ubernym

What! I didn't know I was your arch-nemesis! I'm not prepared for that kind of responsibility (I don't even have a goatee or a skull-shaped island or anything)

Wow, it's been almost two years since the last writing compo for me...maybe it's time. Don't hold me to it, but the month's young yet!

Please note that the following statements are in relation to "popular" music, which is defined as modern music, typically with a singer. I'm not including concert music (i.e. classical/chamber/orchestra/etc) or jazz music in my comments, because I think that it would be unfair to compare Britney Spears to Miles Davis, or Nickelback to Kronos Quartet. There is a certain amount of high-mindedness associated with "non-pop" music, and we're not having a conversation about that right now. The mechanics of listening to music are universal, but the reasons are not. Justifications of individual taste are rarely helpful, because each of us has a unique perspective. For example, I have a friend who likes a lot of different pop music, but the common thread that ties all of his likes/dislikes together is whether or not the music has a charismatic singer with compelling lyrics. I also like a lot of different music, and my friend and I have many similar likes. The key difference is that I'm not as interested in lyrics and singers as he is. Sure I appreciate them, but because I'm a musician and because I'm a hobbyist in music production, my reasons for enjoying a song extend beyond good lyrics and into the realm of production values, arrangement, instrumentation, etc. I look at the whole picture, and I can enjoy a well produced, well played song even if the lyrics are shiny and vapid. My friend cannot do the same, however he can enjoy some pretty terrible guitar playing and even worse production values if the singer has something interesting to say. Is my approach to music enjoyment better or more accurate than my friend's? Not even a little. He has some very good arguments for why lyrics matter so much, and I think I have some good arguments for why arrangement and production matter so much. It doesn't matter. The material point is that we're both thinking about why music matters to us, and that we've considered the reasons we enjoy it. Nobody is right, and nobody is wrong. Music is firmly an aesthetic choice, and the factors which play into our personal enjoyment of a song are as individual and unique as our personalities and the histories which formed us. I am a musician, and can enjoy music in many forms simply for the sake of its musical qualities. My friend is a writer and a poet, and he appreciates music with a literary keen to it. My wife is an actress and a singer, and she enjoys music of the theater above all else. My dad was an aspiring filmmaker when he was a kid and is such a movie buff, and he loves movie soundtracks and any kind of music that paints a cinematic image. My brother-in-law is very athletic and loves to dance, and he tends to enjoy any song with a driving beat. Another friend of mine is a seriously good guitar player and he really loves jam bands and guitar jazz. Most visitors to this site are or were serious video gamers at some point and we enjoy hearing interpretations of musical themes from our favorite video games. Live and let live, and if you think that some genre of music or the majority of offerings within that genre are irredeemably bad, that's fine. You're entitled to that opinion. If you start judging people who listen to something of which you don't approve, and you start calling those people names just because they don't like the same music as you, or because they have different, maybe even more superficial reasons for liking music than you do... do you really think you're accomplishing something by riding the high horse?

...He was going through a divorce at the time and drinking heavily...? I don't know it's plausible

According to wikipedia: ...which is pretty lame, and I'm glad they changed it. Also, I'm about 8 hours in and its awesome. I personally like the new localization. It seems in many ways more mature and subtle. Oh man I haven't had this much fun in ages!

Sorry guys, I can't write poetry.

I bought it. Funny thing, I've never bought Chrono Trigger in any of its other iterations. First time I played it was when I borrowed it from a friend. Second time, was on (ahem) a SNES emulator. And then I played it on my brother's PS1. Even on the emulator, it felt..not quite right, and the PS1 version load times were irritating to say the least. So for me, $40 for one of my all time favorite games is well worth it. Now we just need to convince the powers that be to release a Mother trilogy on DS. I'd gladly pay $100 for that.

