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Eino Keskitalo   Members

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Posts posted by Eino Keskitalo

  1. Great, mellow work. I love that horn bit in the beginning of the break, it's very effective.

    Comparing this remix to something by zircon or even BT, for example, the perceived loudness is about the same. The vinyl sample, being a stylistic choice, only plays during the break.

    I agree with Audity, it's very loud. I listened to zircons Dirt Devil and Monstrous Turtles (edit: Deliverance of the Heart is a good comparison, too), and it's noticeably louder than those. I complained of loudness with the recent Animal Crossing ReMix. If a "soft" piece is loud, louder than a Sixto guitar thrashing piece, it's very jarring. This is a bit loud for me. (ok, that's probably "loud" said too many times already)

    If the vinyl sample plays only during the break, then there's some light brittle rattling during the louder parts. Well, I get some anyhow. :)

    I imagine pixietricks vocals will be just fantastic with this track..

    --Eino

  2. Actually, the instrument in the following soft section sounds both like brass and strings, so whatever it is, make up your mind.

    I disagree - it sounds good to me. Kind of like a mellotron.

    A solid arrangement from a great soundtrack and a great game.

    --Eino

  3. I definitely love where this is going. FF4 is a very important game to me. When this track got to 01:45 it hit the recognition sector and I got goosebumbs.

    You're of course going to upgrade the sounds/production, right? :) Some of the sounds actually already sound great to me: strings sound pretty good already, the guitar/koto that does fast one-note picking/rumbling is great!!!!, and there's also a horn in there that tickles my feelgood-nerve coz' it's kinda lofi and nice. Are there human voices around 01:15-01:45?

    Percussion, the harp and the bass definitely need upgrading.

    I really really really want you to finish this. I'm even going to keep just this wip.

    --Eino

  4. Yes, this is a great one. The sound has warmthness to it, it feels kind of encompassing to listen to it on headphones (I hope you catch what I mean). I find it faithful to the way the 16-bit Sega sounds, while the sound itself is very much "updated." It sounds perfectly Phantasy Star. Also the track has an amazing drive to it, while still sounding, in a way, laid back. Organ improv in the more quiet middle part is very nice! And no cruft in the whole 6:03.

    --Eino

  5. I agree about the energy - and the headphone issue too. This track has sort of "garage" production - at first I didn't like it so much, but then it somehow just clicked, it sounds right. The transitions between different original material are indeed very "medley". It makes the whole sound undeveloped. There are a lot of good ideas, but they don't get to shine so much. The second section is quite great. The beginning solo bass sounds really nice to me. I'd love a "full" ReMix developed from that part.

    I also grabbed the Megaman 2 soundtrack from 8-bit Instrumental's homepage, and I really enjoy tracks 11-13 - the password piece is among them.

    --Eino

  6. Pretty nice work. I like the liberties with the flute lead around 1:50-2:15, that's beautiful stuff. I like the bass and drums too.

    I wouldn't mind if the mix had taken a bit more time to develop certain transitions. The intro for example - I could've taken a few more bars establishing the mood and have the melody enter a bit later than right at the start. Another point is around 03:00 - the Angel's Fear theme begins a couple of bars too soon. But that's just me - other people probably appreciate getting straight into business. :)

    I'll be keeping this one, it's a good mix of some of my favourite originals.

    --Eino

  7. This one is definitely not to my tastes, but it obviously hits the spot it was going for. I thought the harmonica was great. The modulation made it very intresting - a "straight" harmonica solo might have been way too saccharine.

    This track is pretty loud, I had to dial it down a couple of notches when it came up among some other tracks I've been listening to.

    --Eino

  8. Whoa... first off, the guitar/keyboards/whatisit?! in the choruses sound AMAZING. An incredible wall of sound. I like it.

    You make a good question about the bass. Having the bass stay in one place while the chords change is an effect I really like. But you don't have to do that all the time, you could do that for half a chorus, or do it in one of the choruses in the song.. experiement! About the bass as it is now, I think the fill sounds better as "A-E-F-G-A" than the "A-E-F#-G-A" you have now. I guess the bass is in major key and it should be in minor key. Or something, I know next to nothing about theory. :)

    --Eino

  9. ..pass me some more of that octotonic shit..

    Ahh, what a fine, thick piece of madness. I definitely like. The main lead sound is thankfully not omnipresent, it's a bit tiring to listen to constantly, but there are breaks from it and anyway, what is played is some wicked stuff indeed. And I don't mean that it's bad in itself. Maybe a bit more guitar tone variation could have been there, but not a major complaint.

    I can see what the drum complaints are about.. I like most of it, but especially the first part below that big guitar solo it's both too simple and too loud. Some quick but fairly quiet hihat runs for instance would have been better than frequency-hogging constant cymbal bashing, in my opinion. The second part is actually a bit like what I'm talking about, but less subtle. I do kinda love that bashing cymbal sound, but at the same time it's one of the sounds that gives it a bit mechanical feel - it sounds the same all the time. Some (volume, ...) variation there could have been good.

    But hey, that's a lot of nitpicking since overall I thoroughly enjoy this arrangement, and also the sound! It's evil and thick and yet not overbearing.

    --Eino

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