ReMix: Sonic & Knuckles 'Tomorrow's Wake'
- Game: Sonic & Knuckles (Sega, 1994, GEN)
- ReMixer(s): Rexy
- Composer(s): Howard Drossin, Jun Senoue, Tomonori Sawada
- Song(s): 'Sky Sanctuary Zone'
- Posted: 2005-03-06, evaluated by the judges
Rexy gives us a melancholy yet hopeful piano arrangement from Sonic and Knuckles - not the type of source material you'd think would yield particularly sober, dramatic piano stylings, but Bev makes it work with a strong arrangement and a warmer, clearer piano sample and cleaner recording than her initial version of the track offered. Dynamics were also improved, or rather the soft notes were made a bit softer. The judges were in rare unanimity, however, and I agree, in observing that the piece's one salient flaw is the excess velocity applied to many notes throughout the piece. Particularly when it's part of an already separated melodic passage, fortissimo coupled with staccato is a dangerous weapon, to be used with a bit more reservation than the ReMixer applies. It's not a devastating issue and it fortunately doesn't kill the mix, but at least to our ears, it's a noticeable detractant. Now that THAT'S out of the way, the good news is that the arrangement is lovely, with an intro that begins with Debussy-like simplicity and pacing but gets more elaborate, with dramatic lower voicings forming a foundation for upper-register permutations of the main melody. Some of the progressions are well-implemented, specifically the diminishing ending that concludes the piece, and in general the degree of arrangement compared to the source material is substantive and creative. Binnie writes:
"New sample is better, recording is cleaner, tone is warmer. But the problem of plunkiness still remains, courtesy of the stiff and occasionally spiked velocities on key notes. Thanks to the improved mixing, it's a little easier to ignore. My main problem with this work was and still is the original phrasings and voicings, which aren't too interesting; the arrangement is best when interpreting and improvising on the theme. But as a whole, the rearrangement is fine."
I feel like part of my duty with these write-ups is "selling" each track, i.e. explaining the better aspects, and why you should check it out, but I'd be remiss if I didn't focus on some of the negatives as well. In this instance, it's a testament to Rexy's legitimate interpretation of the original and otherwise eloquent, elegant interpretation that it remains solid (to every last judge) in spite of some performance and voicing concerns.
The piano line opening it up gives the image of floating and has a very playful fun nature.
Though at 0:50 it starts getting serious. This always reminds me of playing the stage.
I always go nuts at the landscape and part way through the stage realise that I could have fallen and died a lot.
I love piano remixes. This is easily one of my favourites too.
2:53 just makes me feel happy for my life. I love it sooo much. It's incredible.
And I must truly thank Rexy for making such an inspirational track.
It still inspires me today. I'd like to think there's a little bit of Rexy in my sound. ;-)
- Tuberz McGee on December 25, 2011
- Brandon Strader on December 15, 2011
- Crulex on July 4, 2011
I'm lumping this with [URL="http://ocremix.org/remix/OCR01040/"]600 AD in Piano [/URL] and [URL="http://ocremix.org/remix/OCR01143/"]Silent Progression [/URL]in my relaxation playlist. Can't say much more than this is awesome and emotive playing, with a great piano mixed very well. Almost brings a tear to my eye.
- Level 99 on February 17, 2010
- OA on December 22, 2009
The keywords are in djp's description - melancoly, yet hopeful. So if there is a middleground between chill and energy, that's where the intension lies.
Work on the mix itself begun in November of 2004, where after spending 2 enjoyable months of University, I started to feel reflective regarding my return home for Christmas. The general feeling that I ended up having at the time were that I would have some highs and several lows, and whenever I end up experiencing lows, I would disregard it and think of doing my family proud.
It would also apply for similar situations that you might face. You may face several mishaps in life, but you gotta realise that there will be a light at the end of the tunnel. (corny wording, I know, but it works!)
I hope this helps answer your question :)
- Rexy on March 28, 2009
The arrangement held my interest for the entirety, however the purpose of the mix was really unclear for me. The playing is in a middleground between powerful and relaxing. Not that all solo piano pieces should be one of those two categories, but in this mix especially, I started to think about the actual playing rather than what was being played. Maybe that's my problem and not that of the mixer's.
Anyway, for what this is, it does well. Obviously piano mixes don't aspire to be heralded among the mighty, but I'll always have time for them. Glad to hear another one, and a finely arranged one at that.
- Marmiduke on March 28, 2009
Nobbynob Littlun;518998 wrote: Hmm although I considered Rexy's Lament the pinnacle of your work, this is enjoyable too... *wink*
Hahaha, Rexy's Lament was awesome.
- KyleJCrb on March 17, 2009
Excellen musicianship! Awesome job!
- LuketheXjesse on March 16, 2009
- Nobbynob Littlun on March 16, 2009
But I'm also a sucker for ReMixes that take a source soundtrack and completely turn it on its ear in terms of genre and composition. It's so nice to see a solo piano arrangement in the sea of electronica and the ilk that seems to flood the Sonic titles.
And this one certainly does it justice! It's relaxing, yet powerful, simply lovely to listen to.
- Lucentas on January 6, 2009
I think the original can be a bit too hyper and bouncy/happy from the very beginning. It's nice to hear a rendition that really slows it down enough to appreciate the chord progression. LOVE the flat chords from the tonic.
Just my own thought, though, the chords, esp. the beginning sounded like it could have easily been mixed with the Triforce Chamber theme from Zelda: A Link to the Past. Would have been interesting to hear the two melodies interwoven w/ each other.
GREAT work, though.
- KogeJoe on January 29, 2007
sa2master wrote: This piece is simply amazing! The way you changed back and forth from piano to fortissimo at just the right times, slowed it down just enough to not really feel as if it too slow--but still keeping you wanting more.....Brings back many memories.
PS-Just so you know, the links to your music sheets seem to be down.
Ah, that's because about a year ago, Herograw's .com server "a splode" in the words of Strongbadzone. I'll edit them later. It's just the same as the usual except they've moved towards his .org server instead.
Thanks again everyone :)
- Rexy on July 17, 2006
PS-Just so you know, the links to your music sheets seem to be down.
- sa2master on July 17, 2006
But overall, I liked this. Instead of playing many keys at once, it had its own pace and own rhytm and didn't have too much balls in the air at the same time. Wonderful arrangement, and well done.
- Bummerdude on July 11, 2006

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