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Hemophiliac

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Posts posted by Hemophiliac

  1. http://dkcproject.ocremix.org/misc/Kong%20in%20Concert%20CD%20Cover%20Art.rar

    maybe a little from pencil and paper to digital work here...http://www.deviantart.com/deviation/8276812/

    and some traditional marker work:

    http://www.deviantart.com/deviation/7237295/

    i have Nero Cd Cover Creator as to save files in that format if needed as well as a few other cover design programs (i think). So the distribution format can be whatever needed....anyways, enough rambling from me.

  2. Yea i'd so love to do Ice Cap zone, in my semi-orchestral/choral style. However, i've got myself tied up with finalizing my track for the doom project (just picked it up not long ago). I'd really like to participate in this project though. For now i'd be interested in collabing on it maybe, or just being put down to pick up any tracks that people drop, kinda like a backup mixer or something.

  3. Adhesive Boy had to drop his track. I have talked to analoq to see if he was interested in picking it up, but he is busy over the next few, so no confirmation from him. Dan B has expressed interest as well, but if anyone else wants to take a shot at it also, go ahead.

    i'll give it a shot, i took a look at the song yesterday, and laughed at it's chromaticism. i'll see if i can get a wip going soon, one that has a bit more harmony and less chromaticism.

  4. Two points of notice i had to make when hearing the new version of FML:

    1. In the new version, the annoying "nasally" quality that was present in the vocals of the original is not there anymore.

    2. However, with the removal of the "nasally" quality it sounds almost monotone (for most of the song), and the dynamics are emoted less.

    the new more present organ was definitely a liking factor, and made this version much fuller then the first. 2:50 specifically hearing more organ here was awesome, but it had to trade with the wah guitar for that. At least the arrangement is good.

    I don't see this as an improvement over the first version.

  5. Ok, I'm looking for a whole bunch of stuff.

    Some good quality, acoustic, clean electric and distorted guitar sounds. Some good hats and cymbals and some good tom drums. A lot of crash cymbal and tom sound samples lack a lot of depth, and not the kind of depth that you can repair with acoustic modelling.

    Also, any brass and string ensemble fonts would rule (ones where it sounds like you got 10-20 violinists for instance). I often have this problem with squidfonts where alot of them tend to come in *after the beat*.

    Any help greatly appreciated.

    with samples that "sound" like they come in after the beat, adjust the attack (only very slightly) to help them sound quicker.

  6. Wonder how often this request comes up(I'll go back and check...):

    I need a good 'classical piano'. Something to do some beautiful piano solo's with. I've got: 4Front Piano Module, FL Keys, WST25FStein_00Sept22, and a few others, but none are really... Good enough. Any help would be appreciated. :D

    haha i think you should stick with the WST25FStein, it's a good soundfont. It only needs a little EQ'ing love to make it sound brighter. Heck, i used it in my KiC mix.

  7. I'm looking for some good string fonts like violins and violas ect., and also some more orcestra fonts.

    And I would really like some good reverse cymbal font.

    For stings (solo), look for Cadenza or Florestan.

    For a reverse cymbal, search for sonic implants- it should be a demo sf2, so it's free. ;)

    Well for a reverse cymbal, you can also just find a cymbal sample and uh...reverse it.

    :P

    What about the reversed attack of the crash. It sounds very awkward when I just leave it the way it is reversed.

    why don't you just slice the end before the attack? easy enough to do.

  8. I'm sorry that Im posting what probably is a stupid question, but Im really stumped.

    Im having problems making a sample play for the correct length that I want it to. It either plays for a certain amount of time, which means that my song sounds like a mess with a bunch of notes playing at the same time, or when I tell it to cut, I cant get any overlapping notes at all and it sounds really unatural. how do I make a sample play for the duration that I put in the Piano Roll?

    i can think of two things to try off the top of my head - i'll give you better ideas later when i pull out fruity.

    :arrow: try the full porta selector in the channel properties screen

    :arrow: use more than one sampler setup for various sounds. i've done that a few times to get a fuller sound out of the samplers and it will work - its just a little more work to get it totally sounding right.

    anyone else have any ideas?

    :twisted:

    definitely try changing ASDR envelopes, that usually can help if it's only a short difference between lengths...i haven't tried it myself for samples that are really long though.

  9. he finished sometime around 2:30-3:00am EST, and i found it particularlly strange about the requests being made, i think Larry has a certain fondness for Cool Cool Schala...omg 2 days in a row! no more!!! ahhhhh

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