Flexstyle

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  • Content count

    1,538
  • Joined

  • Last visited

About Flexstyle

  • Rank
    Super Cartography Bros. Director
  • Birthday 02/07/1991

Profile Information

  • Gender
    Male
  • Location
    Phoenix, Arizona

Contact Methods

  • Website URL
    http://www.flexstylemusic.com
  • Skype
    Electromikebirch
  • AIM
    bballpguardmike

Converted

  • Biography
    Twenty-something electronic artist who currently resides in the desert of the Phoenix metro area. Graduated from the Conservatory of Recording Arts and Sciences in May of 2009, been doing computer-based music since about November of 2005. Own a bachelor's degree in Computer Information Systems. I've done soundtrack work for various indie and open-source games, on a small scale. Visit my website for more information about me!
  • Real Name
    Michael Birch
  • Occupation
    Freelance media person
  • Twitter Username
    electromikey
  • Last.fm Username
    FlexstyleASP
  • Steam ID
    doctor_uncanny

Artist Settings

  • Collaboration Status
    3. Very Interested
  • Software - Digital Audio Workstation (DAW)
    FL Studio
    Logic
  • Composition & Production Skills
    Arrangement & Orchestration
    Drum Programming
    Mixing & Mastering
    Recording Facilities
    Synthesis & Sound Design
  • Instrumental & Vocal Skills (List)
    Drums
    Vocals: Male
  • Instrumental & Vocal Skills (Other)
    Hand Percussion

Recent Profile Visitors

3,335 profile views
  1. There's always gift codes.
  2. And it was probably my favorite Christmas gift of the year! I'm in as well. Hoping to get someone with a creative list this time, too!
  3. Yeah... I'm not going to delay my track's release any longer. Strader wants to include it on a separate release, cool, but I'm not going to keep it in limbo any longer because of stupidity.
  4. Duuuuuuuuuude. Fun stuff! I ran sound on a Series Two for several years at my church, that's a fantastic board. Also have that same computer case, too, haha. Thanks for sharing!
  5. I got to hear this one a few months early, and I fell in love with it immediately. Such a good album!
  6. - Fact: I'm on staff and I'm not getting paid for any of this crap. - I'm completely okay with OCR making a bit of a return on the great service they provide to me as an artist. If that shows up in the form of a slight financial benefit from ads run on or near my submitted material, no matter what form those ads take, that sounds great to me. Viva OCR!
  7. Description says this was the result of dozens of hours of work, and I believe it. There's not a sound out of place, everything is deliberate, everything is perfectly in its spot. Killer execution of the genre and an amazing remix, to boot. I love it!
  8. Plus, Loudr will only be able to license songs that have seen a physical release here in the USA. Something as iconic as, say, even the Punch Out theme doesn't count -- I know because I released an album that had to drop a song before it could be released. It's not a magical, one-size-fits all solution -- you can immediately forget about most of the slightly more obscure games that the OCR catalog is filled with!
  9. Have a reason and a deadline. Don't just sit down and be like "gonna write some music now!" because that probably won't get you anywhere. If you have a reason (even the competitions here on the forums are great) and a deadline (need to have SOMETHING done by X time and date), then you'll be surprised at how much music you'll be able to crank out.
  10. Production-wise, I don't hate v2. It's kinda awkward on the panning and probably sounds a lot better on speakers than headphones, but it's not like there's some sort of piercing sound that's throwing the entire thing off balance. I do agree that leads should almost always be centered, though. That might help the entire thing feel a lot better in any case. It's compressed to heck but I don't think it detracts from the song's listenability, so that's a pass for me as well. YES (borderline)
  11. You'll find what you need buried in either Nexus 2 or Omnisphere 2, I'd venture. Both of those have a ludicrous amount of incredibly usable presets.
  12. The sound design possibilities of this thing are totally worth the $150, in my opinion. I'd be plunking that down even if I wasn't part of the beta/preset team, knowing what I do about how useful it is!
  13. I actually own a 2i2 as well (use it as part of my MacBook rig) and I'd say they're on par with each other. Clean and plenty of gain. I'd take the Steinberg little boxes over the Focusrite ones right now just simply for build quality -- Steinberg's boxes are much more heavy-duty, although the Scarlett series is well worth the money too, no hate from me at all! Plus, I've found Steinberg's drivers much more stable under Windows than Focusrite, and haven't yet used the UR12 on my MacBook at all. I also own a Scarlett 18i20 plus an OctoPre for my big sessions but that's probably overkill.
  14. On my main PC right now I'm rocking a little Steinberg UR12 interface. One mic input, one hi-Z line (instrument) input, fits exactly what you're describing for use case. Retails at $99. Super sturdy build quality, mic pre can even handle my Shure SM7B, so plenty of juice. Definitely would recommend. Mics: AT2020 is a decent entry-level mic, the 2035 might be even better for you as it's got -10db pad and low roll-off switches, and it only costs $150 at most retailers. I actually own a pair of the 2035s and got 'em brand new in sealed boxes on eBay for $100 apiece several years ago, so you could look around and see if such a deal is around elsewhere. You might also look at the MXL 990, which retails for under $100 but has a wealth of modifications available for it out there so you could potentially turn it into a beast of a mic. I plan on modding mine at some point in the hopefully not-too-distant future. I also noticed that Samson is selling the MTR201 combo package which includes a decent-looking large-diaphragm condenser, shock mount, pop filter, and a nice carrying case. No experience with that other than knowing that Samson usually hits a great balance of quality per dollar in the budget sector.
  15. If you were used to Logic, I'd say give Cubase, Reaper, StudioOne, or MixCraft a shot. Those will probably all have a similar enough workflow that you'll be able to adjust reasonably quickly.