ReMix: Chrono Trigger 'Ocean Palace (Wave Breaker)'
- Game: Chrono Trigger (Square, 1995, SNES)
- ReMixer(s): Children of the Monkey Machine
- Composer(s): Nobuo Uematsu, Noriko Matsueda, Yasunori Mitsuda
- Song(s): 'Ocean Palace'
- Posted: 2001-08-24, evaluated by djpretzel
Cotmm takes a break from his usual avant garde distortion-fetish ReMix style to give us . . . a jungle / breakbeat CT ReMix! He still manages to give the piece an edgy texture, but things are cleaner overall, and he covers the new genre quite well, with a well-constructed groove that a nicely ambient FM-ish synth pattern plays on top of, with a very low, guttural tone that also sounds like it has roots in FM synthesis covers the melody. Cotmm knows a good thing, so lets the groove he establishes repeat a couple times until he brings in the real melody, played on a cleaner synth again in the midrange. The whole piece is very well layered, and though not trance, achieves the same effect of musical hypnosis, until 2'46", where it deviates significantly in a little ending soliloquy. Good stuff!
This one is actually a lot more listen able for me than his usual experimental fare, though the changeup to a new section came in strangely late in the song. I think either the length needed to be extended, or the B section appeared sooner.
Regardless, it's a pretty good source and a decent sendup; I think an additional minute would have improved it, but it'll do.
- OA on January 15, 2008
- Liontamer on May 14, 2007
- DragonFireKai on March 5, 2007
- HoboKa on February 16, 2007
Edit: err, rather their bitch.
- Clumsy. on February 14, 2007
- Turkaholic on March 29, 2006
The beats were good, but if you repeat many times, you grow tired of it. It took one and a half minute to get to the melody, and that one itself was almost too low to hear.
Good job with the beats though. :wink:
- Bummerdude on September 26, 2005
Some major issues I have with this song:
- The treble hook introduced at around 0:14 doesn't EVER change it's notes, getting old very quickly (I was sick of it by 0:24 and again by around 0:53-1:14 when it was reintroduced)
- The drums loop with pretty much the exact same 3 second pattern way all the way from 0:33-2:35; how annoying! You could have atleast made it 4 different patterns cycling through, and switched the percussion up every now and than to keep it interesting.
The song also seems to lack punch/power for most sections in the middle, which is decieving because it appeared to be heavy and full of life (to some degree) from the 0:00-0:53 introduction. This remix has potential, and the background pads/strings/synths helped the atmosphere a little, but as described... it really lacks variety and attention to detail in other areas; in my opinion. I usually love this style of music, but this song seems rather cheezy and unproduced to me. Meh.
- chokst~1.bat on July 18, 2004
- Straziante on January 21, 2003
lol... how does rama come up with that stuff?
anyways... i like it because it is different. you got to hear this on 5.1 surround sound (if you havent yet anyways). it owns you.
lots of fun little blips and noises make up the "percussion", which by themselves probably wouldnt make much sense, but when you put them together and mix in some crazy filtered like mad synth, it all comes together to make one beautiful mindalicious (new word? delicious for the brain. or something. bite me.) groove that is great for chilling to while fixing yourself a nice latte, or smashing human organs to pieces with a tire iron.
either way.
9.7/10
- suzumebachi on June 21, 2002
This song is WITHOUT A DOUBT my most favoritest song in da whole wide world! This song is so harcore it's make Mick Folley mess his diappies!
What you say? You want detailed description? I SET YOU UP DA BOMB!!
This song opens with crazy ass drum and bass niceness. Holy geez I which I could drop I beat like this muv. at 0:09 it's joined by some cool little instrument that at this point you'd THINK would be the lead. You WOULD think that, wouldn't you? Well sir, THAT'S where you'd be wrong! See, up until here you're like, "Well this is a cool ass fricken song...but hey...wait...this barely sounds ANYTHING like the Ocean Palace?" well, don't doubt teh Monkey man, because at 0:33 the super bass melody hits you like a brick that got throw off a 5 story buildin'. Then, perfect balance of drum, beat, bass, and backup throughout. GOOOD SHEEIT. There IS a short melodic break at 1:47, that introduces the counter melody from the Ocean Palace theme, and continues to play this until 2:46. HERE it stops being SO extreme, and takes more of a "Hey, this is Chrono Trigger music, we're gonna take it down a notch for a sec" kinda style before it ends.
All and all, THIS SONG ROX0RS UR SOX0RS! Call the uncles, aunts, chitlins, neighbors, friends, and casual aquiantences! This song is the real deal 100%, pure platinum quality stuff so thick it'd take you 4 years to digest but so smooth you can butter you toast with it!
Translation:
This song is DAMMN GOOD. You can't be a good citizen without hearing it at LEAST once...
I'm doing MY part!
- Ramaniscence on June 20, 2002
This is defiantly a ways away from Children of the Monkey Machine’s norm, but still amazing (yes I like his stuff, go figure.) I love the break beat style and how he gives it that unique static sound. It might be a little over done, but his style is unique. Musical expression rule number 1: Be selfish! Write music for nobody else but yourself, if you don’t like how it sounds, make it that way. If there is one thing you can learn from Children of the Monkey Machine’s music that would be it. Anyways enough with the lessons download this mix. It IS a Chrono Trigger mix, after all.
- Ginnsu on May 19, 2002
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