Jaroban Posted November 16, 2010 Share Posted November 16, 2010 Hey guys & gals! I wanted to extend this offer to you all. I booked a session with a 54-piece orchestra and I don't need all of the studio time that I booked, so I'm trying to sell off the extra produced minutes to make it more affordable for everybody. I know there are some aspiring orchestrators around here, and here's your chance to get one of your compositions or remixes recorded live for a very reasonable price. Please check out the eBay listing if you are interested for more details: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230551555128 And direct any questions at me through the auction page. Oh and move quick, because I need the scores and parts by Friday night. Thank you! -J Quote Link to comment Share on other sites More sharing options...
dannthr Posted November 16, 2010 Share Posted November 16, 2010 Bratislava doesn't care if it's good or not. How much studio time are you alotting per minute? 15-20 minutes? Cool offer, very cheap. Did you choose the instrument proportions? It seems very strange to me. Quote Link to comment Share on other sites More sharing options...
Jaroban Posted November 16, 2010 Author Share Posted November 16, 2010 It's a 4-hour session and I've meted out 20 minutes of finished material, so 5 minutes/hour or about 12 minutes/minute. I've been assured it is doable so long as the material submitted isn't too difficult, which I noted on the auction page. I chose the instruments to go with my own scores that I'm having performed at the session. It was recommended me as a good set of instruments to at least get your feet wet writing for all the instruments, while keeping costs down not hiring a complete 65-piece orchestra. Quote Link to comment Share on other sites More sharing options...
dannthr Posted November 16, 2010 Share Posted November 16, 2010 It's a 4-hour session and I've meted out 20 minutes of finished material, so 5 minutes/hour or about 12 minutes/minute. I've been assured it is doable so long as the material submitted isn't too difficult, which I noted on the auction page.I chose the instruments to go with my own scores that I'm having performed at the session. It was recommended me as a good set of instruments to at least get your feet wet writing for all the instruments, while keeping costs down not hiring a complete 65-piece orchestra. What do they mean by standard doublings? And it just seemed imbalanced to have 4 horns and 2 trumpets, or things like 2 flutes which are very quiet and 2 oboes, one which could be heard over an entire orchestra. Things like that. And the strings are very small compared to the other sections--of course, if they double track the strings, that can make up for it, for sure! Quote Link to comment Share on other sites More sharing options...
Jaroban Posted November 16, 2010 Author Share Posted November 16, 2010 Standard doublings Flute->Piccolo Oboe->English Horn Clarinet->Bass Clarinet etc. It's not that weird, it's a little brass-heavy but I did that so I can get some work in writing for all the brass instruments. Basic orchestration dictates that you need 2 horns to balance with 1 trumpet or 1 trombone at forte. 2 oboes are very capable of blending with 2 flutes. Typical orchestra a due will have 2 of each type of woodwind. Often 2nd oboe will play an English horn part so maybe that will take care of your balance issues. Quote Link to comment Share on other sites More sharing options...
prophetik music Posted November 16, 2010 Share Posted November 16, 2010 Standard doublingsFlute->Piccolo Oboe->English Horn Clarinet->Bass Clarinet etc. It's not that weird, it's a little brass-heavy but I did that so I can get some work in writing for all the brass instruments. Basic orchestration dictates that you need 2 horns to balance with 1 trumpet or 1 trombone at forte. 2 oboes are very capable of blending with 2 flutes. Typical orchestra a due will have 2 of each type of woodwind. Often 2nd oboe will play an English horn part so maybe that will take care of your balance issues. i concur. this is a little simplistic in terms of not taking ranges and the like into account, but this is a relatively normal layout for an orchestra. your strings might have a little trouble being heard, but it'll be fine, if they know what they're doing. Quote Link to comment Share on other sites More sharing options...
dannthr Posted November 16, 2010 Share Posted November 16, 2010 I'd move the 2nd oboe to a 3rd flute, personally. I like my horns 4 to 3 trumpets. 2 trumpets on top, 1 on bottom and 2 and 2 for horns or 4 part choir, which sounds great. It just seems weak on the trumpet side, in my opinion, but whatever. The strings are real light here--hopefully the mic placement will take care of that point. Quote Link to comment Share on other sites More sharing options...
prophetik music Posted November 16, 2010 Share Posted November 16, 2010 I'd move the 2nd oboe to a 3rd flute, personally.I like my horns 4 to 3 trumpets. 2 trumpets on top, 1 on bottom and 2 and 2 for horns or 4 part choir, which sounds great. It just seems weak on the trumpet side, in my opinion, but whatever. The strings are real light here--hopefully the mic placement will take care of that point. naw, it's really, really rare to find an orchestra that requires two flutes and a picc, or three flutes, until you get into the late 19th century romanticism. two trumpets is enough, too, when you consider that horn 1 and 3 basically function as trumpet 3 in some instances. Quote Link to comment Share on other sites More sharing options...
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