So I fixed it up a bit.
First, I changed the beginning from the pizz, which although was very MIDI sounding, it was exactly the same-sounding as the one in-game, so I thought it was a nice transition from the in-game music into the climaxing electronica that it develops into. But I want to get my song on OCremix, so I changed it.
Second, I added more elements of Ozmone Plains and The Place I'll Return to Someday because I felt like it was slightly being overpowered by Blue Fields. And if someone only heard Blue Fields and wasn't familiar with the other two themes, then it would seem entirely Blue Plains with some english horn doing its own thing in the background.
Which leads me to my next point, which is that my basis for doing this song was the fact that the soaring climactic part of both Blue Fields and The Place I'll Return to Someday are very similar, in that they both start the same, are both dorian, and both can be backed by the ostinato that Blue Fields' pizz perpetuates throughout, as a sort of color-tones-imposing device. Hopefully people are realizing that the first part is only The Place and the second part is only Blue Fields, and that I'm not just going on and on with Blue Fields, in which case it would definately seem like I'm doing ALL Blue Fields and would make the ostinato pizz overdone. But if you could tell, then it only enhances the The Place segments, because they are from different songs, games, and circumstances and the combination is the purpose of this song.
btw, thanks a lot for helping me out so far =]