of this remix. The response I got was essentially a giant single thumbs up from the world, a quick nod of positive acknowledgement before it fades into the internet ether. I don't blame them though. After creating this, I went on spotify and listened to random solo artists from my favorite edm genres and proceeded to remember how much better at production every single artist I listened to was. What's sad is that some of these artists don't have a ton of traction view wise themselves, what hope would I ever have? With the current music landscape being what it is, and with me approaching 40 and with ai on the rise, I don't think I have a place in the online music space anymore (Not that I had much of one to begin with.). I still have a couple of remixes in the judges queue, they were remixes I was working on while Twin Fire was waiting to be posted so I figured I might as well post them and tie up any remaining remix loose ends.

I am still proud of this remix in of itself and I enjoy listening to it, so I don't regret making it. Keep awesome video game soundtracks alive!

avatar
Liontamer
on 2024-06-03 17:35:19
What did you think? Post your opinion of this ReMix.

Sources Arranged (2 Songs)


Primary Game:
Streets of Rage (Sega , 1991, GEN)
Music by Yuzo Koshiro
Songs:
"Beatnik on the Ship"
"Fighting in the Street"

Tags (8)


Genre:
Jungle,Psytrance
Mood:
Energetic,Funky
Instrumentation:
Electronic,Sound FX,Synth
Additional:
Time > 4/4 Time Signature

File Information


Name:
Streets_of_Rage_Twin_Fire_OC_ReMix.mp3
Size:
5,760,167 bytes
MD5:
b30a22fd0ed8f64c680c9186837c15ba
Bitrate:
224Kbps
Duration:
3:23

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