ReMix: Ogre Battle: The March of the Black Queen 'Zenobia's Grave (AChampionHasRisen)'

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Ogre Battle: The March of the Black Queen

Sorry for the one-post nights lately - sometimes this is simply due to sleep deprivation or my slim-but-definitely-existant social life, but more recently it's been due to working on more "behind the scenes" aspects of OCR. I need to clean up the code so I have a good development environment, update to the latest version of phpMyAdmin, etc. and there's some other goals for OCR in 2003 that will require more foundation work. Tonight's ReMix comes courtesy of newcomer DJ-Kwix, who has collaborated with established artist Israfel to give us our first Ogre Battle ReMix. Israfel's works in the past have mixed orchestral and ethnic elements with breakbeats and synthotica, so when I saw someone named 'DJ-Kwix' doing a collab mix, I figured it would be heavier on the side of electronica. But I figured wrong - this is straight orchestral with some apocalyptic choir work that adds a lot. Syncopated cellos, basses, and later low brass form a bassline over which string runs fly up and down and ensemble sections cover melody whilst centered orchestral percussion move things along. This is a long arrangement, sitting at 4'26" and taking its fair time to develop. Gotta love the formidable low brass, which gets into the midrange with a trombone section doing a counter-pattern. There's a bell/vibe that comes in a lil less than halfway through, before one of the main choral pushes. It's specifically worth mentioning that the choir varies phonemes instead of just straight 'oohs' and 'aahs' and it sounds like they're speaking, which is the exact reason that quality choir samples will offer these differing patches. Just nice to see them used, well. There's some very odd key changes around the third minute and shortly after that aren't atonal but, because of their exposed nature and challenging key, do sound a little "special", but things get back to the main vibe soonafter, and the ending is nice and conclusive. Apparently Kwix composed the original in FruityLoops and tossed the file on over to Israfel who took it and imbued it with better samples, etc. than FL natively allowed for. An interesting cooperative relationship - not really co-arranged but potentially arranged by one party and orchestrated/mixed down by the other. Whatever the case, the result is some very solid orchestral work that's greatly enhanced by the quality choir implementation. Another notch in Israfel's mixstick and a good first submission from DJ-Kwix, fans of Ogre Battle and orchestral in general should definitely sign up quick.

― djpretzel

Discussion: Latest 15 comments/reviews; view the complete thread or post your own.
This mix grabbed me by the face, demanding my attention. It tells a story, and does so in a deliberate and articulate manner. Good Show! Worthwhile.

- duane on July 9, 2009
This piece is literally one of the most amazing remixes I have ever heard. I think i've listened to this song too many times and it has lost some of its greatness over time, but I can still come back to it at any point in time and relive the wonderful arrangement that the both of you have put together. I think that there aren't anymore Ogre Battle remixes on this site for a reason...it's impossible to live up to the expectations that this remix has set the bar for. :)

- Loning on July 9, 2009
It's pretty funny how this remains my favorite kwix song and my favorite Ogre Battle song. Future Ogre Battle games should do something like this. This mix has a grand vision and beautifully pulls it off. Good job, you two.

- Nec5 on September 2, 2006
This is a suberb orchestra remix. As people have said before, it really points to OB's excellent OST.
A must-hear for anyone who enjoys epic-sound mixes.

- EnriqueTDL on February 10, 2006
being that I crave OB series remixes, I felt that it was a must to say how much this remix embodies what I am looking for. I have the arranged album Ogre - Grand Repeat and this song would easily rank among those arrangements. Beautiful job and excellent rendition, a must hear.

- nikstar on February 4, 2006
This was the mix that first made me really notice OCRemix as a source of great music. This track, although a bit less aggressive than either of the contributors' other works, is still a solid march theme and really instills a strong sense of battle atmosphere.
Nice work, Israfel and k-wix. Thank you for getting me into OCR!

- Arcana on May 19, 2005
lord-of-shadow wrote: I especially love the choir.