Oh yeah! This is going to be AWESOME

Great job everyone! I also appreciated the critiques, and only feel bad that I never had time to vote. Being a new father with two jobs is a little hard on my schedule. Blue.Nocturne: I noticed you had a problem with a chord that was a little dissonant. If only I had time to fine tune this piece. I sent it in as a pretty rough draft. It was one of those chords that sounded really great stretched out across my piano, and it didn't really translate well into strings only. I should had added some other instruments to layer the chord better. I also appreciate the more technically-minded comments about EQ and reverb. Always helpful! Even though I didn't get to vote, I would have voted for Maquis as the winner. That piece was excellent! Gave me chills, and fit your description very well. I read the story to my wife and then she listened to the piece and it actually brought a tear to her eye. That's good writing! I also agree that there wasn't a bad egg in the basket for this theme. Great job everyone. I can't wait for the next theme (hope I'll have time) and I hope we get this much turnout next time.

+1 submitted. Good luck everyone!

Voted! Great job everyone, it was a good round.

Heh, yeah I actually thought about calling it "Blue Nocturne" for fun. I ended up originally titling it Water Nocturne, so credit needs to be given to Abadoss for coming up with the more interesting sounding "Aqueous Nocturne." Hopefully this is abstract and unique enough that we get a lot of participation!

Sounds reasonable to me.

From the Keith Jarret performance I mentioned. Reading the comments on youtube, I guess I'm not the only one who was moved by this piece: http://www.youtube.com/watch?v=wO9si26qB0s&feature=related

I'm a sentimental sap. At least when it comes to books, music and film/plays. Though I rarely cry when real life is involved. When it's real, the tragedy of it is to overwhelming for tears and I just get quiet and numb. My family ridicules me for this. But oh man, if I had a nickel for every time a song has made me cry, I'd have like $13.50 or something. I tend to cry in movies if there's a certain convocation of music and the moment. But if we're just talking individual pieces of music, here are a few that stand out in my mind the most: 1. Appalachian Spring, by Aaron Copland. But it has to be the fully orchestrated, full ballet version, not the medley suite version most people know. There is a big damn difference. I first heard this piece on a plane from Denver to Dallas. There's this moment right at the beginning where the winds are building on these add9/sus4+4 (or something) cluster chords and there's some solo violins drifting over the top... I was visibly weeping in my coach class seat. As soon as we landed I bought the CD. That was about ten years ago and it's one of my favorite recordings still. 2. Leonard Bernstein's Mass, by Leonard Bernstein. At the very end. I listened to this whole broadway style catholic mass, which was full of all kinds of shocking and offensive lyrics. It's this journey from religious ritual into debauchery (and the idea that the two are not far removed from each other to begin with) and then back into faith and hope. And it's that moment at the end when you think that people are way to messed up and that they've ruined everything and then this child starts singing, and everyone joins in this very simple, very hopeful chorus. I cried like a baby. 3. Keith Jarret's performance at La Scala. So Keith Jarrett is this great jazz pianist who occasionally does these all-improv concerts which are recorded. One time he's at La Scala in Milan (I think it's in Milan) and he's doing his thing and there's this moment of intensity followed by utter musical bliss. I remember I was sitting on my best friend's living room floor while listening to this, trying to hide my tears. I also have an album of christmas carols sung by the Cambridge Singers which usually chokes me up, and Arvo Part's works are quite emotionally disturbing to me. Also when my wife and I saw the musical version of Little Women, and there's this part when the sickly, soon to be dead little Beth is playing the piano and singing this stupid song about going to the bay or something but the whole setup of it just dissolved us both into blubbering idiots. Carousel made me cry too. Again at the end, when the deadbeat dad is up in heaven realizing what a moron he was. It's so sad! I'm barely scratching the surface here. I'm a big crybaby. Don't hit me!

Let me clarify my view, also. It's possible that my word count is off too, but you (Imagery) said that you couldn't post the entry because it was too long by a mere 14 characters...so imagine if he were to try and whittle down the entry even a little bit. Then we would be able to have all the entries actually in the thread, which is a lot easier (IMHO) to parse out when it comes time to review everything. So I'm looking at this from a rules perspective and a simple ease-of-use perspective. I'm also looking at this from a trying-to-help-a-fellow-writer perspective, because I think asking Zeality to try and shave off a few extra words accomplishes something else for his benefit, in that is forces him to look for things in his piece that might not be as good as the rest. Again, I'll cite Ernest Hemingway: “I write one page of masterpiece to ninety one pages of shit. I try to put the shit in the wastebasket.”

