First post ever - be gentle.
http://tindeck.com/listen/gpdc
Here's some specific feedback I'm interested in:
Arrangement:
-Do you like the eight melody theme from Mother 1 being brought in during the minor portion, or does that take you out of the moment? I'm especially curious to hear answers from fans of the series.
-Does the first variation, with the 16th notes in the right hand, keep your interest? I was toying with the idea of making it 16th note triplets instead wondering if that would "keep it moving" so to speak, but I also worry maybe that would err in the other direction - too busy.
-I had an idea for another variation...it'd be another simple one, but I could modulate to the dominant key to keep it fresh on the ears hopefully, but I also don't want the arrangement to end up being too long to keep interest.
-I was also thinking maybe I could add the new variation after the 16th note portion, then have a 16th note triplet variation after THAT. If I decide to remove the Mother 1 theme this is more likely, because I want to make sure there is enough of an aural journey for the romantic octave section to feel like a dramatic arrival, which was a problem in my earlier drafts.
Mastering:
-I'm very, very new at mastering. All advice welcome. How is the reverb? How is the quality of the instrument? I can change it to a "softer" attack, but then that took away from the impact I wanted in the big romantic octaves section. Thoughts?
Looking forward to your insights - thanks!