Well yeah, the sound quality in that track isn't going to get much better unless I record the whole thing over again. If I did, it probably would be somewhat better as I don't have an overwhelming computer fan noise to block anymore like I used to. It was more than a headache for sound, crowding in every track regardless of how much things there had been placed to block it.
But, what do you exactly mean by significant bass frequencies? Because the bass frequencies actually are there (and stronger than in that first version), and a frequency spectrum analysis confirms the same. They could still be louder, but maybe our preferences just differ from each other when it comes to bass? Especially if it's some kind of extra strong sub-bass type of thing you're longing for. I usually don't like very strong bass frequencies myself and like to keep it lighter instead. Well, of course not always but more than often, I'd say. But hmmmm. If you're really not hearing any bass... one reason I could think of is that maybe there is a bit too much stuff in mid and hi frequencies, and they somehow draw the attention so that the bass kind of gets lost under them..?
I think I see where youre coming from with that arpeggio thing. If I understood correctly which part you mean, I kind of agree, it gets polyphonic almost necessarily when you play it yourself and would be more neat if done using a VST effect or instrument or something alike... which I didn't really want to do. So yeah, that results in the fact that that particular pattern of two measures is a bit disturbing indeed.But otherwise... awkward how? If you mean they are still too noticeable for effects, it's because they aren't really supposed to be just effects but lead a kind of "melody" of their own. If something else, please clarify what you mean.
...But there is already an ending; otherwise the track would just last forever you know.Yeah, sorry, couldn't help. : ) So what kind of ending do you actually mean, that is?