ReMix: Metroid 'Kraid's Hideout'
- Game: Metroid (Nintendo, 1986, NES)
- ReMixer(s): Select Start
- Composer(s): Hirokazu Tanaka
- Song(s): 'Kraid's Chamber'
- Posted: 2004-05-11, evaluated by the judges
First, the bad: this mix has some significant tuning problems. Seemed to bother me more than the judges, but if you got perfect pitch and can detect (and loathe) pitch discrepancies in cents as opposed to semitones, you might have some issues. Now, the good: first, newcomers Select Start (check the site, http://plaza.ufl.edu/wuli32/ for info) have not only a cool band name, but are offering something decidedly different to the annals of Metroid ReMixdom with this initial submission in ensemble strings and guitar. Very innovative, and works largely due to the arrangement capitalizing on the lack of percussion and really highlighting both higher and lower string parts (violin and cello) and varying articulations as well. The Metroid theme in question lends itself well to the sort of haunting, maudlin string performances here, which harken to classical horror movies from days of yore. One of the greatest things about this ReMix is actually the fact that he-of-supposedly-infallible-truths, Protricity, was totally wrong in calling what are clearly REAL strings samples. Let's look at his embarassing, factual blunder, shall we?
"Violins don't sound real at all. Lots of repeating."
Of course, he later went back and corrected himself, like the champ he is, but the damage was already done: clearly, Ari Asulin has been, on at least one occassion, wrong. Mark your calendars. Moving on - the same thing this mix has going for it it also has going against it; namely, the exposed style is quite risky, especially with real instruments, and while this couldn't have been done as effectively if not for the live aspect, there are some afforementioned tuning issues that are problematic, albeit at certain times more than others. Judge Cabrera writes:
"There is LOTS of variation on the attack and articulation. And the bad tuning is usually an indication of real instruments. Anyway, I like it for the same reasons that Mr. Wingless likes it. And it's not note for note. It varies in sections like the one that starts around 2:15. I'm giving it a YES even WITH the bad tuning because it almost adds to the creepiness of it all."
In all honesty, I don't think the tuning is intentional, BUT it does happen to work and add to the creepiness for that retro-dracula feel as Dan points out. Plus, even if it's not in absolute alignment, the playing is other regards competent and the mix will laid out. For another track, where the tuning might have been more prohibitive and not played into their hands, we might have had more reservations, but this remains a different take on an oft-covered track, a good combination of a real instrumental ensemble, and a haunting, ominous, gothic arrangement. Featuring real strings. That are real :)
Liontamer;752894 wrote: I definitely could have gone for more interpretation, but this got it done in '04. LOL at every 2004 hater on this track, swarming in quickly just to crap on it. Can't believe how closed-minded those reviews are. Let them get the wax out of their ears.
This was a great listen, forget what those idiots said. Especially KogeJoe, one of the dumbest dumbshits that ever posted on OC ReMix. (Good riddance :lol: ) The mood was excellent, and the tuning was nothing but a benefit to that dark mood. It's Kraid, you idiots; it fits like a glove.
Hey, no need to get mean.
I do like reading this thread and other review threads so I can be embarrassed by some of my older posts. I do actually really like the timbre of the out of tune violin now, and think this has a haunting/off-kilter sound that really works for the source. I don't really think the arrangement goes nearly as far as it could/should but what's there is pretty effective anyway.
- ella guro on February 10, 2011
This was a great listen, forget what those idiots said. Especially KogeJoe, one of the dumbest dumbshits that ever posted on OC ReMix. (Good riddance :lol: ) The mood was excellent, and the tuning was nothing but a benefit to that dark mood. It's Kraid, you idiots; it fits like a glove.
- Liontamer on February 10, 2011
- HaMSt3rBoT on August 30, 2010
- HaMSt3rBoT on August 30, 2010
- OA on August 26, 2010
Look, I think this is pretty simple, no matter how you look at it. It's biggest creative stamp is the fact that it is out of tune, so it doesn't win me over on the arrangement side. It's a song that is suited for piano being played by a live string quartet. That's cool, and I think it works extremely well.
If this mix does something wrong, it's the fact that it doesn't do anything except whine out the Kraid theme. The different combinations of instruments working together in different sections of the mix are definately interesting and do evoke a dreadful, moody atmosphere, but I don't think this has much to say. I do wish that there was an off-center arrangement to go with the off-center musicality.
Regardless, this is nowhere near as bad as all the pro in-tune picketers would have had me believe. Or rather, the tuning is far from the mix's biggest setback.
- Marmiduke on July 18, 2009
- JP_Wright on July 17, 2009
- Lucentas on December 6, 2008
Paladin777-out
- paladin777 on April 16, 2007
Forget the out of tune strings, where's the bass when I needed it? Left the lone guitar out to dry. Perhaps you made the last runs easier on the violin? It really sucks when people can't get the melody right...
Sorry, this is one of my favorite Metroid tunes, and it was ruined. Absolutely ruined.
Don't do a Metroid piece ever again.
- KogeJoe on January 26, 2007
http://www.selectstartband.com/Select%20Start%20-%20Kraid's%20Hideout.mp3
- SnakeIz on April 19, 2006
- about:blank on October 18, 2005
[img]http://www.flagmandesign.com/files/ratings/087.jpg[/img]
- MedHead on October 17, 2005
Red Katana out :wink:
- theredkatana on October 17, 2005
- seiyojin on August 19, 2005

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