Yeah, this really NAILS that "switched on Bach" feel of being simultaneously so cheesy and so amazingly cool it's disturbing. I LOVE the gated bits and little squeaks. They serve well to point to bazooie's sense of the melody of the original. It's especially interesting to me because I've been working on this tune as well, and have heard a take Mustin did on it, and it's very cool IMO how, from the constant barrage of eigth-notes in the original, each person seems to pick out different bits as the "melody" (obviously I'm referring to the upper parts, not the bass melody). Also, I really dig the kind of Casio-ish drums. They sound nicely understated, and anything else would be over the top and not fit well IMO.
Anyway, great work on this one.