ReMix: Ecco the Dolphin 'BrokenMachine'
- Game: Ecco the Dolphin (Sega, 1993, GEN)
- ReMixer(s): Trace Dragon XVI K
- Composer(s): András Magyari, Brian Coburn, Spencer N. Nilsen
- Song(s):
- Posted: 2002-02-02, evaluated by djpretzel
Based on the "Welcome to the Machine" level music from Ecco, Trace's first submission is also our first Ecco ReMix in years - literally. Hard to categorize, other than to say ornate, ambient, and atmospheric, Trace's mix features a very prominent bassline, layered drums with dynamic stereo imaging, pizzicato strings, oboe, orchestra hits, synth bells, and extensive usage of down-up synth fx 'swarbles' (probably not a word, but that's what they sound like!) Well-implemented key change at 3'08" builds the tension effectively. Ends very spookily, with drums dropping out so you can hear the individual elements quite clearly. Intelligent use of infrequently coupled sounds and a good ear for filmish textures and timbres makes this a very enjoyable mix you can focus several layers deep into while listening and still find stuff. Tres nice.
The main industrial stuff sounds great, but everything is really topped of by the contrast to the main theme. It's an interesting dynamic as soon as it starts going into a light-hearted horror territory. Usually, I'd think it was a bit schlocky, but the heavily industrial bookends of the mix give it the edge it needs. Also, I think the key change at around 3:08 wasn't entirely necessary with something like this, but handled well anyway.
I wouldn't say I was blown away by this, but I think it's interesting in the right places and a bit of dark-ish fun.
- Marmiduke on June 26, 2009
The rest of the song is badass too, but nothing, and I MEAN NOTHING can best the intro. It's so dang cool.
I agree with what OA said up thar: Cool and Calculated.
- Jaybell on December 5, 2007
This mix is pretty sweet,starting off mysterious, ramping up the strut-osity, and then taking a bit of a break before struting anew.
Great drums and sound effects, and the ending pizzicato strings really add to it.
Cool and calculated.
- OA on April 25, 2007
- Kurokun1293 on February 14, 2006
- Tarrasque on November 19, 2004
The vibe is remeniscent of some of Ulver's recent work, like the Melancholy EP, only harsher.
Who knew a dolphin could be so badass?
10/10 overall.
- killthrush on November 15, 2004
- Dr. Pangloss on May 24, 2004
maybe my rgm player sucks, but the original doesn't sound all that special, so this mix was a serious improvement. the melody was interesting, but the same could not be said for the original arrangement. this is one of those songs that would have made the original game better if it had replaced the original (sort of like if ailsean's 'nikki learns a new song' mix replaced the original, the world of chrono cross would be a better place).
-rob
- herograw on June 23, 2003
- Nevah on December 8, 2002
- Xaleph on December 2, 2002
- Dekkon on July 10, 2002
Though I know almost nothing about Ecco, doing the music in a heavy industrial-ish style is almerst certainly a hard transformation to pull off. Actually, calling this industrial, or even heavy, is a bit of a misidentification, since this mix switches styles so often - at times edgy and synthy, at times a bit mysterious, using pizz strings and vibes. It's a well put together mix, except that it's probably about twice as long as it needs to be, and the high-pitched sweep thing is pretty annoying. Don't get me wrong, though - it's a worthwhile listen, even if only to admire the juxtapozition of styles that it pulls off so well.
- orkybash on May 22, 2002
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Discussion: Latest 13 comments/reviews; view the