ReMix: Xenogears 'Daijiru (Too Hot for Clothes)'
Download MP3
Play Preview
- Game: Xenogears (Square, 1998, PS1)
- ReMixer(s): Another Soundscape, Avaris
- Composer(s): Yasunori Mitsuda
- Song(s): 'Dazil, City of Burning Sand'
- Posted: 2009-10-22, evaluated by the judges
9 out of 10 experts always suspected that AnSo was a "Dirty Swede," and now he's provided direct proof in the form of an awesome 'Dazil' ReMix that uses hentai sounds of lust in musically creative ways. Just look at this short, smug quote from the artist himself:
"It has hentai samples and that's kinda fun."
That's all Mattias had to say for his depraved self, but thankfully Avaris chipped in on production for the finished mix, and provided more helpful commentary:
"Anso handed me a finished arrangement on this track. But it needed some sonic flavoring to keep the pacing good and even throughout. No use in a song fizzling out early. I glitched out some of the percussion in Live, redid some of the sound design, and mastered the sucker. We really had to work hard to get the reverb on the female vocals to sit right on this one. Kudos to Anso for providing a some really slick n sexy compositional ideas on this one! ;)"
"female vocals" is just a tactful euphemism for "ecchi hentai moaning & squealing," so be warned. Actually, this mix wasn't originally slated to be part of the Humans + Gears: Xenogears ReMixed flood, but I really liked it so I tacked it on here at the end. I love the source; Salzman's 'Pillar of Salt' looms large as a monolithic achievement in arranging it, so I especially like that - instead of going epic - AnSo went... sleazy. His mixes always have a clean, elaborate, almost wholesome sheen to them, and that's a good thing, but I like that this one in particular strays from the path and gets a little down & dirty. Vinnie writes:
"I think being a DDR fan and listening to E-Rotic has desensitized me to moaning in music. I barely blinked while listening to this. Is that a good or bad thing? Chill, detailed arrangement that really gets moving in some sections and clearly creates its own style. I dug the atmosphere you two created and the original writing, that supports the mostly intact melody. It sounds well thought-out on both the writing and producing ends."
The processed upright acoustic bass here is downright perverted, sliding this way and that on top of rumbling, Middle Eastern electronica replete with bit-crushed percussive riffs, slinky flute lines, and seductive synths. There's a definite risk that using hentai samples in this fashion will come off gimmicky or trite, but I really think it worked with this source material; 'Dazil' has this sexy, snake-charmer melody that's uniquely conducive to this treatment.
Mattias insists his skills have significantly improved since he originally worked on this track, and I'm sure they have, but I think the final mix is pretty slick, very imaginative, naughty, tawdry, and playful in a way that very few arrangements are. We're now returning back to our regularly-scheduled queue posting, but kudos to AnSo and Avaris for a standout track - one of many standout tracks on Humans + Gears!
Discussion: Latest 15 comments/reviews; view the "Daijiru" is indeed hot. The...percussion took me aback when I first heard it. However, by the middle of the track all the various elements blended so well that I'd forgotten how ridiculously obscene it all sounds. I'm a huge fan of both artists' work, and I love this piece, but...damn.
- DeepChild on November 13, 2009
Intro is caliente, each element acting like its own desert thermometer: spicy drumstick-like bass, glassy bells, furtive sine wave-ish beep, and oasis-promising pad. 0:52 begins a few warm-up runs of the theme, accompanied by bells, a counter-lead at 1:13, and other assistants. The wind instruments are passionate, if a li'l piercing at times (i.e. 1:21-1:24, 3:10, 3:27). But I can't get enough of the trashy, slinky percussion at 1:25+ and 2:54+ or the glistening instrument playing the second part of the source (1:44 and 3:29) - they're both bold, attractive players that could shine more fiercely in solo sections.
- Polo on November 7, 2009
- Warrior of Light on November 5, 2009
- Nobbynob Littlun on November 1, 2009
I love this song and I'm keeping it on my iPod just because the benefit of listening to it outweighs the risk. Still, it's not meant for polite company, that's for sure :-P
Love it, guys :tomatoface:
- Emunator on November 1, 2009
DragonAvenger;609300 wrote: I feel slightly dirty for listening to it, though.
My work here is done.
- Another Soundscape on November 1, 2009
Too bad, because it's catchy as hell. I feel slightly dirty for listening to it, though.
- DragonAvenger on November 1, 2009
Still. Fun times. I like it.
- Proven Paradox on October 29, 2009
Another Soundscape;608204 wrote: I'm not giving away a version without the moans, the moans are part of the track! That's like asking for Beethoven's 5th symphony "but leave out the woodwinds". D:
There had to be of some wood involved in this track? I don't think this track was done on the solo tip. :-P
- avaris on October 28, 2009
avaris;608022 wrote: Yeah I'd love to give you guys a copy of the song without the moans buuut...my computer that had the only copy of the finished master file literally blew up last year. So the project file for this song doesn't exist anymore, unless Anso has one of the earlier versions lying around somewhere in the dark crevices of his hard drive.
I'm not giving away a version without the moans, the moans are part of the track! That's like asking for Beethoven's 5th symphony "but leave out the woodwinds". D:
- Another Soundscape on October 28, 2009
I nearly choked on my gum.
- Grawr on October 28, 2009
Funny that the best hook in the song was the vocal clips, and i think you could have definitely gotten even funkier with the entire arrangement, but it'll do. Good synth choices, and the bass writing was really attention-getting. I loved the bass slides, and the counter melody writing was pretty good as well. Nice drumwork as well. Everything about this one feels inspired, with great attention to details. Nice work guys.
- OA on October 28, 2009
Bryan;608017 wrote: I gotta agree with this:
I was really really digging it until those sound clips came into play. If there was a version without such clips, I could sensibly download it and enjoy it thoroughly.
Yeah I'd love to give you guys a copy of the song without the moans buuut...my computer that had the only copy of the finished master file literally blew up last year. So the project file for this song doesn't exist anymore, unless Anso has one of the earlier versions lying around somewhere in the dark crevices of his hard drive.
- avaris on October 28, 2009
ChaosPlayer;606819 wrote: I would have liked it if there was no lyrics of the "moans".
Hands down to the song itself of its originality and recreative elements of instruments.
I liked it, but I didn't download it due to the fact I was annoyed by the "moans", so I passed on wanting this sound track.
Unless if the remixer has or is willing to send me a copy of it without the lyrics of the "moans", I'd be happy to accept this as a favorable downloadable content -.-.
I was really really digging it until those sound clips came into play. If there was a version without such clips, I could sensibly download it and enjoy it thoroughly.
- Bryan on October 28, 2009
Content Policy
(Submission
Agreement and Terms of Use)
Page generated Fri, 20 Nov 2009 23:40:31 -0500 in 0.076 seconds
All compositions, arrangements, images, and trademarks are copyright their respective owners. Original content is
copyright OverClocked ReMix, LLC. For information on RSS and JavaScript news feeds, linking to us, etc. please refer to resources for webmasters. Please refer to the Info section of
the site and the FAQ available there for information about the site's
history, features, and policies. Contact David W. Lloyd (djpretzel), webmaster, with
feedback or questions not answered there.
