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About Chimpazilla

  • Rank
    Judge, Esther's Dreams Co-Director
  • Birthday 04/02/1965

Profile Information

  • Gender
  • Location
    Phoenix, AZ


  • Biography
    I started remixing in April 2011. I LOVE video games and game music! Anything Zelda, anything Mario. I could live in a Zelda game and be perfectly happy. ;-)
  • Real Name
    Kristina Scheps

Artist Settings

  • Collaboration Status
    3. Very Interested
  • Software - Digital Audio Workstation (DAW)
  • Composition & Production Skills
    Mixing & Mastering

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  1. I think this is great now. Interesting all the way through. The track has a surprising amount of sub bass (grin). Ending feels cut off, I would prefer that last note end naturally.... but other than that this works for me. Fun track! YES
  2. Chimpazilla

    NEW ALBUM - COLOURS by PRYZM (Electro Organic Prog)

    This music is really impressive, Nabeel. Great work!!!
  3. There is so much to love about this remix, it's so creative! It needs a few fixes though. Dubstep drums have got to be on point. I think the drum writing is fine, but the sounds need to improve. The kick is not a proper dubstep kick, the snare isn't heavy/loud enough, and the hats are kind of lost mixed in the center. Regarding wubs and leads playing at the same time, it works fine as long as everything has its place in the soundscape. Starting at 0:47 (and again at 3:19), there is too much going on in the same frequency range (and a lot of it is in the center) and it's too hectic, it is better at 0:58 because there's less going on (and the backing sounds wider) but the panning of the wub so far left feels unbalanced. I think this will work well if you widen the wubs/backing quite a bit leaving the lead to occupy the center (as you have it now). The lead timbres do feel quite vanilla, but the writing makes up for it I think. 1:48 really exposes the drum issues I mentioned. The solo writing starting at 2:10 feels very random and doesn't follow a contour well. If this were my track, I'd consider cutting out 1:37-2:32 entirely, that part seems unnecessary and doesn't flow well. TL;DR - Change the kick to a solid dubstep sample, make the snare louder/more impactful, give the hats a little stereo image, widen your wubs/backing with no hard-left panning, and either re-write the solo lead so it makes more melodic sense or chop 1:37-2:32 out of the mix entirely, and this will be a yes from me. This is very cool and I'd love to see it on the front page. NO (please resubmit)
  4. I agree with every crit listed here, but I still think this track is good to go. Without timestamping, I feel like the source usage is dominant enough, there's no doubt about what is being remixed. I love the hybrid genre here, jazz, electro and some chippies. The mixing could surely be cleaner, and the leads could be less vanilla, but what's here gets it done. The drums and bass pattern feels a bit loopy, and the abrupt ending feels sloppy, but the overall effect is very unique and fun. Let's do this. YES
  5. I agree with the guys on the mixing being a tad flat. I agree with MW that the main hook is played on violin a few times more than I'd like. The breakdown is epic and the trumpet is sequenced well although the volume gets too loud at one point. The sudden chiptune section is an excellent surprise, and the chiptune elements mix in a very cool way with the orchestral soundscape when they play together. Overall a unique and creative take on this source! YES
  6. I agree with the other Js that the vocals sound like they aren't nested into the track well, they sound pasted on, perhaps they are just too loud, fx and all. Other than that, the track is very well crafted. Drum groove gets repetitive after awhile. This track is almost good to go for me, but I have to agree with Sir_NutS here, the too-quick fadeout is a dealbreaker. It would be so easy to end this on the downbeat with a nice crash or something, but the quick fadeout sounds too awkward. I hope we can get that fixed! YES (conditional on fixing ending)
  7. Really unique and creative arrangement. I agree that the mixing could be refined, some leads are a tad loud, and Larry's right about the drums not fitting the soundscape, the main snare is much too snappy and the hats are too loud, and there's an electro-shaker that doesn't fit well at all or is just mixed too loud/dry. Regardless, I'm loving the creativity here. YES
  8. I was ok with the resub last time, and I'm still ok with it now, I still like it! Let's post it already! YES
  9. LOUD. This track hits -5.6db RMS, and is generally a sausage waveform all the way through; it's a bit sonically exhausting just due to the strong compression. That said, the track is very well mixed especially for how loud it is, I hear no distortion. I love the track. It's long, but it never loses my interest. Well done! YES
  10. What an interesting approach! I am one who loves vocal clips in songs, as long as they are cohesive and tell a story, and they fit in nicely here. The arrangement is great. Expect some hate for the vocals, but you'll get none from me. The parts are performed wonderfully and the mixing is tight. Love it! YES
  11. Oh man this is fun, so varied, so cool, so much detailing. Nice work with the horns, very well sequenced. The tempo speed up is wicked cool. The kick does get a little tedious, I think because it may not be the best kick for this sonic palette. Regardless, I love it! YES
  12. This is incredibly creative considering the limits of the sonic palette you've chosen. As Deia said this one won't be a fan favorite, but it is one of the most unique mixes I have ever heard. And I adore bells. The mix is well crafted and mixed. Very nice! YES
  13. This is great! Starts out really conservative, but moves into some very cool mood changes. The humanization is good enough I think. I really like this, it's epic! YES
  14. I'm really torn here, the mix itself is beautiful and well put together, but I can't quite get into it because of the repetitive nature of the arrangement. I get that the source is repetitive, but that doesn't mean the remix has to be. The mix builds and things are added, but the way the writing is, it feels like a four and a half minute build to nowhere, followed by an extended outro. I feel like if the arrangement were broken up just a bit in the middle that would help, even if something like the outro were to appear halfway through and then something similar at the end like you have already. As it stands, the arrangement just doesn't keep me engaged even with all the additions made. I may be in the minority with this opinion. Good luck with the rest of the vote! NO (resubmit)
  15. The kick feels pretty heavy/punchy for this instrumentation, especially when it's exposed like at 0:51 and 3:38. The instrumentation is somewhat odd, especially the two leads, but the overall effect is completely unique. The lead in the final passage is very vanilla and dry. The breakdown is almost too bare. The arrangement is great, though, and I am enjoying it. I especially like the kettle drums. YES