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SwordBreaker

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Posts posted by SwordBreaker

  1. Love the show. Hiro's such an AWESOME character. He really acts like one of those anime dudes; jittery and hilarious. I especially loved the part where he parodied Dr. Brown from Back to the Future, "Great Scott-o!". LOL.

    Man...his future image kicks ass too.

    Peter Petrelli kind of reminds me of a young Sylvester Stallone (the way his mouth is crooked to the side when he talks or screams).

  2. Nice. Catchy stuff there. I'm impressed you were able to compose this while challenging yourself.

    As for your singing voice, no it does not suck. You have a nice voice with a lot of potential. I kind of expected a deeper tone when I first heard "I love you, God". Nonetheless, it's still good. You seem a bit hesitant to "let it all out", however. I feel that you're holding back, especially at mid-point of the song where you voice gets a bit lower.

  3. I had a blog post awhile ago which I wrote out of the blue. I then thought that the words would make great lyrics. Thus, this remixing attempt is born.

    http://www.esnips.com/doc/957480d1-8367-4f9e-975d-5aef5ee2566d/Depressed-and-Inspired--Shattered-Reflections-(Alpha)

    The song is actually a "remix" of a track from the videogame "Shin Megami Tensei: Digital Devil Saga"...Sahasrara by Shoji Meguro. Please note that it's in very early stages right now. I'm thinking of going aceppella with it, but I'm completely open to collaborating with other game music remixers to change direction. It would be cool if I someone more experienced guided me through where I need to go with this mix.

    The reason I'm posting this is because I want feedback on my singing and how clean the production is, before I go any further. I'm currently experimenting with the program "Sound Forge" on production; all I added onto the recording is compression, some EQ changes, medium room reverb, and heavy echo in the intro. Thanks to LuIzA for giving me tips on all of those. I'm still not sure if I got the compression 100%. So any tips on making the recording even clearer is welcome. I used a Shure SM57 Microphone to record my voice, and I did it all in one take. Think of it as a "session/jam" thing, hence why the track is a bit on the long side. You'll notice that I occasionally change-up the tone of my voice, experimenting various sounds. Any comments to improve my singing is welcome.

    http://www.esnips.com/doc/a2066d82-36b3-4bd9-aabd-8b9ed883ac8d/Timeless-Hero-(Demo-Cover)

    I also did something for fun yesterday; a shortened cover version of LuIzA's "Timeless Hero", from Dwelling of Duels May 2005. This of course won't be completed in order to be posted anywhere; I also want as much comments as possible on singing, production, and recording quality/clarity.

    Enjoy.

    http://excalibur-swordbreaker.spaces.live.com/

    Wrote a blog about this thread.

  4. no more rd, loser =) and IV is a game i never was able to get through, i'll have to check it out agian.

    i've never heard of either of those games, swordbreaker. what system were they for?

    PS2. Awesome RPGs with awesome soundtracks. They're cult hits and hugely underrated in my book. I'm sure you're familiar with the composer of Radiata Stories; he's the same dude who composed for the Lunar and Grandia series.

    You can find the Radiata Stories OST in Bluelaguna.net. The Digital Devil Saga one, however, comes packed with the game itself.

  5. Man...

    I know I'm basically repeating what everyone's been saying here, but this remix is kick-ass stuff indeed.

    I've been asking myself, "who does Star sound like?" in terms of his vocals. I can NEVER put my finger on it. You could say that he has a unique singing voice. Overall, the vocals here are definitely Star's best work. Just when I thought he can never top what he did with "Pillar of Salt". I mean, sure, the lyrics aren't as unique as Pillar...but the delivery is simply awesome and his best yet. I was surprised by his range in this remix. I was like "wow" when he started singing "you, you're walking backwards..." very emotional and powerful delivery in that verse especially, along with other areas which are as powerful. I also like the few "tricks" he pulled off...like the "rewind" bit (never would've known that the word was rewind spelt backwards if it weren't for the lyrics) and the reverb at "I hope you don't mind temporal anomalies" since it really fits with the verse, almost made me feel like you're actually caught in some sort of temporal rift/abyss, floating endlessly as your voice echoes in the distance. My only gripe is in one verse, "Someone let me out of here"...sounds a bit muffled compared to the rest of the lyrics...in my opinion it should've been the loudest area, would've been cool if you screamed that part out and added an effect or two...

    As for the music itself, very catchy stuff. Synthy, melodic, and rockin' all in one. I can see why this remix reminds me of the 70s/80s-influenced rock, most notably bands like "Air Supply" and "Alter Bridge" (modern band yet influenced by 70s rock). The synth sounds are pretty cool, yet its the piano and electric guitar which I enjoyed a lot more. I was immediately reminded by "Coldplay" and "Five for Fighting" in some parts because of the piano. The guitar though...wow...man give your friend who helped you out a nice pat in the back...excellent work with that...

    Congraulations on getting this track finished and posted, Star. Looking forward to your future work.

