Jaroban Posted November 16, 2010 Posted November 16, 2010 Hey guys & gals! I wanted to extend this offer to you all. I booked a session with a 54-piece orchestra and I don't need all of the studio time that I booked, so I'm trying to sell off the extra produced minutes to make it more affordable for everybody. I know there are some aspiring orchestrators around here, and here's your chance to get one of your compositions or remixes recorded live for a very reasonable price. Please check out the eBay listing if you are interested for more details: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230551555128 And direct any questions at me through the auction page. Oh and move quick, because I need the scores and parts by Friday night. Thank you! -J Quote
dannthr Posted November 16, 2010 Posted November 16, 2010 Bratislava doesn't care if it's good or not. How much studio time are you alotting per minute? 15-20 minutes? Cool offer, very cheap. Did you choose the instrument proportions? It seems very strange to me. Quote
Jaroban Posted November 16, 2010 Author Posted November 16, 2010 It's a 4-hour session and I've meted out 20 minutes of finished material, so 5 minutes/hour or about 12 minutes/minute. I've been assured it is doable so long as the material submitted isn't too difficult, which I noted on the auction page. I chose the instruments to go with my own scores that I'm having performed at the session. It was recommended me as a good set of instruments to at least get your feet wet writing for all the instruments, while keeping costs down not hiring a complete 65-piece orchestra. Quote
dannthr Posted November 16, 2010 Posted November 16, 2010 It's a 4-hour session and I've meted out 20 minutes of finished material, so 5 minutes/hour or about 12 minutes/minute. I've been assured it is doable so long as the material submitted isn't too difficult, which I noted on the auction page.I chose the instruments to go with my own scores that I'm having performed at the session. It was recommended me as a good set of instruments to at least get your feet wet writing for all the instruments, while keeping costs down not hiring a complete 65-piece orchestra. What do they mean by standard doublings? And it just seemed imbalanced to have 4 horns and 2 trumpets, or things like 2 flutes which are very quiet and 2 oboes, one which could be heard over an entire orchestra. Things like that. And the strings are very small compared to the other sections--of course, if they double track the strings, that can make up for it, for sure! Quote
Jaroban Posted November 16, 2010 Author Posted November 16, 2010 Standard doublings Flute->Piccolo Oboe->English Horn Clarinet->Bass Clarinet etc. It's not that weird, it's a little brass-heavy but I did that so I can get some work in writing for all the brass instruments. Basic orchestration dictates that you need 2 horns to balance with 1 trumpet or 1 trombone at forte. 2 oboes are very capable of blending with 2 flutes. Typical orchestra a due will have 2 of each type of woodwind. Often 2nd oboe will play an English horn part so maybe that will take care of your balance issues. Quote
prophetik music ⚖️ Posted November 16, 2010 Posted November 16, 2010 Standard doublingsFlute->Piccolo Oboe->English Horn Clarinet->Bass Clarinet etc. It's not that weird, it's a little brass-heavy but I did that so I can get some work in writing for all the brass instruments. Basic orchestration dictates that you need 2 horns to balance with 1 trumpet or 1 trombone at forte. 2 oboes are very capable of blending with 2 flutes. Typical orchestra a due will have 2 of each type of woodwind. Often 2nd oboe will play an English horn part so maybe that will take care of your balance issues. i concur. this is a little simplistic in terms of not taking ranges and the like into account, but this is a relatively normal layout for an orchestra. your strings might have a little trouble being heard, but it'll be fine, if they know what they're doing. Quote
dannthr Posted November 16, 2010 Posted November 16, 2010 I'd move the 2nd oboe to a 3rd flute, personally. I like my horns 4 to 3 trumpets. 2 trumpets on top, 1 on bottom and 2 and 2 for horns or 4 part choir, which sounds great. It just seems weak on the trumpet side, in my opinion, but whatever. The strings are real light here--hopefully the mic placement will take care of that point. Quote
prophetik music ⚖️ Posted November 16, 2010 Posted November 16, 2010 I'd move the 2nd oboe to a 3rd flute, personally.I like my horns 4 to 3 trumpets. 2 trumpets on top, 1 on bottom and 2 and 2 for horns or 4 part choir, which sounds great. It just seems weak on the trumpet side, in my opinion, but whatever. The strings are real light here--hopefully the mic placement will take care of that point. naw, it's really, really rare to find an orchestra that requires two flutes and a picc, or three flutes, until you get into the late 19th century romanticism. two trumpets is enough, too, when you consider that horn 1 and 3 basically function as trumpet 3 in some instances. Quote
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