Jump to content

analoq

Members
  • Posts

    1,309
  • Joined

  • Last visited

Posts posted by analoq

  1. I dig the opening bassline, very similar to the opening bassline to More Human Than Human (and I loved that too).

    of course you dig that bassline, it's the business and you're the biz. you are somewhat related, no? (:

    but yes, that bassline is directly influenced by the white zombie song. i'm surprised it wasn't pointed out earlier. NIN was an influence also. decent ear, you've got.

    cheers.

  2. ack, what is this guy thinking? there is way too low-end on this, among other noticeable mixing fumbles. there's a few too many parts in this mix that seem sparse or repetitious. ending is awkward.

    i'm not familiar with the original, unless anyone can say there is an impressive amount of arranging going on here, this earns a

    no

  3. i dig the hardcore beats. there's something about a distorted 909 kick that never seems to lose appeal to me. however this mix is unfortunately simplistic and repetitive and does not have much to offer the listener. effortless endings don't earn you many points, either.

    no

  4. Hey, I wasn't sure if the queue was just really backed up or not but I decided it couldn't hurt to send a message anyway.

    I submitted my song for review on October 21st and confirmation was received on the 22nd.

    Song link is

    Song title is Zeromus - Embodiment of Hatred

    Artist is Khalal

    Year is(was) 2003

    Original Artist Nobuo Uematsu

    Copyright Squaresoft obviously ;)

    It's from the final battle... which I believe is aptly named "Final Battle"

    any assistance or information you can provide would be greatly appreciated :)

    - Khalal

    seems mediocre, but i need to give it and the original another listen before i can come to any real decision.

  5. gotta love that piano intro and that percussion. tight! lyrics are a bit different, that's good.

    my problem with this is it doesn't take many liberties from the original, it follows the same chord progression, same structure, same melodies (but on different instruments), and it even has the same minor 2nd modulation on the last part.

    the terrible emceeing doesn't help and that vocal effect gets rather tiring by the end. i think this merits a resubmit.

    no

  6. ok, he's slowed down the original and brings each part in with limited transition. we go through some really empty sections... then we get some more clever combining of the parts 2/3 the way in. i like the delays on the percussion. the reverb is an interesting idea but the effect becomes tiresome very quickly. try getting rid of the reverb after the listener has enough time to 'get it'

    more attention to development and mixing needs to be applied here.

    no

  7. i know 99.9% of you don't need to hear this, but just for the record...

    this ReMix is in no way an advocation of philosopher Anton Lavey or the Church of Satan. so don't bug me about it (:

    anyways, thanks to my fellow judges for accepting this and thanks to djp and the rest of you for your kind comments. i may have more to say about this mix later but for right now i need some sleep.

    cheers.

  8. the trills in the beginning are a nice effect. flute sounds very full when it comes in around 1:30. the strings sound very full throughout the track, the voicings are muddy sometimes but not in a bothersome way.

    yeah, 3:45ish is where this mix really feels good. the distorted guitar abstraction sounds a bit conspicuous at times in this section. overall this track feels like anime underscoring, what with the slow melodrama and fake yet pleasing instruments. of course i could be stretching my generalizations.

    i haven't heard the first version of this so i can't comment on if this is better or not (hey, this ain't a wip board!)

    yes

  9. it happened on sunday. i had been playing prboom for about an hour when i realized i had to stop playing right away. i spent the next five minutes coaching myself, "Calm down. Relax. Please don't vomit!"

    it was like the time i drank that 46 ounce margarita... only this time i was successful in keeping what was in my stomach.

    anyways, to get my mind off that unusual bout of motion sickness i decided to play around in logic and started a doom remix, which i just now finished. i thought to send it to the panel this time for whatever reason.

    Doom, E3L2

    cheers.

  10. this is very, very simplistic. if you're going to go without drums then you've got to make the other parts more interesting. like some harmonic variation, contrary motion, dynamics! everything is played so straight and lifelessly. this doesn't really offer the listener much more than a mood, but 1:50 of a single mood isn't enough to keep the listener from skipping to the next track in their playlist.

    no

  11. umm, thanks for giving us your life story?

    ooh, nice filtered drums and stereo delay. groovy... now where's the big beat drop... ok, no beat drop. where's the build... ok no build... now where's the improv section, there it is. c'mon i just KNOW it's going to get really big at the end... oh no that sounds like the ending cadence. darn.

    if this built somewhere it might be interesting, it has a cool groove but the lack of development gives it little to offer to the listener.

    no

×
×
  • Create New...