ReMix: Final Fantasy IV 'Éminence Grise'

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Final Fantasy IV

Wow, where to begin... San Japan was a great con, but alas, I was out the entirety of Saturday with one of the worst cases of food poisoning I've ever had. Feeling better now, but at the time I was miserable, stayed in bed all day long, and watched Obama's town hall health care speech, Tiger Woods, and Ratatouille. Larry had to cover both of our panels himself, but he got an assist from Mega Ran on our ReMixing panel. A huge & hearty thanks to all who chipped in, all who showed up, and special thanks to San Japan staff, in particular Dave Henkin and Ken Wallen - in addition to being plain old awesome, this was a really well-organized convention. While I was out for most of it, I did get up & about on Sunday, and in addition to having already met Raheem, the LeetStreet Boys, ZeaLouS1, and others, we got to meet none other than VGM legend The Fat Man, George Alistair Sanger himself. We didn't get to chat for all that long, but for me at least it was a rather legendary moment.

Right then, on with the show: Here's another gem from Echoes, this time a vocal collab between OA and DragonAvenger. Mr. Luers writes:

"This was a really fun track to work on, and it seemed to come together really fast. I think DA's voice is perfect for the mood we were trying to convey, which is a sort of mysterious tension with sinister overtones. Projectwise, it's the lead-in track to the Climax of the final battle, so it needed to slowly build. The end leaves you expecting more, which is more effective in the album itself (with the next track resolving), but i think it works well enough to stand on its own. Lyrics came together really fast, with DA making a few welcome suggestions at the end. The title is a reference to game storyline. Extra thanks to Jay, Connor, and Justin for whispers and effects. You guys are awesome."

DA adds:

"When Andrew originally asked me what track I wanted to do on the project, I give him a few options, Another Moon being one of them. He immediately jumped on it, and I was pretty much along for the ride. He came up with lyrics when I was stuck, which I helped him complete later on. We both worked towards creating an ominous feel, in lyrics, voice, and during the track as a whole. Working with him was really easy, and he was always open to my ideas. The style of the song worked well with my voice, I love the effects that Andrew added. I look forward to working with him again."

I'm looking forward to that, too. The overall tone here has that hanging, suspenseful, "premonition" vibe nailed - it's basically the opposite of instant gratification, so it's not something you'll be toe-tappin' to or even necessarily humming afterward, but it creates a moment that's portentous and clouded... very unique. I've been seeing a lot of people who have spent more time re-listening to Echoes beginning to appreciate its depth more through repeated exposure; this is one of those tracks that warrants repetition to fully appreciate the environment OA & DA created. One of many reasons to check out the album if you haven't already, but also a peculiar, inventive, and well-executed piece of music in its own right.

djpretzel

Discussion: Latest 13 comments/reviews; view the complete thread or post your own.
thanks for the comments everyone, i'm just saying hi in here. I am amazed at how this one just flowed. There will definitely be another OA/DA collab sometime soon. :-)

- OA on November 10, 2009
I do find myself humming this occasionally. Nice. I wasn't that thrilled by it at first but it grew on me. I love the soloing or whatever during and after "Tonight/Alive/Tonight"

- SoulinEther on September 7, 2009
My opinion on lyrical ReMixes is sometimes mixed, though generally positive if the standard of vocals is good (and it usually is). This is a definite positive one.
It's by far one of my favourite tracks on the album, combining as it does a haunting, ethereal feel with great lyrics. The fact that the lyrics don't rhyme adds a certain... disjointedness (which is perfect for the context) without being so obvious as to be annoying. Whether or not this was a deliberate effect, it really works well.
I also like lyrics to be intelligible, but again I prefer it to be subtle enough to gel. In other words: clear, but not in-your-face. That's another thing this track does perfectly.
Lastly, this track easily passes the criterion required to be one of my "very favourite tracks", which is that I can listen to it on repeat for ages and not get fed up with it!

- Sorceror Nobody on September 7, 2009
This was such an easy track for me to do, I wish all collabs went together this smoothly. OA's work is fantastic, I especially love the overall creepy atmosphere. Thanks, dude!

- DragonAvenger on August 31, 2009
I've heard this song lots of times by now (as well as the rest of the FF4 album), but one thing I love about this track is the ethereal atmosphere the vocals add to it.

- Bahamut on August 19, 2009
I think anything I say now has honestly already been said, particulary what Level99 said. :-P
The feeling made me shiver when I heard the MAGFest preview, and honestly, this is a really good song. The background really helps DA's vocals, and the vocals complement the backing perfectly.
Plus, I can understand the lyrics. Hurrah!
Awesome work, you two. Hope to hear another collab in the future.

- HitoriJaNai on August 19, 2009
Ah, one of my favorite songs from the album. Really, you guys did a great job on this one - the arrangement and the vocals meshed perfectly. I can't say much about it, except it's another example of OCR excellence that you both have graced us with :). I'll personally smote anyone who disagrees (well, not really :<).

- Gario on August 18, 2009
Great arrangement of a very challenging source. I've heard several versions of this song as it was developing and it really has come a long way. Nice simple downtempo beats that still manage to stay interesting throughout.
The most important thing here, I think, was establishing the right mood and I think OA nailed it. Great foreshadowing for the ending of the album with the tense/somewhat creepy feel to it.
I really love the legato string run (shocking, huh?) that comes in around 1:14 that gives the piece some additional movement & diversity.
I think DA was a great choice for vocals as her singing style seems to lend itself well to this genre. Great job guys.

- Nutritious on August 18, 2009
I normally hate outright any VG music/remix that has vocals in it. This piece is definitely an exception. It does an excellent job of creating a moody, ominous tone that warns of what will follow; and the lyrics aren't cheesy or annoying (normally the two qualms I have with most lyrical VG music), and just as importantly, understandable. Plus, the vocals and instrumentals do a perfect job of complementing each other, rather than trying to stand apart.

Good work. You two should collab more often. :-P

- Final Hero on August 18, 2009
The vocal work sends shivers up my spine, the production is top-notch, and above all else, it completely sets the scene up for genesis of destruction. A dark, overwhelmingly-ominous arragnement. Fantastic.

- Level 99 on August 18, 2009
this is such a great remix. DA your voice is awesome, you sing wonderfully. And of course OA is a great producer too :P

- bLiNd on August 18, 2009
Oh wow! Didn't expect another FFIV project post in a while. I love this song! Great job guys! We def need more lyrical tracks on OCR.

- JaDE ARaN HaRuNo on August 18, 2009
What did you think? Post your opinion of this ReMix.

- djpretzel on August 18, 2009

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