Late night mixpost!!
This one is going up (much) later than usual, but that's actually appropriate, because it's a spooky orchestral/rock arrangement of the sinister & popular "Sub Castle BGM" from Super Mario World, brought to you by newcomer N4L4 (Orica Okinaka):
"Sub Castle" in SMW was one of my favourite songs at the time when I met the game in 1990s. So in doing arrangement of "Sub Castle," I didn't want to change a lot, but I tried to make it more orchestral and rock sound. Simple and gorgeous, enjoy my arrangement."
First off, I have to say, that's a pretty dope bassoon sample. I don't use "dope" lightly, especially when discussing bassoons, so that's saying something... this arrangement initially has the appearance of a competent but relatively conservative/intuitive orchestral take on the tune, but things progress nicely and additional ideas are worked in... to be honest, Larry's vote covers almost everything I'd have to say, so it's time for some copypasta:
"Good stuff with the opening adding some original string accents to compliment the good orchestration. Nice use of the mallet percussion at :32 to simulate stomping on a Dry Bones in the game.
Nice transition at 1:03 with SFX to add a little tension. Some of it sounded kind of tacked on, but it integrated well-enough overall. Good original brass writing from 1:34-1:44 as well. I'm both surprised and glad that the instrumentation took some drastic turns at 1:44 to present another side of interpretation and put this on very firm ground with the creativity of the arrangement approach. Sounds like those light electric guitar chugs at 2:38 were influenced by the (Larry-named) "Monstrous Turtles!"
The fadeout ending was a little weak, but on the plus side, it was introducing some new concepts even during the fade instead of retreading previous material. It's a disappointing thing in the sense that it's clear you hadn't run out of ideas yet, but what's here with this arrangement was more than adequately developed. Great stuff that's been like some other successful "Sub Castle BGM" mixes lately, i.e. starting out pretty conservative and dampening expectations, only to then fire up with very interpretive instrumentation and textures. Nice job, Orica, and welcome aboard!"
If that's not a comprehensive vote, I don't know what is :) Really nice separation & dynamics are evident right from the get-go, things eventually rock on a pretty damn epic scale, and while the artist describes the arrangement as "simple," there are actually quite a few ideas going on, and a sweet, satisfying mix of textures. Usually it bothers me when different reverbs/spaces are employed in transition, but somehow it works pretty well here, perhaps due to the manic, over-the-top nature of that iconic progression & rise-fall arp riff. I'm not on either side of the fence when it comes to fadeout endings; I think they CAN work well, I just think they often don't... in this case I'd have preferred something more bombastic & conclusive, but it's not the end of the world... just the end of the mix ;) Fun, flamboyant, impressive, & interesting debut from N4L4, who says something new with a popular source, and says it with style - looking forward to hearing more!
on 2019-02-12 20:29:14
WOW, I mean, it is almost a direct port, but WOW, this song is BAAAAD! It got me so hype, I wanna see a remake of Mario World with this song in it!
on 2016-09-28 08:56:09
Sounds a bit like a song from Super Smash Bros Brawl. I like it.
on 2016-07-06 15:53:34
I really like your version. NIce to heard, nice to feel... Perfect
on 2016-06-23 22:01:47
Very good. Nothing really outstanding or new, but there's a lot to be said for quality craftsmanship.
on 2016-06-23 10:13:25
First of all, very good sample quality. Good staccatos, woodwinds (VSL?), and oh yes that organ. Pipe organ wins at everything.
As I listen this just gets better. Really good brass sounds, and then brings in the rock drums.
Vibraphone wasn't expected, but a nice addition.
Ah well there's one negative comment. The last part kinda weakened, and then faded out. Fade outs are....not so much a thing anymore. They only work if you fade into another song. And well..that'snot a thing anymore either
on 2016-06-22 15:35:06
A refreshing take on orchestral remixing. Interesting source and cool ideas (like the guitar entrance). Conservative, but it works in the mix's favor. Pretty solid.
on 2016-06-21 15:43:58
What did you think? Post your opinion of this ReMix.
Sources Arranged (1 Song)
- Rock, Symphonic
- Epic, Spooky, Suspenseful
- Brass, Chromatic Percussion, Electric Guitar, Orchestral, Organ, Piano, Sound FX, Strings, Woodwinds
- 5,310,346 bytes
- Size: 5,310,346 bytes
- MD5 Checksum: d920a705cae64f9df58e2c2351cdf5fa
Right-click one of the mirror links above and select "Save Link As" or "Save Target As"!!
Help us save bandwidth - using our torrents saves us bandwidth and lets you download multiple mixes as a single download. Use the tracker below and scroll for more information, or visit http://bt.ocremix.org directly, and please don't forget to help us seed!!
Follow OC ReMix on Facebook, Twitter and YouTube! Don't miss the latest ReMixes, albums and news!Follow @ocremix
Page generated Tue, 25 Jun 2019 00:19:41 +0000 in 0.0233 seconds
All compositions, arrangements, images, and trademarks are copyright their
respective owners. Original content is copyright OverClocked ReMix, LLC. For information on RSS and
and the FAQ available there for information about the
site's history, features, and policies. Contact David W.
Lloyd (djpretzel), webmaster, with feedback or questions not answered there.