Jump to content

Flexstyle

Judges
  • Posts

    1,601
  • Joined

  • Last visited

  • Days Won

    10

Posts posted by Flexstyle

  1. While I absolutely agree that the Risk of Rain soundtrack is fantastic, I'd caution you against looking for a lot of response in this forum. If someone digs it, they'll probably just do it, but there are a LOT of requests that go unfulfilled. :-(

    (also: a lot of requests just kinda sit here for a long time before anyone posts, so have patience, grasshopper!)

  2. Reflexstyle - The wubwub was a bit over the top for my taste but I’m one of those people who really can’t get into dub step. So, I’m a bit biased. I personally would chill a bit on the pumping but it wasn’t too bad for my taste. Great production! Very solid! I guess a lot of my negative notes were mostly a matter of taste, eh? :) I still love you, man. <3

    I figured there'd be a few folks who were put off by the wubbles, as I know they can be polarizing. I mostly made this track with live sets in mind, actually, as I've got a couple other songs in my rotation that are about this tempo, so they needed a buddy. :-)

    Don't worry, I don't plan on relying on wubs very much from here on out. Need to live up to mah name!

  3. I also feel like needing to match the quality or scope of the original is not necessary for a good remix -- and I think that might be consistent with OCR's beliefs as well, if I could be so presumptuous. :ocrgreen:

    I seem to recall this being covered in an episode of OCR Talkback, and I think you're right. Also, as someone who's ReMixed a small chunk of an epic song from a modern OST, I think I can comfortably say that OCR has no problem with submissions only using a small portion of a track, as long as the song flows together properly.

  4. If my WIP is only 30 some seconds long and i'm all out of motivation/inspiration right now is it still worth it to post it and ask for some feedback or is it better to move on to another project and post something complete at a later time?

    I don't see anything wrong with posting it; go ahead! Just as long as you're phrasing it in such a manner that makes it clear it's still an early WIP. It helps if you're specific about how you're getting stuck--having trouble with a transition? with structure? etc.

  5. Hahaha I'm slowly starting to hate myself for picking that source. I was sold on the solid intro bass and failed to realize it's only like 45 seconds of ridiculous melody. :tomatoface:

    Why d'ya think I chose Ice Cap? That sucker blends with literally EVERYTHING! :lol:

    well things have been a complete wreck this week, really haven't even gotten to start on my project yet, or listen to any of the songs.

    but i'm still gonna try to turn in something good. or at least a kick-ass WIP.

    I, for one, am relieved to hear this. :-P

  6. I think I side with the YES-ers on this one in that I do hear the sources being there in sufficient quantity. It's close--borderline, even--but it's obviously a remix of Sheldon at least, with Catfish being mostly a suggestion inside the mix.

    I'm not sold on the horns, strings, or the piano, but the fact that it's a very synthetic mix kinda allows them to get away with the un-realism. The piano, in particular, lends itself well to the more processed sound of an electronic cinematic piece.

    I don't take any issue with the mixing--it's clean and I can hear everything plenty fine. I especially dig the electronic percussion stabs, as they're well-placed and hit good and hard.

    This one was tough, and I had to think for a while, but I think I'll go with....

    YES (borderline)

  7. If you two were a band, this would be the demo version track that's released on the "Rarities and B-Sides" album. As in, it lacks the massive polish that the hit record had and the pure energy that the live performances give off, but the listener can still tell that there was something special in the first version as well. Yeah, the drums aren't as huge as they could be, but that adds to the charm in my opinion. The guitars? Also not massive, but instead they've got much more of a close, intimate feel that works nicely with the dry drums. I can almost smell the stale coffee in the small-room studio. The synthesizers and keys all sound like they came from one of those big all-in-one workstation keyboards that may not necessarily have all the best possible sounds, but it has a LOT to choose from--you know the ones--all the keyboardists drool over them, but then it turns out some freebie VSTs and a bit of studio magic can make something that's a bit better. Great "sketchpad" though, since everything's there.

    Could it be better? Sure! It could be freaking massive with maybe some more polish, better drum tracking/sequencing, some orchestral backing, and bits like that. Is it good enough for the site as-is? Absolutely.

    Basically what I'm saying is that I dig it, it's got a lot of character, and I think it's easily over the bar, equally in terms of arrangement, instrumentation, and production quality.

    YES

  8. I think for me, this is a case of a bunch of little things combining to push it in the wrong direction.

    I'm hearing a lot of crowding in the midrange, as that's where the meat of the bass lives, it's where the snare lives, and it's where most of the melodics live as well. This is exacerbated by the fact that the track is highly compressed, so everything kinda mushes together even more and becomes a bit fatiguing to hear after a while.

    I'm also not a fan of the drums, or rather the hat pattern repetitiveness. The hats are loud, they have little in the way of dynamics, and it sounds like the same 16th note pattern the entire time, punctuated only by a couple 32nd note fills once in a while.

    I do dig the arrangement, and I would love to see this on the front page, but at least one of these issues would have to be fixed for me to sign off:

    - Overcompression

    - Midrange crowding (piano + lead + snare + bass + hat + kick = mess)

    - Hat patterns

    Let's see this back soon!

    NO (resub!)

  9. The bones of my arrangement are finished, and the drums are pretty much set in stone. Got a lot of instrumentation done, but need some variations done. Need to finish writing the bridge, but it's bare-bonesed, at least.

    Basically, I'm right where I expected to be right now. Jason Covenant is also working on contributing some vocals--the return of the Concrete Men is imminent, y'all!

×
×
  • Create New...