Originally intended for Lucid Dreaming, fate conspired against the inclusion of this mix, but we can still enjoy it on its own - all the more musical goodness for NiGHTS fans, methinks. While not quite as dramatic (or boastfully titled) as their previous collab on Chrono Trigger, this follow-up partnership between Brandon Strader & halc again melds the former's guitar/organic approach with the latter's chiptronica textures + beats for a lush-yet-crunchy soundscape. BS is kinda like the milk to Drew's Rice Krispies, though I doubt you could take that simile too far. Actually, this was originally a Strader solo flight, but halc jumped on board when judges had beef with the first submitted version, and then there was a resub, and then another, which is what I'm posting today, so this one's seen some revisions. Brandon originally wrote:
"I have never played a NiGHTS game before, but was asked to create this song by an acquaintance. The original song is very short, and only has the one key change in it. Not a lot going on in it. As a result of this, I went a little overboard with the arrangement while still staying true to the original. I added a lot of extra "flair", especially in the percussion. I recorded live bongos, tambourine, wedding bells, maracas, and I even went as far as using a coffee can as a percussive instrument. I don't usually write in this style, but I thought the contrast between real instruments (percussive and guitar, bass) against the electronic ones (everything else) was an interesting conflict, to say the least. Also, the auto-tuned whistling at the beginning was pretty fun, and a nod towards the hybridization of real and electronic."
So even before Drew was involved, this was envisioned as an electro-acoustic chimera. There were also originally baby giggle FX, but nearly everyone found them out of place and slightly creepy, apparently; Shariq writes:
"Babies are creepy as hell. :\ Nice to hear the source tune actually brought to the forefront this time around. Fairly conservative, but a nice soundscape, so it's not bad at all. Cool percussion too."
I think it's quite fortunate that, even though Brandon got a lot of feedback from a lot of people and implemented all or most of it, this doesn't sound like a Frankensteined, design-by-committee arrangement. Sometimes, with that many changes going on and that much input, you run the risk of compromising the end result by moving towards the lowest common denominator, but in this instance I think the final track is cleaner, more coherent, and really just a mellow, pleasant jam that expands on the source in all the right ways. Props to Brandon for sticking with it, bettering it, and again employing the multitalents of halc to produce a polished & transporting finished track!
on 2011-12-25 00:48:38
Firstly, I practically worship anything that Brandon puts out. So I might have a bit bias towards it being good.
Let me start off by saying that this is very different for Brandon's style.
Halc pulls some really warm synths out from under his belt. They make me feel calm.
The calmness is only helped by Brandon's guitar. When Halc brings out his awesome synth lead, it contrasts.
But as contrasting as it is, I still feel calm.
This mix is great to chill to. 'Nuff said.
on 2011-12-13 21:07:00
Right at the beginning, it sets the somewhat quiet, somewhat reserved theme. Love the blend of hip-hop drums and spacey synth sounds. This seems to biologically calm me down, as it released the tension I have form sitting in this crappy computer chair. Overall, great, and I hope to see more of Brandon Strade and halc's work.
on 2011-12-13 11:14:43
So chill......kinda sounds like a lullaby in some areas. It's got an airy sleepy quality that just makes me want to relax and space out to. It's really cool to hear the chiptune style of halc matched up with Brandon's guitars, and it sounds completely unique. Pretty good.
on 2011-12-12 15:23:56
Man, this mix sure got neglected.
It's a nice chill mix that you can zone out to. The guitar is a nice touch to the song, as well as the chiptunes that Drew so loves to add. The song somehow just feels so short, but part of that might be how well the atmosphere is nailed here. I do think I would like to see a little more though.
on 2011-12-06 03:00:25
Oh, I remember the WIP for this... a while back, so that's actually no help at all.
Anyways, Brandon Strader is secretly becoming one of my new favorite ReMixers, and this ReMix is no exception. Relaxing and soothing, this one would have fit right in with Lucid Dreaming, and I consider it an unofficial addition that really helps me sleep at night.
on 2011-12-02 09:25:29
Brandon, let me revive one of your review threads just in time for Christmas.
See, this is the result of constantly pushing through to make sure a track sees the light of day. With some pretty guitar playing on your end and some well-filtered synth writing and bit-crushed additions throughout, it can be seen as a great outing for both of you. I have to say it kinda dragged a bit in comparison to "The Last Schala Mix Ever", but that can be down to the source tune as well - difficult to do anything with something less than 15 seconds long, so mad props there.
I may have to say though to watch your timing sometimes. You do keep telling me that I have to be realistic even with percussion synching, but on your end it does get awkward with stuff like the coffee can (?) being slightly behind the synth in the intro. But with all the tracks you've been working on lately, I'm sensing that you're steadily working on those improvements and are pushing them up tenfold with newer material.
Once again, a solid effort from you two! And let's not let the 'Strhalc' movement die off any time soon
on 2011-10-05 12:56:00
Very dreamy intro. Actually, everything up until the guitar enters is very lullaby-ish.
But even once the lead guitar enters, the song still stays very chilled and relaxed.
Really enjoyed the chiptune-ish breakdown around 2:40.
on 2011-09-19 23:58:55
Laid back, beautiful... feeling a little sleepy... good stuff.
on 2011-08-19 14:10:07
A huge thanks to OCR for posting this! If you guys wanna hear what the original sounded like, version 1 before any changes or any halcerations,
Edit: This post was intended to give insight into the history of the song, not to kill the review thread xD... oops
on 2011-08-19 11:45:09
Wow, the hybrid of instruments is really weird and cool. I'm definitely enjoying this one...It's too bad it didn't make it onto the album, but oh well!
on 2011-08-19 10:46:09
What did you think? Post your opinion of this ReMix.
Sources Arranged (1 Song)
- Primary Game:
NiGHTS into dreams... (Sega, 1996, SAT)
Music by Fumie Kumatani, Naofumi Hataya, Tomoko Sasaki
- "Gate of Your Dream"
- Electric Guitar, Synth
- Origin > Collaboration
Origin > Resubmission
- 5,788,613 bytes
- Size: 5,788,613 bytes
- MD5 Checksum: 26df7b74ccfb6c7ee7d3cd5808194073
Right-click one of the mirror links above and select "Save Link As" or "Save Target As"!!
Help us save bandwidth - using our torrents saves us bandwidth and lets you download multiple mixes as a single download. Use the tracker below and scroll for more information, or visit http://bt.ocremix.org directly, and please don't forget to help us seed!!
Follow OC ReMix on Facebook, Twitter and YouTube! Don't miss the latest ReMixes, albums and news!Follow @ocremix
Page generated Thu, 19 Apr 2018 13:32:34 +0000 in 0.0203 seconds
OverClocked ReMix is a project of Game Music Initiative,
a 501c3 non-profit charitable organization. All compositions, arrangements, images, and trademarks are copyright their
respective owners. Original content is copyright Game Music Initiative, Inc. For information on RSS and
and the FAQ available there for information about the
site's history, features, and policies.