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*NO* Castlevania: OoE, 2, HoD, DoS & SotN 'The Belmont Revolution'


DragonAvenger
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Hi dear Judges! Hope everything's going well for you!

Contact Information

Your ReMixer name: Chernabogue / NintenJoe 64

Your real nam: Alexandre Mourey / Joe Nichols

Your email addres: chernabogue@gmail.com / -

Your websit: Not yet / http://www.reverbnation.com/nintenjoe64

Your userid (number, not name): 20943 / 25151

Submission Information

Name of game(s) arranged: Castlevania: Order of Ecclesia, Castlevania II: Simon's Quest, Castlevania: Harmony of Dissonance, Castlevania: Symphony of the Night, Castlevania: Dawn of Sorrow

Name of individual song(s) arranged: "Dissonant Courage", "Last Boss", "Incarnation of Darkness", "The Horde's Festival", "Evil Invitation"

Additional information about game including composer, system, etc.: Michiru Yamane, Yasuhiro Ichihashi, Soshiro Hokkai, Konami Kukeiha Club, Masahiro Kimura / Nintendo DS, NES, GBA, PS1

Link to the original soundtrack: http://www.youtube.com/watch?v=nFHUbrNkb5E,

, http://www.youtube.com/watch?v=DWqX4dXrOAY, http://www.youtube.com/watch?v=jw3H4NLf30I, http://www.youtube.com/watch?v=9-ZNsLjJz6w

Your own comments about the mix, for example the inspiration behind it, how it was made, etc.: One or two years ago, I (Chernabogue) started making a Dracula/Castlevania medley for the BadAss project, but it sounded very bad. In November 2010, I asked NintenJoe if he was ready to make an improved version of this track, as we collabed on several tracks. He accepted and it finally ended in a symphonic metal medley and got accepted on the project! (Copy/Paste from artist comments for the album, haha)

Name of the remix: The Belmont Revolution

Link to the remix:

I hope everything is okay. As always, don't hesitate to ask me if not! ;)

-Alex

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- Dissonant Courage original
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I was cool with the arrangement on this, though everything was treated fairly conservatively with some general expansion/nooding on top. most of the transitions worked pretty well regardless of all the different sources at play, save for 3:48, which suffered because of how muddy that buildup was. the whole mix was pretty muddy but the busy sections in particular (parts around 3:40 and 4:45 for instance) were just way too washed out in reverb. I can appreciate the ambitious approach to the arrangement, but it'll probably take a good deal of EQ and tweaking your sounds/effects to get everything to sit right.

NO(resub)

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Agreed fully that the production is the main deal holding this back, although I've got some arrangement qualms. Right now all of the instruments don't feel very clear, and the mix isn't balanced overall as well. Honestly I think this needs a pretty big overhaul in the production end.

Arrangement has it's personalizations, although it remains conservative. As Drew mentioned, the transitions are pretty fluid overall, no qualms with that. I think this could be trimmed down: I'm hearing a lot of one source played through 2-3-more times in a row before it moves to the next source, and there doesn't seem to be many changes between the replays. Not feeling the guitar solo at all at 4:27, felt like there were some note choices that weren't the greatest, and it would be great if you could look at that more closely.

Surprisingly well-brought together for 5 separate sources, but this needs work.

NO (resubmit)

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Overall I am pretty impressed with the ambition here, but the guitars and drums are way too reverbed - generally the most effective rock + orchestra tracks are mixed with the rock band up front, and the orchestra and such behind them.

Some of the guitar rhythm playing was pretty off the beat as well, especially during the 16th note chugs; it sounds like you have the chops to play this kindof stuff, so redoing the part until it's right is the best plan.

This really has promise as an arrangement, but the production needs to click together for it to really work. I'd love to hear this revised!

No, please resubmit

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