Hear hear! It is SO damn hard to find a good choir track, from anything, anyone, anywhere. Dramatic at least, instead of gospel stuff. Nothing wrong with that, but an epic sounding mix with choir? Ce magnifique.

- Paladin-01 on January 12, 2005
This is a nice co-op mix of Ogre Battle [which I've never played, though I wish I had...well, at least I rented Ogre Battle 64 and have Tactics Ogre, but I'm getting sidetracked.]
This has a great dramatic feel to it...the voice samples, those string-instrument-sounding-things-whatever, the very pace of it... I just can't stop listening to it. I don't know what else to say, I'm already mimicing the people before me. So...here.
92.5%
Cherish it and love it forever, I still haven't found a mix that surpasses that rating.

- Corporal Eschebone on September 9, 2003
Sorry to butt in on your music-improving discussion, but I'd like to comment on this lovely remix ;)
Anyways, great remix. Unlike many of the ones on this site, I can easily tell what it is remixed from, and it manages to catch the spirit of the game well... all without being to similar to the originals. Great work, I wish more artists would follow your lead. I especially love the choir.

- lord-of-shadow on August 11, 2003
Israfel wrote: But Sam Horns on the other hand look like a great buy.

Definitely! And I'm speaking from experience. SAM sounds infinitely better than Dan Dean Brass Ensembles and the tone is better than Vienna Symphonic Library.

- Russell Cox on January 12, 2003
That would be rather nice. Multisampled vowels and consonants for voice parts and then maybe for solo voices too. Although that would probably be way out of my price range and have annoyingly large samples spread out over a several CDs. Sorta like these new strings sample sets that are starting to come out. Good lord they're expensive. I'll just have to stick with what I've got I suppose.
But Sam Horns on the other hand look like a great buy.

- Israfel on January 12, 2003
Israfel wrote: I actually wouldn't recommend getting it though unless you just have money burning a hole in your pocket or if you're making money from your music. I mean, the samples are nice but they're a bit troublesome to work with.

That about sums up Nick Phoenix. VotA has a pretty good sound, but it's packaged in an 'amaeturish' way. Just Men and Women? I'm sorry, but no matter how good the samples are that's like Garritan or Sonic Implants releasing a string library that just has one large Legato, Pizzicato, Sordino, or Marcato string sample -- it just doesn't work. A *good* choir library should have your Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, and Bass, not a mass heap of "Men" and "Women." The unbearable hiss in the lower registers of the two heaps is just unacceptable also, as well as recording divsi parts with VotA is impossible.
We're finally starting to see some *good* libraries coming out (SAM Horns, SAM Trombones, Sonic Implants Strings, VSL, Garritan solo strings *hopefully soon*) and I think it's about time a developer looks into making a *good* choir library. I mean come on -- there are *enough* piano libraries out there, focus on other instruments companies!

- Russell Cox on January 12, 2003
Alrighty, here's the deal with the choir samples. They're "Voices of The Apocalypse" and it is available from soundsonline.com for about $450.
I actually wouldn't recommend getting it though unless you just have money burning a hole in your pocket or if you're making money from your music. I mean, the samples are nice but they're a bit troublesome to work with.
Aside from vowel sounds, consonants are also sampled, and it is possible to get realistically sung words out of this thing. I've never done it in a mix (well, I have a FF7 mix that sorta does it, but not really), but I have gotten it to work and it's friggin' cool. :)

- Israfel on January 12, 2003
This is one of my favorites now too. For me, it all comes down to that low brass sample sounding so good. The choir is also another element that makes it sound professional.
If you could, please give more detail on the choir samples. Very good job, guys.

- neostormx on January 12, 2003
Drake wrote: I dunno, I'd have to disagree with you on the xylophone sound thing, Striker. I feel that it is a good contrast to the rest of the piece, myself. I especially like the parts where the xylophone comes in for a few peaceful seconds, right before the next section of the piece starts. Very fun. It really eases the higher tension moments of the song, then sweeps you back in as fast as it took you down.

I like the concept of it, I just don't think the right instrument was used.

- Outworlder on January 9, 2003

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