  6. I'm VERY fond of Protricity's "Mechanical Swamp" remix, so downloading this one was definitely a YES for me. However, I'll have to compare between both...

    There's a huge difference in intepretation between Siamey and Protricity's versions. The former is more "heavy and fast-paced" while the latter sticks to slower electronica. Some parts in Siamey's track reminds me of Nine Inch Nails' work, which feature very heavy industrial and mechanical sounds. The Diddy sound synths are an interesting if not cheesy addition to the track. Quality wise, this sounds nice and catchy to my ears...yet it isn't as addicting to Protricity's track.

    Nice work overall, though. Love the intrepretation. :)

  7. Uh, I don't think he was trying to be cool...

    Anyway, that Gannon-banned site is the most shameful thing I've ever seen come out of the Zelda community. What scares me more is that it's totally something I would've done when I was 13 too.

    lol come on, man. It's just a joke/parody site. Don't take it seriously. Its purpose is to piss off people who take it seriously. Plus, it's a bit on the educational side if you want to get technical with the series. :P

  8. I AM ERROR

    Fracktail was pretty awesome. Just wait until you get to world 3-4. 4-4 boss battle is really cool too.

    Indeed. LOVED that Zelda II reference.

    3-4's Boss was hilarious. I get the feeling his quotes will be damn popular. After all, we're all going gaga over "videogame soundtracks are so high-technical!"

    I'm still in world 4. Too lazy to play these days. :(

  9. I know, man. The boards there aren't as great as they used to be. Three years ago, the boards were called "Hyrule Town Square" and was mainly dedicated to "The Wind Waker". Those were the golden days since the number of members weren't as much as now.

    However, you'll occassionally find very mature people in Nsider if you look in the right places. Also, the Sage-only board is REALLY cool.

  10. Submitting this, nomatter the quality of the singing, will get a no. I can promise you that. The music is not up to OCR standards, and again, the lyrics break rhythm so much that it will never sound like one full song.

    That's overall problem, I think. It SOUNDS like you just singing over some music, your voice does not work as an instrument in the song.

    Quick note before I reply; I've been checking out this thread constantly, yet I haven't critiqued because it's not my place to. On the contrary, I'm actually learning a thing or two from this thread since I'm also trying to make my singing work with ReMixes and whatnot.

    The thing which interests me in Snapple's comment is that I've gotten a similar comment back in my OCR Vocal Remix Competition Submission (Round 2). Anyway, DA's work with this remix reminds me of her "Summoner's Love" WIP, now submitted in OCR after much tweaking on the vocals. The singing in both WIPs has pretty much the same feeling of just being "placed over the music" and "not working as an instrument in the song" as you've put it, Snapple. But the full version of Summoner's Love, while not my favorite vocal song in OCR and does have a few weak spots, works quite well and feels somewhat catchy..sounds A LOT better than its WIP version...

    Bottom line, we know that DA has not placed any effects or major production values on her voice yet. I think that's the reason why her singing feels placed over the song instead of being "integral" to the song. Sure, the strength of her voice could play a role, yet in my view production values are a lot more important, and DA herself proved that good production values can compensate for any "vocal weaknesses" if present. Also, not everybody can be a Pixietricks or a Star Salzman in terms of singing talent. That OCR Vocal Compo actually made me feel that way, even though I placed last (due to being a n00b perhaps).

    I also think that the judges will think the same way. I remember being surprised when they rejected Darangen's incredibly cool "Rest Tonight" from Dwelling of Duels and accepting DA's "Summoner's Love". No offence to DA, though. It's just that the former song is SO awesome. Production values could've played a role in these desicions. Yet, that still doesn't make DA in the clear. As most of the comments have pointed out, DA still needs to need to find the best way for her singing to fit the track. I know that it would've been much easier to make up the singing as Efields was working on the track, yet you can't turn back time.

  11. The Aeris mix is actually more like a waltz. But it's quite long and very intricate, and I assure you Robson did a grade-A job on it.

    Frankly, I really like his interpretation. It would have been boring to do yet ANOTHER sappy, emotional Aeris remix. How many of those are there? Put another way, what version of Aeris *isn't* like that? :)

    lol...good point. Well made.

  12. NOOOOOOOOOOOOOO!!!!

    You turned Aeris theme into a carnival. This will haunt my nightmares forever.

    Gotta agree, it's a pretty weird re-interpretation of Areith's Theme. We'll see how it goes once I listen to the full version, though.

    Regardless, the meldey's a VERY cool teaser. I'm especially digging those previews of LuIzA's "Pizza" part and that remix of "Crazy Motorcycle". The variety's of genres really shows the strength of this project.

  13. I really enjoyed those previews...especially the one with Jill (Breathing in You)...I'm kind of addicted to the preview version now...it reminds me of one of those cool trance songs with female vocals, like Above and Beyond's "Can't Sleep". Jill's voice sounds kind of different from her OCR stuff, too...I can't exactly put my finger on it...

    Nice work, man. Hopefully this album sells well. It's possible that I buy it just out of curiousity...

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