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Jens Wulvik

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Posts posted by Jens Wulvik

  1. does anyone ever feel like they can hear 16-20khz frequencys?. i swear to god I can. >_> I can only describe it as a 'presence" , i realized it when I was cutting and removing the frequencys, what bothers me the most is that none of my headphones can pick it up. it seems to only work on my speakers, whats even weirder is, I'm not even sure my speakers can pick up frequencys beyond 16khz. :S

    You're not alone, I hear frequencies all up to 21 kHz, wich is kinda neat and annoying. It's neat because it means my ears work good, but it's annoying as I'm even able to hear some annoying sounds, like ultra-sound devices. (Those who are supposed to scare away mice and rats. I doubt that they really scare away any animals, but they sure annoy me....there's lots of these noisy shits where I work)

  2. ...assuming that the sampling and encoding was basically identical.

    Exactly! MP3 will for example usually not help you much....you need the CD tracks to make it sound clean. But if you got both the instrumental and the full song on original CDs, you will get very nice and clean results.

    If you don't believe me, try output two version of your own works, and mute an instrument in one of them. Then mix them together, with the phase inverted in one of them.

  3. They do actually extract the vocals from the original song. Let me explain how:

    If you have two soundwaves playing at the same time, which are both identical except they are going in the opposite direction, you will

    not hear any sound.

    Now how it works with extracting vocals:

    If you have both the instrumental and the original song playing at the same time, while one of them have been inverted you will only hear the differencies in those two songs, which is the vocal.

    By the way, you should have the CD tracks for this, not MP3's as the bad quality of MP3s will give you problems to make this work.

    Maybe I explained difficult.....

    EDIT: I guess those "professional" remixers ask the producers of the original songs to get the vocal track. I don't really know anything about that business...

  4. I've figured out why 24 bit sound wouldn't work. It only works in

    ASIO mode.

    EDIT: By activate, I meant like registering the product.

    Everytime I restart my computer, I have to open my tablet's control panel in order to properly activate it.

    Everytime.

    It has something to do with my USB chipset I think--it's Via. POS!

    From Native Instruments support:

    Question: What can I do to optimize the USB connection between my computer and the the Audio Kontrol 1?

    Answer: It is recommended to disable power management to the USB hubs if you are on a Windows machine, to assure that the Audio Kontrol 1 receive enough power to work properly. XP turns this on by default. Go to device manager (Control Panel/system/hardware) and right click a USB hub to bring up properties. On the power management page, uncheck all boxes. Repeat for each hub and reboot.

    Did that help you?

  5. Hi, I've done a new song which I would like to get some comments on. The music genre used is a bit hard to tell, it sounds pretty similar to the kind of music you hear in Simcity 4.

    http://www.fileden.com/files/2006/7/28/145427/Jens%20Wulvik%20-%20A%20Long%20Travel.mp3

    The sampled electric guitar you hear will be replaced by a live recording soon, I have a friend working on that. You might hear a one minute part close to the end where there's not much going on, that part is reserved for a guitar solo.

    Please listen to it and tell me what you think, thank you.

  6. I would suggest Cakewalk Sonar. It is not so difficult to use, and it does suit for almost any style. It comes with Edirol Hyper Canvas ( a pretty good GM module) and a sweet set of studio effects.

    By the way, you say you want to make musics in different styles, right? Then I would suggest that you get the VSTi: 'Steinberg Hypersonic'!! Steinberg Hypersonic is a very good all in one sound module, you better check it out.

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