At the risk of sounding utterly pedantic, Zeality's entry is over the 2500 word limit. It's not over by much, only about 60 words, but those 60 words would make the difference between being able to post the entry in the forum... Would it be so terrible to ask Zeality to trim the entry to fit with the rules of the competition? I don't want to discourage participation so if that is too unbearable a request than feel free to disregard my suggestion. But really, everyone else played by the rules and it's not unreasonable to ask Zeality to make a slight revision...I'm sure he could find 60 unnecessary words in his piece. It might even increase his chances of winning (remember Hemingway)! I'm just a humble participant, so if I'm out of line you can just ignore me. Now if you'll excuse me I need to re-apply the masking tape on the bridge of my glasses. *snort*

I'm cool if you want to extend.

The Golden Zither, by Ubernym

Okay, I've submitted the next theme, so get ready! I'm also in favor of changing the thread title to the full name of the competition. It may affect search purposes, but these threads are time sensitive and get the best exposure as we post in them and keep them on the main page of OCR. Might get some curious visitors if they see the full name of the compo on the front page instead of a cryptic acronym. Just my two farthings...

votecast +1 Also: good job to everyone who entered. I seriously hope this little "witch hunt" episode doesn't hurt participation in the future, especially for you, Blue.Nocturne. I always enjoy listening to your entries.

I've submitted mine.

Personally, I often try to start completely fresh with these competitions, not using any "old ideas". I do this not because I think it's cheating (I don't), but because it forces me to be really creative. My last entry was completely made up and written and completed within about four hours. Is it my best work? Probably not, but the point was for me to do one thing from concept to complete. Even though I won the compo, it wouldn't have mattered to me if I was dead last because practice itself was so rewarding. So while it may be within the rules to write something from your originally authored universe, I would personally recommend NOT doing that and forcing yourself to do something completely original, even if you're worried it might not be that good. Maybe I'm alone in thinking this, but I view these competitions as opportunities to really practice the craft of writing, specifically the important skills of expediency and flexibility.

I do have an entry, but I'm not totally happy with it so I've been doing a rewrite... I will post something though.

Gray was one classy dude. Not to be morbid, but the death possibility isn't so far-fetched. Example: My best friend committed suicide several years ago, and nobody knew about it on the net, except for here, when I made a thread about it in UnMod. But he wasn't a member here so it wasn't obvious, and UnMod was a private forum, and I never mentioned any of his online names. Last time I checked his blog was still up and his gmail account was still active, or at least gmail didn't return a test message I sent (I was curious). If someone knew him by an internet alias, there would be know way of knowing that he was dead, as he kept both worlds far apart from each other. In fact, I was the ONLY person who even knew that he had an internet presence in the final year of his life. It's already been said that GL was very private online, and it wouldn't surprise me if he is equally private offline, so if something happened to him, nobody who knows him offline would even realize that people in a forum on a website might want to know about it. That's the craziness of the internet: it's created a bifurcated reality. We create these topical communities and they evolve into structures that seem so much like a real neighborhood we sometimes take for granted how much of it is an elaborate facade. You call me Ubernym, but none of my friends even know that I have a username like that. If I died or was somehow unable to get online, nobody in my circle of friends or family would even consider telling you guys about it, or anyone else online for that matter (not to say that I'm like GL, or that anyone would really even care if I disappeared from OCR, I'm obviously not). GL once told me to keep a secret too, but it was pretty mundane and had nothing to do with his current absence. Possibilites: 1. Death 2. Workaholic 3. New username, internet identity emancipation 4. Just doesn't care anymore about this community 5. Moved to a country with no internet access. Like maybe he's living butt-naked in the Amazon drinking hallucinogenic herbs with a shaman The simple fact remains that we will probably never know, unless someone gets serious goes all Matlock on our asses. That would probably be inappropriate and disrespectful of one who so jealously guarded his online privacy.