Posted 2013-07-01, evaluated by djpretzel
One of the things I will never apologize for is encouraging musical diversity - from individual artists, from album directors, and from listeners themselves. At times this might make OCR albums less popular with a certain demographic of critics who prefer homogeneity and would sacrifice creativity for consistency, who simply do not appreciate multiple genres, or who do not believe that they should cohabitate with one another within any given compendium or body of work. I have limited sympathy for such beliefs; while it is up to an album director to ensure a certain flow to an album's track order, and perhaps maintain a governing aesthetic at times, I prefer to acknowledge that we live in a musical era that is in many ways post-genre. This has been realized at the song level by mashups, hybrids, and more musical cross-pollination than ever. It hasn't yet permeated our notions of "artist" and "album" to the same extent, as pigeonholing still occurs, commercial pressures still demand trying to emulate past success, and listeners still enjoy being able to mentally categorize things with ease, but I personally hope that changes. I think it can, I think it should, and I'd MUCH rather play a small part in making that expansion happen than bang my fists on the table when someone colors outside what I think the lines should be, or attempt to diminish something that fails to meet my expectations of uniformity. I want OverClocked ReMix to change opinions & broaden horizons not just when it comes to VGM, but when it comes to music itself, and the many forms it can take. Lofty ambitions, I know, but is there dignity in having easily achievable dreams?
Relevance? Well, we're shifting gears and posting our first electronic arrangement from the album, and it seemed like a good opportunity to get up on my preemptive soapbox and reiterate how awesome I think our multi-genre focus is. Know what else is awesome? This jam from Flexstyle, who takes on 'The Magic House' with mean beats, spiraling cross-panned synth arpeggios, some detailed glitch work, and a sheen to the production that actually makes me think of zircon; Mike's been growing a lot since he first appeared on OCR, and this is a high watermark that shows off a lot of that growth. McVaffe writes:
"There's something magical that happens when a song with distinctly classical elements is conveyed with electronic instruments, and this piece has that magic in spades. In the overall structure of this track, Mike wisely stayed close enough to the fantastic source material while changing, well... everything else. The rather downtempo thud of the drums is a great choice as it gives all of the awesome synth work enough room to truly breathe and be taken in. There's some subtle glitch work and the overall production has the perfect amount of punch and smoothness."
Great stuff from Flexstyle that breathes new life into the source & takes it for a spin with a heavy downbeat and crisp lines, setting the stage for a ton of superlative electronic mixes that make up an integral part of Balance and Ruin!!
on 2015-12-28 12:44:23
This is a pretty intense Magic House. I’d steer clear from it if it’s this intense. But I digress. This is a pretty incredible arrangement. The beats are amazing, and despite the edgy and intense background synths, the main melody still manages to sound whimsical. It’s very mad scientist-esq.
on 2013-07-19 13:19:04
I can't stand reversed samples, which is probably why I don't like dubstep.
But this is a very well done mix.
on 2013-07-06 03:18:40
Wooooow... This song is making my soul groove...!! That bassline is amazing, those beats.. !!
I always were very open to many musical styles but I have to say, I think OCR really helped me broaden it up even more! I always listen to every single song posted here (I've actually listened to EVERY track on the site!! It helps I've been here since pretty much the beginning...) and so there was time a song wasn't really up my alley in style but since I listened to it anyway, I've started to like the song anyway (must help that it's often from a game/source I like).
These days, I don't even CARE what style it's in.. if it's good, it's good, that's all. I mean I love electronic but there are electronic songs I don't like and I usually don't like rap but there are some rap songs I like so.. gotta listen to everything and keep your mind open!
on 2013-07-01 18:25:41
I was wondering what great style the magic house would be done in.
Powerful... frightening... uplifting. I want a magic house! :3
Ghost cry at 2:20? I'll think so n_~
And that beat!
on 2013-07-01 16:14:43
Nothing like an electronic take on a carnival from hell. Awesome. Drums have a nice kick to them. The little tinking and cranking in the midsection of this ReMix sounds an awful lot like winding up an old wind-up toy, and I enjoyed how right before it and before the end, the engine rev up noises (what it sounds like to me) increase in ever-growing spurts with the in and out synths. So complex and crisp, this is pretty damn solid. Sweet ReMix, Flexstyle.
on 2013-07-01 12:48:44
What did you think? Post your opinion of this ReMix.
Sources Arranged (1 Song)
- Aggressive, Dark
- Electronic, Synth
- Time > Tempo: Slow
- 9,100,954 bytes
- Size: 9,100,954 bytes
- MD5 Checksum: 287551f6bfa017a257589ddf1499c36d
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