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Chimpazilla   Judges ⚖️

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Posts posted by Chimpazilla

  1. i JUST got one of those too. i think it must be a recent thing and not related to the pro account. its nice that you get to try it for free. does it reset the plays when you update a song? i might actually do it for a month if it doesnt reset it. once i get enough updated wips that is.

    Nope, it doesn't reset anything, the file change is transparent... which is the main feature I wanted. That way you don't have wip #1, wip #2, wip #3 etc., you can just keep updating the file.

    (but honestly, I would only do this on nearly complete tracks. If you change the track significantly, like new arrangement, then the comments will be weird and misplaced. I only do this on tracks I'm just about ready to submit. For true "wips" I upload them to Box instead of SC.)

    So when you say you just got one of those too, do you mean the bogus followers? I guess that's one way to boost your follower count, but jeez, it's disgusting (at least to me).

  2. I would only upgrade my soundcloud for a month if it let me delete some of those garbage WIPS i put on there. Is there a way to do that? I haven't figured out how to do it yet.

    Have you clicked on the trashcan icon? That usually gets the job done. :-P

    But I'm freaking out about this fake follower business... is there any way to block that, aside from muting them individually? Very freaked out about this...

    edit: just emailed their support...

  3. I upgraded to the first tier of Soundcloud Pro, mainly so I could change my music files without deleting all the comments (as I make mixing fixes). And a few days later, I find I'm getting spammed by new "followers" that are just ads for dating/sex services. I wonder if the events are related... I've had my SC account for two years and this never happened before. Anyone else? Any advice? (aside from deleting SC)

    Here's my "new follower"

  4. This is definitely coming along! I love the heartbeat kicks in the beginning, great twist on my suggestion. I still think a soft kick roll along with that reverse swoosh in the transition would connect the parts a little better, get the listener ready for more intense drumming. I would take out that final heartbeat and replace it with the kick roll.

    Gawd that piano lead is pretty. :-D Which preset is that?

    Song is still a bit repetitive but I think that's mostly ok... maybe just a couple of slight melody variations here and there? Like between 2:02 and 2:15.

    Those choir pads are very nice, but they sound a little bit plain. What about gently sidechaining them for some added movement and interest?

    Also the drums are quite repetitive, maybe you could throw in a few little rolls or breaks or somesuch here and there. Like a quick, soft snare roll and crash combo thingy.

    Ok 3:04 through 3:36 is really plain. Wouldn't that be a perfect spot to do some kind of amazing solo?

    Guitar at the end is stunning. Makes a perfect soft outro.

  5. This is utterly lovely Wes, like all your music. The ambience is divine.

    I feel like you could maybe hint at the drop, maybe bring in some kicks or hat hits starting around 1:12, just on the first beat of those four bars leading to the break before the drop... otherwise the drop is so totally unexpected as to be a bit jarring, at least for me. Maybe even a kick or snare roll, ramping up in volume, in addition to the reverse effect. That next section is awesome, just needs to be signaled a bit better. Signaling it will make it so much more exciting when it hits.

    You need a better crash sample, and need to process it a bit better, this one sounds cheapish.

    Some more chord/melody variations, and this is a truly amazing piece. The guitar sketch at the end is gorgeous, I hope you can work it in! :-D

    And Argle... even judges need critiques on their stuff! Everyone needs crits on their own stuff. ;-)

  6. I don't know if it's really a hard part, but after getting the arrangement down, and stating to actually mix the thing, polishing all the wrinkles so it starts to actually sound good instead of just me thinking it's fine, that seems to take hours and hours and hours for me. I can't believe people whip up tracks that are ready to go in just a couple of hours.

    This for me too. I can whip up a track pretty quickly but the mixing and balancing and tweaking and adding transitions and fine-polishing it can take me a month. And then another full month of second-guessing myself.

  7. 1. Continually pushing yourself. Trying out techniques you find in tutorials, or trying to replicate a sound or effect, or trying different arrangement ideas.

    2. Learning to take criticism. No one can learn music in a vacuum. Criticism, when given kindly but with plenty of detail, moves you forward. Have a team of 3-4 trusted friends who you always know you can bounce stuff off of anytime, then bounce away.

    3. Work with others. Collaboration is the best way I have found to learn new things. I find that when it is my turn with a file, I want to impress the other person so I do my best and always try to go beyond my previous limits.

    how to push out different instruments in a multi like Kontakt to different stereo channels so you could use your DAW's sends/effects. I was opening like 4 versions of Kontakt in a single project if I wanted to add distortion or somethnig.

    You're welcome!

  8. Before this thread gets any staler, I just want to say thanks for these messages, it really truly made my day. Thanks guys/gals, I love you all.

    Happy birthday, you Mother I Label as Friend.

    ...and omg erecto it took me waaaayyyy too long to get this joke. Just way too long. See? Fewer working brain cells at advanced age. But thanks, that's quite a compliment, even coming from the likes of you, who is fine with Friending everyone and everything. :-D

  9. Here is what I do. Isolate the busiest part of the track, 8 bars or so. Play it on loop, with everything muted. Turn on one instrument at a time. Like, each drum element. Balance and EQ the drums. Then, add in the bass. Rebalance as needed, especially for kick and bass to not compete. Then bring in a backing element, then another, then another, then leads etc. and don't move forward until what you are hearing sounds ok and un-muddy.

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